Monday, October 26, 2020

Return of the Deadly Blood in the Snow Shorts: TRIM, TOO LATE, ESCAPE THE NIGHT, EXPECTING, FADE, FREYA, THE VISITOR and MOURN

 


TRIM
A young woman goes to get her hair cut and says something shouldn't have- spiralling things out in terrible way.
A twisted short which will make your skin crawl.


TOO LATE
A man, the late shift and his coffee.
A good animated film will make you rethink working overnight


ESCAPE THE NIGHT
The story of a pandemic where the disease turns people into bloodthirsty monsters.
A good film, but this is a proof of concept more than a full fledged film. If so I'm game to see where this goes.


EXPECTING
A childless couple has dinner with an expecting friend
This is wrong, it's really wrong.


FADE
A woman flees into the country.
A very good dark tale of abuse.


FREYA
The life of a young woman as seen through he relationship with her home personal assistant named Freya.
This is an uneven mix of horror, humanity and humor. At times an uncomfortable and funny look at modern life. Things  get sad  and I don't think the tonal shift works. It's good but the ending bre my heart.


THE VISITOR
A minute long short about a knock at the door. 
This is too short to talk about.


MOURN
A grieving young man walks into a shrinks office and begins to talk.
A slow building chiller that stings. Stay with this one.

More Blood in The Snow Shorts: DAY BREAK, A DINNER PARTY, ACROSS THE BRIDGE, AN IMPOSTER, THE SEANCE, MAMA'S HOME and THE PURGAMENTUM

 


DAY BREAK
A woman is haunted by something....
A good little film. I dare not say more...


A DINNER PARTY
A strange awkward dinner party between friends reveals what life during a pandemic of apocalyptic proportions.
And we think we have problems...


ACROSS THE BRIDGE
A little boy asks to play a game with his sister.
Beautiful looking film may not be narratively perfect but it packs an emotional kick.
Recommended


AN IMPOSTER
Chilling, and funny little film about a man who sees someone out his window.
Curious if this could lead to something more....


DRUNK IN A GRAVEYARD: THE SEANCE
Amusing but disposable two minute short about a message from the great beyond.


MAMA'S HOME
A little girl hears a noise upstairs when is left alone.
I'm not going to spoil it but it doesn't quite work but it's great idea. This really should be something longer


THE PURGAMENTUM
There are weird noises coming from underwater microphones...what could it be...
A slow building chiller with a great end.

Scary Halloween Videos

 

Sunday, October 25, 2020

The always great Blood in the Snow starts Wednesday October 28th


The best thing I can say about Blood in the Snow is that this is the festival you go to to see all the films that will be playing all the other festivals next year or the films that everyone will be talking about very soon.

Blood in the Snow  (BITS) is a great festival. I have been covering the fest for the past five years and it’s an absolute delight. The films are great  and the people who run  it are even greater.  And make no mistake that last part is key.  Going  to fest if the people running it are unfriendly kills the whole experience.  However if you go to a fest an the staff is great and the crowds are friendly, it really doesn’t matter how good or bad the film screening is because you are just going to end up having a great time.

Sadly this year BITS is going virtual so there will be no hanging out with everyone. On the plus side the fest being virtual means everyone can attend. This year the fest is going to be found on the SUPER CHANNEL (who clearly know a winner when they see it) and you can buy passes for the films here. (Actually all the information on how to screen the films is there)

This is a fest that I love so much I try to see everything they program. And true to that feeling,  I’ve seen all everything except one short and two bits from the web which were not offered to the press. Having seen essentially the entire fest I can say it is once again outstanding. While there is a film or two I wasn’t thrilled with, it is purely because in a high quality fest like BITS some films are bound to be better than others in comparison. If I saw them away from the bounty of the fest I know I would have liked them more. I ask that you keep that in mind as you read my critical reviews.

I started reviewing the short films earlier today (that piece is here) . I am going be reviewing all the short films in the days before the festival starts. I want you to know all of the collections are worth your time (as are the shorts playing with the features). A word of warning my reviews are grouped randomly and not by section because that is how I watched them (I find I respond better to the films that way). There are some real winners here (and some truly f-ed up films as well) so I highly recommend you watch all of them. As much as I will upset some directors by saying this, the shorts as a group, are probably more satisfying than the features (and the features are really good). DO yourself and see the shorts. (And  because I love his films I have to give a friendly shout out to Justin McConnell’s SOUL CONTACT which is in the comedy group and is amazing- A review is coming)

Because I have no life I have previously reviewed some of the films previously. They can be found here:

TOTO
DON'T TEXT BACK
MORBUS
HAIL TO THE DEADITES
BLEED WITH ME
ANYTHING FOR JACKSON (this is one of the great horror films of the year)

As I said short reviews will appear over the next few days and feature reviews will appear closer to when they screen.(Just pick a film and see it- trust me)

It’s all good so check out the selections and get access to a bunch of things.

