Thursday, September 8, 2016

THE 2016 HARLEM INTERNATIONAL FILM FESTIVAL announces full schedule for its 11th edition (September 14-18)

Opening Night features special tribute to Prince, including a screening of Christopher Kirkley’s African homage to PURPLE RAIN, RAIN THE COLOR BLUE WITH A LITTLE RED IN IT

Closing Night features Marlene “Mo” Morris’s A NEW COLOR: THE ART OF BEING EDYTHE BOONE

World Premieres include Janet Paxton Gardner’s LOST CHILD-SAYON’S JOURNEY, Jim Virga’s SWEET DILLARD, Margo Pelletier’s THIRSTY, and Maciej Adamek’s TWO WORLDS

RAIN THE COLOR BLUE WITH A LITTLE RED IN IT

New York, NY (September 8, 2016) – The 2016 Harlem International Film Festival today announced the official selections for the 11th edition of the film festival taking place on September 14-18 at MIST Harlem (41 West 116th Street). Opening with a tribute to Prince including a screening of Christopher Kirkely’s African homage to Prince’s PURPLE RAIN, RAIN THE COLOR BLUE WITH A LITTLE RED IN IT, and closing with Marlene “Mo” Morris’s A NEW COLOR: THE ART OF BEING EDYTHE BOONE, the five-day film festival will screen 99 films (31 features, and 68 short films). With a theme of “Around the world in 5 days,” the Harlem International Film Festival will screen films representing 35 countries, led by 14 world premieres, 1 North American Premiere, and 7 U.S. premieres.

“We are honored and ecstatic once again to be able to bring so many phenomenal works from around the world here to Harlem, while celebrating the work of some wonderful local filmmakers at the same time. What better way to launch our second decade than with a film from Saharan Africa inspired by Prince’s PURPLE RAIN, in a language that has no word for “purple” and represents the first narrative film ever in the Tuareg tongue. There will be unforgettable musical and dance performances as well - all inspired by Prince’s artistry on screen, stage and in the studio,” said Harlem International Film Festival Program Director Nasri Zacharia, “To bookend the 99 films, we are wrapping up with a crucial and necessary one because it is a Harlem Homecoming for a woman who lived in a housing project in Harlem and during the problems of the 80s when she decided to move to the San Francisco Bay Area. She became a famous muralist, activist and educator and is now returning to Harlem as an elder to have her East Coast Premiere with A NEW COLOR. The fact that Eric Garner (who was killed by NYPD in a chokehold) is Edythe’s nephew ties several important issues together for us, which makes it more than appropriate as a closing night film.”

Opening Night, on Wednesday, September 14, will be an exciting evening of live dance, musical performances and films from around the world including the Harlem Premiere of the Tuareg tribute to PURPLE RAIN, Christopher Kirkley’s (with Mdou Moctar and Jerome Fino) RAIN THE COLOR BLUE WITH A LITTLE RED IN IT (Akounak Tedalat Taha Tazoughai). Filmed in a language without a word for “purple,” the film is also the first fiction film in the Tuareg tongue. The story follows the struggle of a musician’s efforts to succeed, against all odds, in the winner-takes-all Tuareg guitar scene of Niger. The screening will be preceded by three short films, including; the East Coast premiere of Jacob Krupnick’s DOVE, about a woman’s efforts to retrieve her prize bird, which has been stolen by her estranged lover; the world premiere of Michael Fequiere’ KOJO, about child prodigy jazz drummer Kojo Odu Roney; and the New York premiere of Paul Szynol’s THRIVE, about 12-year-old blind piano player. Following the screenings, fest goers will enjoy a “purple party,” as the Prince-themed celebration continues.

Closing Night, on Sunday, September 18, will feature the New York premiere of the award-winning A NEW COLOR: THE ART OF BEING EDYTHE BOONE, about the celebrated muralist, educator and aunt of Eric Garner whose chokehold death and final words ignited a national outcry for racial justice. The evening will feature a Harlem Homecoming for the film’s subject, as Boone will attend and participate in a Q&A, following the film. The film received the Audience Favorite Special Mention at Mill Valley Film Festival, and won Best Documentary Short in Chicago. The screening will be preceded by three short films, including; Jamal Joseph’s STREETS, where the professor and former Chair of the Columbia University Film School takes a look at the streets of his home burg; and Mike De Caro’s BY JAMAL JOSEPH, which turns the camera on the man, himself.; The third short is Byron Harmon’s FOX 5 FILMS: YELLOW TAPE, which follows rap stars Maino and Uncle Murda, as they take the viewer on a tour on one of New York’s most notorious neighborhoods.
Lost Child

Highlights among the 14 world premieres populating the festival’s official selections are:Janet Paxton Gardner’s documentary LOST CHILD-SAYON’S JOURNEY, about the subject’s harrowing life and survival in Cambodia during the Khmer Rouge atrocities; Jim Virga’s SWEET DILLARD, which gives a fly-on-the-wall account of one of the nation’s best public high school jazz band’s efforts to reach the finals; Margo Pelletier’s THIRSTY, about drag queen sensation, Scott Townsend; and Maciej Adamek’s TWO WORLDS, where a 12-year-old girl serves as the audience’s guide through life with her deaf parents.

Additional festival highlights include the Saturday, September 17, East Coast premieres of Christina Kallas’s 42 SECONDS OF HAPPINESS, and Adam Kriitzer’s GOOD FUNK. Kallas’s 42 SECONDS OF HAPPINESS has echoes of Cassavetes in its ensemble dramatic comedy about a group of friends and family gathered for a same-sex wedding and a family intervention while under threat from Hurricane Sandy. The locally produced and shot film recently won Best Feature at the Women Texas Film Festival and will have the entire cast on hand for a post-screening Q&A. Set in Red Hook, Kritzer’s GOOD FUNK follows three generations of citizens whose lives intersect via acts of kindness in a neighborhood on the cusp of gentrification. Also making their East Coat premieres on Saturday will be Yoon-ha Chang’s I GO BACK HOME – JIMMY SCOTT, about the attempts of music producer Raif Kemper to record a record with the jazz legend, and Karmia Olutade’s THE REMNANT, about a group of orphaned child laborers struggling to escape the factory they are held and forced to work at in their drought-stricken world.

The Harlem International Film Festival will also feature a number of films in their annual Harlem Spotlight, which celebrates the work of Harlem and locally-based filmmakers in front of and behind the camera. Led by the Harlem Shortcuts short film program on Sunday, September 18, and including films screening throughout the other short film programs as well.

Closing Night will also feature the final stage of the Harlem International Film Festival’s Screenplay Showdown, where 6 finalists from this year’s competition will direct excepts from their scripts in a live read by actors for the film festival’s audience. Following the readings, the winner will be announced along with the other festival awards winners for best feature, best short, best Harlem Spotlight film, etc.

Film festival passes and tickets are on-sale now. To purchase tickets and for more information on the Harlem International Film Festival go to http://harlemfilmfestival.org/hi-lights//


Feature Films Presentations

OPENING NIGHT
RAIN THE COLOR BLUE WITH A LITTLE RED IN IT
(Akounak Tedalat Taha Tazoughai)
Director: Christopher Kirkley (in collaboration with Mdou Moctar and Jerome Fino)
Country: Niger, Running Time: 75 min
A revolutionary story of one musician’s struggle to make it, against all odds, in the winner-takes-all Tuareg guitar scene of Niger.
Preceded by
DOVE
Director: Jacob Krupnick
Country: Colombia, Running Time: 4:52 min
Desire and betrayal shot throughout the alleys and markets of Bogotá, Colombia. The story begins as our hero realizes her lover has left — and stolen her prize bird. With a seductive soundtrack by Pillar Point and featuring the sensational moves of Voguing artist Kia Labeija, what follows is an adventure through the city told through music and dance.
And
KOJO World Premiere
Director: Michael Fequiere
Country: USA, Running Time: 8:27 min
A short profile piece on child prodigy jazz drummer Kojo Odu Roney.
And
THRIVE
Director: Paul Szynol
Country: USA, Running Time: 13:15 min
A short documentary about the prodigious talent and irrepressible spirit of a musically precocious 12-year-old blind boy who plays the piano.