(Once more all the information you need is here)

Blood in the Snow 2020 Shorts: ENDGAME, FROM THE DARK, EAT YOUR CARROTS, FROSTBITTEN, GREATEST HORROR FILM EVER MADE, LETTING GO and WIISZA

 


ENDGAME
A dad tells his gaming son a story about a kid like him who wouldn't stop gaming. Creepy story that you think will have a laugh off ending instead catches in your throat. A neat chiller


FROM THE DARK
It was a dark and stormy night and two brothers deal with a darkened house. A nifty thriller where it all comes together in the end.


EAT YOUR CARROTS
A funny film about snow men as told by a young girl. This is a small joy

FROSTBITTEN
An okay music video about preventing frost
bite


GREATEST HORROR FILM EVER MADE
A writer goes through various scenarios to try and come up with greatest horror film. Extremely funny film send up all the cliches of horror film to great effect. This is one you'll want to share with your horror buddies


THE LETTING GO
Creepy.


WIIDZA
A First Nation story of a competition between medicine men

Saturday, October 24, 2020

Brief word on Compulsion (2017) hits VOD Tuesday


A young woman thinks her boyfriend is cheating on her.  Trying to get to the bottom of it she finds something much darker.

Small scale thriller, ratchets things up once we find out what is going on. I'm not going to tell what that is but you're going to want to see how this plays out because the twits are not your typical ones.

Running a breezy 75 minutes COMPULSION moves like the wind. It is perfect for a night on the couch.

Keith Haring: Street Art Boy (2020) New Fest (2020)

 


American Masters portrait of the influential artist is a loving look by the people who knew and loved him.

While I like Harring's art I was never a huge fan. At the same time I realized that I knew very little about the man and I felt that I should since he is still a major force in our culture still.

The film is a breezy telling of the story. The film beautifully explains who he was and how he changed not only the art world but the larger one as well.  Its a joyous celebration of a guy from small town in Pennsylvania who made good and then some.

I really liked this film a great deal. It opened my eyes to someone I barely knew about. It also made me misty towards the end when the story of his passing was recounted.  Its so good I want to see it again

Recommended.

Friday, October 23, 2020

The Reception (2019) San Jose Short Film Festival

 


Skip Sudduth and Richard Kind give two of the best performances you'll see all decade in THE RECEPTION, a stunning film that needs to be in the Oscar mix.

Set in a future time when the US is in the middle of a civil war two fathers lock themselves in the basement of a church after the wedding reception of their sons is attacked by militia. They know their time is limited before the militia comes in and kills them and they spend their final moments pondering their lives, their children and life in general.

I have very little to say other than filmmaking doesn't get better than this. This is a perfect film that delights you, makes you smile and brings you to the point of tears. It is a glorious celebration of life, even as it is running out.

I would like to say that all filmmakers need to study the world building of this film. Set in another America the whole world is set out in four of five carefully chosen lines of dialog which tell us everything we need to know without over explaining or killing momentum. This is the way films should be set up.

As for Sudduth and Kind their performances are ones for the ages. acting of any sort doesn't get better than this. If it can I will be really surprised. They nail it from first frame to the last with the result that we laugh and cry with with them, and even feel a sense of hope as they live in the moment.

This is an absolute must see.

It is playing at San Jose Short Film Fest Sunday in the Alternate Universe section. (Get tickets here)

After Class (2020)


 Bleak short film about poverty in China and the inability of some parents to afford their children school fees. Min doesn't go to school but she wishes she could. Her mother barely makes ends meet and needs Min to help earn money to keep the house going. When tragedy strikes Min's mother tries to get her daughter into school any way she can.

Incredibly sad short film will break your heart. I didn't see the ending coming and it made me gasp. I was kind of hoping for feature film version until the ending and no I never want to see it again.