CLOSING NIGHT
A NEW COLOR: THE ART OF BEING EDYTHE BOONE
Director: Marlene “Mo” Morris
Country: USA, Running Time: 57 min
A joy-filled and yet heart-rending Harlem homecoming for this story about community, art and lives that matter. Spanning from Harlem to Berkeley and from Malcolm X to Eric Garner, Boone’s commitment to challenging inequality inspires hope. But when the death of her nephew ignites a national outcry, everything she has worked for so tirelessly is at stake.
Preceded by
BY JAMAL JOSEPH Harlem Spotlight
Director: Mike De Caro
Country: USA, Running Time: 13:28
A short portrait of the filmmaker, professor, activist, youth advocate, and Oscar Nominee, Jamal Joseph. Formerly a young leader in the 70’s Black Panther Party, Jamal changed his life through and with the arts and is now a well respected writer/director based in his beloved Harlem.
And
STREETS Harlem Spotlight
Director: Jamal Joseph
Country: USA, Running Time: 5:00
A view of life on the streets in Harlem
And
FOX5 FILMS: YELLOW TAPE
Director: Byron Harmon
Country: US, Running Time: 15:33
Fox 5 Films’ Zachary Kiesch spent the day in Bed-Stuy, Brooklyn, and the Pink Houses with Maino and Uncle Murda, two of the biggest rap stars in the game right now. We take you inside two of the most notorious neighborhoods in New York City and show you a side rarely seen on local news.


42 SECONDS OF HAPPINESS East Coast Premiere
Director: Christina Kallas
Country: USA, Running Time: 95 min
A circle of thirty-something friends reunite for a weekend away to celebrate the same sex wedding of a member of their group. Yet, despite their best efforts to behave themselves, a series of surprise plans, unexpected arrivals and exposed secrets lead to an explosion of drama that, coupled with the flammable combination of hurt feelings, unresolved tensions, and lots of wine cannot be contained.
Preceded by
BANGERS
Director: JD Ferenc
Country: USA, Running Time 3:45 min
Josh Wells’ music video takes a unique look at gun violence and police brutality.


CHILDREN OF THE MOUNTAIN
Director: Priscilla Anany
Countries: Ghana/USA, Running Time: 102 min
A woman gives birth to a son with cleft lip and other health complications. Her life becomes a nightmare as she’s accused of impairing the child because she carried and delivered it. While she endures bashing from her community, she does everything in her power to find cure for the child. When all fails she decides get rid of the child in favor of a clean slate with a new love interest.
Preceded by
HOW WAS YOUR DAY? East Coast Premiere
Director: Damien O’Donnell
Country: Ireland, Running Time: 13:30 min
A Woman is excited about the approaching birth of her first child.


CLARENCE New York State Premiere
Director: Kristin Catalano
Country: USA, Running Time: 76 min
After fifty years away from academia, Clarence Garrett, an 85-year-old African-American WWII Vet, returns to the University of WI-Milwaukee to nullify his biggest regret–not earning his Bachelor’s Degree.
Preceded by
BEAUTIFUL LIES World Premiere
Director: Tracey Anarella
Country: USA, Running Time: 10 min
Dementia serves as the vehicle for an 87-year-old artist to be able to talk about his life, his art and why he painted all through the alter ego he created in his head named “Charles.”
And
FISH
Director: Saman Hosseinpuor
Country: Iran, Running Time: 3:41
An old couple are in their apartment, the man is sleeping and the woman is doing housework. She wants to change the fishbowl water but it slips out of her hand and falls on the ground. They've ran out of water and there’s no water for the fish. But with the help of the sleeping man they find some.


COLD NIGHTS HOT SALSA Manhattan Premiere
Director: Edwin Gailits
Country: Canada, Running Time: 61 min
The passionate story of two young salsa dancers from Montreal, Canada, in love with dancing and each other, who, over three ambitious years, set their sights on winning a World Salsa Championship.
Preceded by
BAILAR AMOR
Director: Corin Michalski
Country: USA, Running Time: 13 min
Gerardo, a Mexican immigrant living in New York, feels isolated after moving to the city. Exhausted and alone he works as a janitor for a small studio where he rediscovers his passion for dance and connects with the present and the daughter he left behind.


DADDY DON’T GO
Director: Emily Abt
Country: USA, Running Time: 88 min
Captured over two years, the feature length documentary about four disadvantaged fathers in New York City as they struggle to beat the odds and defy the deadbeat dad stereotype.
Preceded by
REDO
Director: Gine Therese Gronner
Country: Norway, Running Time: 15 min
Kim has been messing up his life. He lost his family on the way. Now, he wants one thing only: To spend some time with his ex-wife and their daughter. Like they used to before, if only for a few stolen moments.


DAUGHTER OF THE MAYA (Rigoberta Menchú Tum) US Premiere
Director: Dawn Engle
Countries: Guatemala/USA, Running Time: 61 min
In 1959, a little girl is born into a poor family, in one of the most remote, mountainous areas of Guatemala. One year later, civil war breaks out and her tiny village is swept up in a tidal wave of violence. What can one family do to stand up for their rights, in a time of such great change? What can one young woman do, to tell the world what was happening, and to try to stop the suffering? What could the indigenous Maya people do, to gain a voice in the determination of their own future? This is a story about a family, a people, and a destiny. After more than five decades of political turmoil, the courage and tenacity of the indigenous Maya people of Guatemala shines through in this beautiful, tragic, and ultimately triumphant film, which tells their story of struggle and success, through the personal journey of 1992 Nobel Peace Prize winner, Rigoberta Menchú Tum.
Preceded by
SOY CUBANA
Director: Jeremy Ungar
Countries: Cuba/USA, Running Time: 16 min
Winners of the 2016 CUBADISCO Award for best vocal group, the Vocal Vidas are a female a cappella quartet from Santiago de Cuba — the cradle of Afro-Cuban music. This documentary explores their unique sound and tells the story of crafting a musical career in a society in which artistic merit is not measured solely by economic success.


DOGTOWN REDEMPTION New York City Premiere
Director: Amir Soltani
Country: USA, Running Time: 95 min
Set in Oakland, California, DOGTOWN REDEMPTION is a story about Americans who survive off trash. Jason, the Olympic titan of recycling, Landon, a former minister, and Miss Kay, formerly a punk rocker, introduce us to the art, science, economics and politics of recycling: what it offers, how it touches and why it matters to the poor. Their struggles with addiction, mental illness, homelessness, and their triumphs, provides a glimpse into the dynamics of economic inequality, racial discrimination and political disenfranchisement in Oakland and beyond.


FOR KIBERIA! New York City Premiere
Director: Kati Juurus
Countries: Finland/Kenya, Running Time: 56 min
Self-taught radio journalist and cameraman, Boy Dallas, lives in one of Africa’s largest slums. One day he starts wondering why his native slum Kibera stays poor despite the many aid projects and NGOs that try to make life in Kibera better for its inhabitants.
Preceded by
THE VOICE OF THE KORA New York City Premiere
Directed by Claudine Pommier
Countries: Canada/Gambia/France/Mali/Senegal, Running Time: 45 min
The kora is a harp-lute originating in West Africa. Traditionally it is played by the “Griots”, who have been for centuries, from father to son, storytellers, diplomats, advisers, keepers of memories, poets. The Griot talks and sings while playing very elaborate music that gets enriched from generation to generation.