That's a kind of a rave since this is a beautifully made, perfectly acted film. It is a wonderful little gem with one hell of a down beat ending


Thursday, October 22, 2020

A repost of my piece on Skeptics, the silence of God and teapots in honor of the passing of James Randi

I have a complicated relationship with the man who was James Randi. There was much that I liked, much that I didn't, but he always challenged me to look beyond the curtain. 

An atheist, he always insisted that there was nothing out there and that anything paranormal was bunk. While I  admired his debunking of charlatans I have always had trouble with his tendency, as with most skeptics, to insist that if he could explain it one way it couldn't be something else. For a man who loved science there a few too many times when he seemed to dismiss things out of hand without really looking, and a couple of times where he fudged things to prove his point.

On the other hand he was a great talker and if you heard him you'd fall under his spell.

What follows was piece I wrote a few years back, not so much on Randi but on belief, skeptics and our right to believe what the things we experience tell us are true. That last bit is one of the the things that annoys the piss out of me regarding skeptics and true believers which is their insistence that they have all the facts when that isn't always the case. 

Since Randi insisted that we question everything - I am reposting my piece on questioning everything except the things we have experienced. 
---- 

 The piece that follows here has been kicking around since Tribeca. It started as a long piece on the Amazing Randi that came out of AN HONEST LIAR and which I decided to abandon for reasons I won’t go into. The piece grew when I saw NOAH and was intrigued at the way the people who god talked to saw the world and those he didn’t saw the world. I linked them because Randi is a devote atheist. I then bridged the pieces with a discussion of Bertrand Russell.

I think it’s a start to something but not a fully formed piece. I’m presenting it here because it’s something related to movies and because I’m so sick of the damn thing I want it out there so I don’t have to revisit it.

The public doesn't listen when they are being told straight forward facts. They would rather accept what some charismatic character tells them then think about what the truth means. They'd rather have the romance and the lies.- James Randi

I’m bumping things around for this week’s Nightcap. I’m going to ramble, briefly, about skeptics, the silence of god and teapots. This rambling is the result of a couple of films and reading some Bertrand Russell.

Before we start I have to state that I’m agnostic when it comes to pretty much everything. I’d like to believe, or even disbelieve but I really need a bit more proof from every side before I sign on to anything.

The idea for the piece was kicked up while seeing the film on James Randi AN HONEST LIAR. Watching the film I was again drawn into pondering skepticism. I’ve been a follower of Randi’s for decades, ever since his battles with Uri Gellar and Peter Popoff brought him into the forefront. I once  hung on his every word in the TV bits and loved what he was doing.

I fell out of love with him when I started reading some of his books and found that he was cooking some material himself (The one thing that hung with me was in Flimflam his presentation of charts in the Betty and Barney Hill UFO case and he spread it across several pages and in differing sizes making any real comparison impossible.) He was kind of cooking the data to prove his point (and even bits Liar seems cooked).

While I applaud Randi and his efforts to find the truth I’m less enraptured by some of his brethren, who take the position that if they can duplicate or explain something it must not be a real and is a trick. Randi at least makes an effort to try and get some sort of scientific control in what he investigates, but there are others I’ve run across who simply make pronouncements that things aren’t so or are the result of some explanation without investigating it. UFO skeptic Philip Glass frequently didn’t do his homework with some of his pronouncements like a sighting being a lighthouse not being possible because of the terrain. He may have been right, but many times it was for the wrong reason.

My feelings toward skeptics is suspect in that many feel that they don’t actually have to back up their pronouncements. These things can’t be so they are not. This has never happened before so it can't happen now.

This week I was reading a bit on Bertrand’s Russell’s Teapot. The teapot thing is Russell’s argument is that if you claim that there is a small teapot in orbit around the sun I don’t have to believe it unless you provide proof. Fair enough.

Actually I think the piece from Russell says that if you put a teapot in orbit around the sun that he doesn’t have to believe it’s there without proof. And I’m good with that but at the same time just because you don’t believe that I did something doesn’t make it not so. The whole teapot thing ultimately should make you question what anyone says or does since we can ultimately know if anything we tell each other is true unless we experience it. We don’t have to believe anything anyone says not just about tea pots or god.

The lack of proof or silence of God is a key point in Darren Aronofsky’s NOAH. Within the frame work of the story mankind is divided into two sections, the sons of Cain and the sons of Abel. The Sons of Cain are forced to deal with the indifference of god. Its their sins and arrogance that god is trying to wipe off the face of the earth. Noah and his clan are in god’s good graces and he speaks to them.