FROM MASS TO THE MOUNTAIN US Premiere
Directors: Kurt Sensenbrenner, Colin Sytsma
Countries: USA/Panama, Running Time: 66 min
Film looks at Eastern Panama which has suffered decades of government corruption and neglect that has impoverished the region. However, thanks to the tireless efforts of one priest to build infrastructure, protect watersheds, and conserve the rainforest, life is looking up for the locals.
Preceded by
SERES VIVOS
Country: Cuba, Running Time: 9 min
A young girl in a Cuban pueblo leaves her school one afternoon with a secret.
Produced as part of the workshop of auteurs filming in Cuba with Abbas Kiarostami just months before his passing this Spring.


GOOD FUNK East Coast Premiere
Directed by Adam Kritzer
Country: USA, Running Time: 73 min
Set in Red Hook, a Brooklyn neighborhood on the verge of gentrification, is the story of three generations of citizens whose lives intersect through acts of kindness both big and small.
Preceded by
MBFF (MAN’S BEST FRIEND FOREVER) New York Premiere
Director: Tony Ducret
Country: USA, Running Time: 17 min
An abused dog escapes its captor and embarks on a quest for love and glory.

Good Grief

GOOD GRIEF New York City Premiere
Director: Brandon Ford Green
Country: USA, Running Time: 103 min
Life pulled them apart. Cory drew them together. A film inspired by one of the world’s most beloved comics.
Preceded by
I’LL TEXT YOU East Coast Premiere
Directed by David Lasdon
Country: USA, Running Time: 4 min
Two people meet on a blind date…Or is it?


LA GRADUA
Director: Adrian Manzano
Country: USA, Running Time: 85 min
When a young Latina graduate returns to her native Bronx, she struggles to find a job, a career, a love, and herself.
Preceded by
THE QUANTUM LIGHTER (L’Encenedor Quàntic)
Director: Pau Escribano
Country: Spain, Running Time: 5:12 min
She thought it was just another night out. She didn’t expect she would see another side of him.


THE GRANT GREEN STORY World Premiere
Director: Sharony Green
Countries: USA, Canada, Running Time: 58 min
A son travels to several cities to learn more about his father, the late jazz guitarist Grant Green.
Preceded by
WORLD’S NOT FOR ME World Premiere
Director: Greg Charles Royal
Country: USA, Running Time: 13:02
A jazz musician wakes up from a coma in 2016 to find the world he once knew is gone on every level. An up and coming jazz musician, whose career is cut short in 1987, wakes up from a near 30 year coma to find a world out of control, musically, economically and culturally. Featuring former Duke Ellington trombonist Gregory Charles Royal.
And
PEPSI, COLA, WATER US Premiere
Director: Tom Bogaert
Countries: Belgium, Egypt, Switzerland, Running Time: 9:18 min
The video chapter of “1971, Sun Ra in Egypt” a visual arts project based on the life and work of the legendary American jazz pioneer, mystic, poet, and philosopher Sun Ra.


HEAR THE SILENCE (Höre die Stille) US Premiere
Director: Ed Ehrenberg
Country: Germany, Running Time: 95 min
One could actually get lost in the breathtaking cinematography and set design of this piece if not for the riveting story of the men and women at the time of the German attack on the Soviet Union in 1941. A small, lost unit of German soldiers is looking for shelter in a remote, small, snowy village in the Ukraine. They get separated from their company during battle and wind up deep within enemy territory cut off from their fellow troops.
Preceded by
THE NIGHT WITCH
Director: Alison Klayman
Country: USA, Running time: 4 min
This animated New York Times Op-Doc explores the life of Nadezhda Popova, known as Nadia, who became a World War II hero as part of a Soviet all-female bombing regiment.


H.O.M.E.
Director: Daniel Maldonado
Country: USA, Running Time: 75 min
A meditation on urban communication that weaves two stories together, both inspired by true events in New York City. Part 1 is a lyrical tone poem concerning of a missing young man with Asperger’s Syndrome who wanders through the labyrinth-like subways, somehow unnoticed. Part 2 follows a gambling Ecuadorian livery driver who offers a ride to a stranded Chinese woman desperate to get home to her sick child. H.O.M.E. explores alienation & meaningful encounters through the lens of a “disconnected” city in constant motion.
Preceded by
HERE COMES THE TRAIN World Premiere
Directed by Joie Lee
USA, Running Time: 8:08 min
A woman wrestles with honesty, integrity and two needy souls on the NY subway.
And
NYCHAPTERS: JERRY
Director: Alexander Hankoff
Country: USA, Running Time: 5:16 min
A day in the life of Jerry, a pet store owner in the Bedford-Stuyvesant section of Brooklyn as he tends to his pigeons and shares his philosophies about NYC.


I GO BACK HOME – JIMMY SCOTT East Coast Premiere
Director: Yoon-ha Chang
Country: Germany, Running Time: 96 min
The story of jazz legend Jimmy Scott and disillusioned producer and composer Ralf Kemper who accepted the job to produce an album with the almost-forgotten icon. Jimmy Scott, friend of Billie Holiday, Charlie Parker and one of the last connections to the golden age of jazz, was described as “perhaps the most unjustly ignored American singer of the 20th century,” by the New York Times. Kemper becomes obsessed with the idea of bringing attention to his hero, but it takes a tragedy to put his thoughts into action. Ralf gathers some of the most important jazz musicians into the studio in tribute for Scott. Together with many of Scott’s old friends like Quincy Jones, Joe Pesci and James Moody, Kemper pursues his dream. He can’t give up. He spares no expense and reaches the limits of what can be done to capture Jimmy’s unique voice in a race against time. Winner of Best Musical Documentary at SXSW this past Spring.

Jonas and the Backyard Circus

JONAS AND THE BACKYARD CIRCUS US Premiere
Director: Paula Gomes
Country: Brazil, Running Time: 83 min
Jonas is 13-years-old and his life dream is to maintain the circus that he created in his backyard. While he faces this challenge, he will live the adventure of growing up.
Preceded by
MARQUIS World Premiere
Director: Maya Suchak
Country: USA, Running Time: 7:46 min
The story of Marquis Dixon who was sentenced to 9 years in state prison for stealing a pair of sneakers, told through the perspective of his mother Aisha.
And
GUILT TRIP World Premiere
Director: Majestic Tillman
Country: USA, Running Time: 3 min
Shot in one single take, GUILT TRIP is the story of two cousins dealing with the aftermath of a crime gone wrong.

LOST CHILD – SAYON’S JOURNEY World Premiere
Director: Janet Paxton Gardner
Countries: Cambodia/USA, Running Time: 57 min
Sayon Soeun was abducted at age six and exploited by Cambodia’s Khmer Rouge, and his family life and education were stolen. Breaking a 25-year silence, he takes us inside the Children’s Army as a witness to genocide. Footage from a lost archive reveals a war-torn country closed to Western media during the 1970s, and we follow Soeun’s remarkable recovery and redemption from painful childhood trauma. LOST CHILD celebrates the power of the human spirit to overcome oppression and make peace with an inconceivably difficult past.
Preceded by
THE TELEGRAM MAN (2011*)
Director: James Khehtie
Country: Australia, Running Time: 14 min
A man delivers telegrams to farming families during World War II in a rural community letting them know a husband or son was killed in action.

*Regarded as a film of artistic, cultural and historical significance by the OSCARS® | Academy Awards® Film Archive, THE TELEGRAM MAN is part of its permanent collection at the Pickford Center for Motion Picture Study in Hollywood. The Archive collects, preserves and provides access to moving images that represent significant contributions to the art and science of motion pictures. Starring Australian and international screen legends Jack Thompson, Gary Sweet and Sigrid Thornton.