The point that I’m reaching for here is that within the context of the film Tubal-cain and his clan view the universe as being one way because god is silent and doesn’t speak to them. Since he doesn’t speak to them he doesn’t exist. Since he doesn’t tell them how the world is they have created their own way of looking at the world. While it isn’t wrong for them to think that way within the parameters of their world and their knowledge it still doesn’t mean they are right, it just means, within the context of the film that they are operating without all of the facts or possibilities. Or in the real world, like someone coming to a conclusion without all of the facts.

I have no problem with anyone believing in gods or teapots or not believing in them. I firmly support your right to feel either way. But at the same time I have a problem with you forcing your beliefs on me or anything else. Your view isn’t my view. And considering that science is constantly revising what the truth is as more facts come in I find it highly questionable to state that one thing or isn’t possible- especially teapots which are outside of our ability to see orbiting the sun.

The point of this rambling piece is that like James Randi says, we should question what we are told, especially when it's something fantastical like a teapot orbiting the sun. On the other hand just because we don't have evidence (of said teapot) doesn't mean things aren't there...since someday we may find out otherwise (science revises)

Question everything. However be careful when you dismiss for lack of evidence, because one never knows when one might find something unexpected down the road. Besides when you get down to it, we can't tell what's going on in the house next door to ours and you're going to tell me for certainty what's floating out in space or how the universe works?

Synchronic (2019) hits theaters tomorrow


 Justin Benson and Aaron Moorhead's follow up to their film THE ENDLESS is a trippy time travel film that you are either going to buy or not.

The film has two paramedics Anthony Mackie and Jamie Dornan running across some weird occurances. All of them seem to be tied to a new designer drug called Synchronic. When Dornan's teenage daughter disappears after using the drug Mackie tries to buy up as much as he can. He is then informed that the drug can be used to time travel and that the missing girl maybe somewhere in time. He then begins a frantic search for her before the drug or the tumor in his head kills him.

I find Bendon and Moorhead's films a mixed bag. Some like THE ENDLESS I like despite it's flaws and others, like SYNCHRONIC I think get overwhelmed by the strangeness. The sometimes want to make us think at the cost of an sort of internal logic.

SYNCHRONIC for all it's narrative mess, is a beautifully acted film with a lot to say about what it means to be alive and what is important. There is a good many thematic elements that really shine and I tried to hold on to them as best I could in the hope that they would tide me over until the plot came together. It never happened.

Sadly the plot doesn't make a hell of a lot of sense. Assuming we accept that there could be a pill that bends time what spins out from it isn't always logical and it left me scratching my head. For example the inventor of the pill sets up rules that the film seems to ignore. Mackie's trips don't always make logical sense (I can't say what since it will give plot twists away). Forgive me I will go along with plot twists as long as they are internally logical, but as with the director's other films, things are often bent to do what they want them to do. When confronted with a film which keeps changing things up I am reminded of Raymond Chandler's warning that an audience will by one illogical thing, maybe two, but never more than that. If you do that the audience will be lost.

I was lost.

As much as I don't like the film as a whole I do like pieces and as such recommend it for anyone who wants to see an interesting misfire.

Wednesday, October 21, 2020

Bullets of Justice (2019)


I have no idea what to think of BULLETS OF JUSTICE an out there (no, even further out there) film about a world where pig/human hybrids have taken over the world and now farm people. Mixing wild action, a bent world view, some seeming hardcore sex and WTF plot the film is unlike anything you've run across.

I love the action, I love the look, the script needs work because things seem to just jump to the next thing.

Not making a hell of a lot sense and swing from pillar to post, BULLETS holds your attention because it is just so weird. Things just seem to happen because they can. Characters come and go and its all punctuated with some crazy ass action sequences that deserve to be in a more coherent film. I marveled at the action every damn time.

While I'm not a prude I'm not sure that the graphic quality of some of this is really needed. Do we need multiple shots of the pig men soiling themselves? Do we need the sex scenes (forget that some of the shots suggest its not simulated), they really don't serve a purpose except to bring in a certain audience.

Reservations aside this is a film that is a cult film in the making. There is enough weirdness and off the beaten trail appeal that I have n doubt that this film is going to gain a following now that it is out on home video. This is the the sort of weird cinematic confection Unseen FIlms was set up to highlight.

Recommended for anyone who wants something completely out of the cinematic mainstream

Assassination of Western Civilization (2020) hits VOD November 1


 In the aftermath of the assassination of a senator Mark,a journalist, finds himself under scrutiny by the FBI and others.

If you are willing to go along with this single take  thriller you will find yourself rewarded by having yourself caught up in an intriguing mystery as people come to call and our hero has to try and dig himself out of a hole.

The key to really enjoying this film is to understand that much of the first 15 minutes of the film is set up. People come into the room and talk to or at Mark, who says very little. It is only as some FBI agents come in that things heat up. (Actually they heat up just before that but I can't tell you why). From that point on the film becomes a cat and mouse game all the way to the end.

I likes ASSASSINATION OF WESTERN CIVILIZATION a great deal. It was a nice change of pace from all the big and loud thrillers we are seeing these days and it is so nice to simply see a film where the characters carry the film. 

While I could quibble with the one take nature of the film (I think it highlights the fact this was a stage play too much), the film kept me watching once it's all set in motion. Once the drama really kicks in you really won't notice that there are no cuts.

Worth a look for anyone tired of your typical Hollywood thrillers

Tuesday, October 20, 2020

NightStream Shorts: ANNIVERSARY PARTY. HAND IN HAND,LE JET, BEACH DAY. OH SEES- GHOLU, PETER THE PENGUIN, and RAINBOW IN THE DARK

 ANNIVERSARY PARTY
For their anniversary a couple decides to take a drug used by shaman...
Chilling film about the dangers of drug use-

HAND IN HAND
A handshakes goes horribly, terribly wrong
Surreal WTF film is both funny and scary in equal measures.

LE JET(STREAM)
A woman hides in a mens room to watch men pee. 
This is a button pushing film that kind of never pulls it together

BEACH DAY
A man with a camera films his trip to the beach...and guy just trying to swim
Creepy found footage sort of film that both kind of doesn't work and also does, leaving a bad taste in your mouth thanks to the lack of titles

OH SEES-GHOLU'
Animated music video of a serial killer at work.
Gross and troubling heavy metal nightmare

PETER THE PENGUIN
A man goes to meet his partner's daughter in a nightmarish comedy that will catch in your throat. Disturbing.

RAINBOW IN THE DARK
Stunning visuals in hat appears to be an apocalyptic tale of creation. I have no clue what it is about but it looks cool and is hypnotic

After So Many Days (2020)

 


Jim Hanft and Samantha Yonack who make up the group Jim and Sam have been struggling to get by in the music business. Desperate to make things happen the decide that for one year they will travel the world and play one show everyday. The result is an adventure they never could have imagined as they go from playing in theaters to bars to laundromats to living rooms and even a field full of cows. 

Very good documentary about the real grind of being on the road. It's a you are there portrait of two people spending a lot of time together across the globe trying to make their dream come true. Its a lovely portrait of lovely people who are truly trying to make it all work even if it means that night's show is in a gas station.

THe best part of the film is it gives us a ton of great music Jim and Sam are constantly playing something with the result you really get a wonderful sense of what they can do musically. The result is that anyone going into the film is going to come out as a huge fan.

Highly recommended AFTER SO MANY DAYS releases today.

Monday, October 19, 2020

NightStream Shorts: A STRANGE CALM, ANIMALS, ABRACITOS, WHENCE COME BUSSEL SPROUTS and WAFFLE

 A STRANGE CALM 
To kids take a ride they never should have.
Uncomfortable story of why you should be wary of strangers

ANIMALS
This animated tale of people being trapped on the subway and turning into animals, is both funny and disturbing.

ABRACITOS
Completely disturbing tale that sent shivers down my spine... and to hell with it I just don't want to talk about it.

WHENCE COME BRUSSEL SPROUTS
As fucked up a film as they come, this is a hellish nightmare that is just wrong. Recommended

WAFFLE
Two friends argue over waffles with dire consequences. An amusing little film.

First thoughts on Shiva Baby (2020) NewFest 2020


 Danielle meets her family to attend a post Shiva gathering. If having to deal with the prying eyes of family and friends wasn't bad enough, her ex-girlfriend shows up...and so does her boyfriend...and his wife...and their baby.

Wickedly funny and on target story of a family gathering will have you laughing and squirming. This is film version of a gathering of family that we;ve all been at. Sure not everyone is Jewish, but the complications are something we've all experienced.  I've been to gatherings like this and I know of what this film speaks.

I loved this film.  It was put solidly on my radar by Danielle Solzman who had first tweeted good things about the film and then wrote a wonderful review that made me want to see it more. I want to do for you what Danielle did for me which is put the film on your radar. I want you to search it out and find its wonders.

Certain to be on my end of the year lists- SHIVA BABY is highly recommended.

And now if you don't mind I'm going to go watch the film again


Sunday, October 18, 2020

The State Of Texas vs Melissa (2020) hits VOD on October 20

This is the story of Melissa Lucio who was convicted of abusing her daughter to death. As a result she has been on death row for the last 12 years. The trouble is that there are all sorts of problems with the case, witnesses came forward to say she didn't do it but were ignored; her defense attorney may have railroaded her in order to get a high paying job with the DA; and on top of it all the DA was convicted of corruption not long after and the federal prosecutor on that case said all the death row cases the DA handled need to be re-investigated. Of course that doesn't include the fact that science maybe on her side when a doctor revealed the bruising from abuse may have been due to the brain injury. If there was ever a case where there was reasonable doubt, this is it and then some.

An absolutely riveting case and horrifying miscarriage of justice is a warning to everyone about what happens when public officials do evil. While some may argue that some of it isn't conclusive proof of innocence there is more than enough here to throw out her conviction because the optics of the case are so bad it's more than likely it's all tainted. Watching the film you are going to find that things are so WTF that you will be glued to the edge of your seat.

And that's a good thing because as compelling as the story is, the telling takes a while to get up to speed. Too much time is given over to telling Lucio's story early on. Yes, it makes Melissa more of a person than just someone on the screen, but at the same time it feels like we are being delayed in why we are watching the film. I would love to see the material slightly reordered.

Quibble aside, once the film finds its footing it tears on straight to the end. The film will leave you sick to your stomach and talking to the screen- with the final notes at the end will making you groan at the possible future for Lucio and the case.

Recommended.

Mothman Legacy (2020)


Unexpectedly good documentary on the whole legend of the Mothman. The giant red eyed creature was first sighted in Point Pleasant Virginia in the 1960’s right before the Silver Bridge collapsed killing 47. The mystery was chronicled in  the book the Mothman Prophecies by John Keel, who was then haunted by the mystery for the rest of his life.

Focusing on the town, the legend, the life and times of John Keel who was the guy on the subject (even though he didn’t want to be) as well as Jeff Wamsley and his Mothman Museum in the town of Point Pleasant the film is everything you wanted to know about the mystery and then some. Actually it’s the then some, particularly the sociological musings and history which raise The Mothman Legacy up from many other similar documentaries. Yes the film covers the scary stuff but the film tries to explore what that means for the people it touched. What did it mean for John Keel, or the witnesses or even the town of Point Pleasant itself. The film seeks to answer that question and as a result the film makes it greater.

Watching the film I was shocked and pleased at what I was seeing, even to the point where I was stopping the film even if I had to get up for a second.

Is the film perfect? No. It’s efforts at talking about scary stuff with a puffy opening where a young woman goes out painting and sees the creature and a few similar moments inside the film are not needed and a bit disposable. Regardless of that the over all film is solid reporting and highly recommended

Saturday, October 17, 2020

Cured (2020) NewFest 2020

 


CURED wrecked me. Several times in the film I found myself sobbing and had to stop the film. I am not entirely sure why, I knew how it comes out, but at the same time heart broke time and again as these heroes of our times related the stories of their lives and struggles.

CURED is the story of the fight to get homosexuality off the list of mental diseases in the American Psychiatric Association's list of illnesses, the Diagnostic and Statistical Manual of Mental Disorders. It is a battle that a group of activists fought for almost two decades, taking small victories where they could. They knew that the small victories would eventually lead to a greater victory, and they were right. It was because of their determination that minds changed and suddenly several million people who were once mentally ill were now cured.

Full of interviews with the surviving activists as well as with lots of historical footage, CURED is a glorious, often heartbreaking, look at the fight to simply be viewed as a normal human. This film will touch you repeatedly. As I said at the top the film brought me to tears several times and I have no doubt that it will do the same for you.

Forgive me if I don't say a great deal about the film but I really don't know what to say. This is a story we all need to hear and see.

One of the most important films of the year.

See it at New Fest