NUCLEAR NEIGHBOR US Premiere
Director: Fredrik Oskarsson
Countries: Finland/Norway/Sweden, Running Time: 79 min
NUCLEAR NEIGHBOR isn’t just a film about a nuclear plant project, where the end justifies the means. It is also a story about a regular person’s mammoth task to overcome the powers that be.
Preceded by
JIM’S SOLUTION
Director: Stefan Beaumont
Country: USA, Running Time: 4:09 min
One man's trash is another man's treasure - a junk man's take on cleaning up our act.
And
MUIR SONG
Director: Janssen Powers Manhattan Premiere
US, 2016 (3:18 min)
This film visually and emotionally captures the energy and attitude of exploring the Pacific Northwest through the eyes of people who do so religiously. Modern day explorers living and breathing the outdoors. Narrated by infamous Mountaineer Lou Whittaker who is a living example of explorer and environmentalist John Muir.


REDEMPTION SONG North American Premiere
Director: Cristina Mantis
Countries: Brazil/Guinea/Italy/Senegal, Running Time: 64 min
This film sings the song of redemption that the African refugee Cissoko, dreams for his people and his land. Having arrived in Italy, in the hottest time of migration, Cissoko decides to return home to convince his young brothers not to emigrate in search of false dreams. Back in Africa, he begins to make projections in schools and villages to inform the people about the precarious living conditions of many immigrants, often dramatically close to slavery.
Preceded by
ALL THEY KNOW IS SHOOT New York City Premiere
Director: Anike Bay
Country: USA, Running Time: 5:04 min
This is a civil rights Anti-Police Brutality protest music video for the artist Tripp Sticc for his new song of the same title.
And
OUT OF THE ASHES
Director: Susan Saltz
Countries: Congo, US, Running Time: 23:32 min
Out of the ashes of war torn Eastern Congo two boys emerge with an education, an adventure and a dream.


THE REMNANT East Coast Premiere
Director: Karmia Olutade
Countries: China/USA, Running Time: 120 min
A group of orphaned child laborers in a second hand water factory struggle to escape and rediscover home in a drought-stricken world.


SEARCHING FOR SHANIQUA New York City Premiere
Director: Phil Branch
Country: USA, Running Time: 61 min
Searching for Shaniqua is a documentary that examines the impact that unique, Afrocentric, Islamic and so-called “ghetto” names have on people’s lives.


THE SISTER US Premiere
Director: Joseph Israel Laban
Country: Philippines, Running Time: 80 min
In the midst of the traditional moryonan rites observed every Holy Week in the island province of Marinduque, Mariana receives a devastating news from abroad – her sister, Magda, who was working as a domestic helper in Saudi Arabia is dead. Mariana and her mother then have to deal with the tedious and expensive process of repatriating the remains of Magda.
Preceded by
LOSTFOUND
Director: Shakti Bhagchandani
Country: USA, Running Time: 12 min
A day in the life of a woman in the Nation of Islam.

SWEET DILLARD World Premiere
Director: Jim Virga
Country: USA, Running Time: 54 min
From the first day of class to a national competition, SWEET DILLARD provides an inside look at one of the nation’s best public high school jazz bands.
Preceded by
BUSKERS: SOUND OF THE CITY World Premiere
Director: Megan Zebrowski
Country: USA, Running Time: 10:27 min
Film looks at the people that play on the city streets and trains and their inspiration to perform.


THIRSTY World Premiere
Director: Margo Pelletier
Country: USA, Running Time: 97 min
Bullied, girly-boy Scott Townsend grows up to become drag queen sensation, Thirsty Burlington, known for her spot on impersonation of Cher. But is it enough? A true-life, musical adventure as dramatic as it is entertaining.


TRAVIS: THE TRUE STORY OF TRAVIS WALTON (DIRECTOR’S CUT)
Director: Jennifer W Stein World Premiere
Country: USA, Running Time: 80 min
The film recounts the now world-famous 1975 UFO abduction of Travis Walton and the impact it has had on his life over the intervening forty years — and on the lives of others who were also involved.
Preceded by
CIRCLE
Director: Alexander Heringer
Country: Germany, Running Time: 11 min
A grievous loss puts a young woman in an endless struggle of escaping the past.


TWO WORLDS World Premiere
Director: Maciej Adamek
Country: Poland, Running Time: 51 min
In this inspiring family portrait, 12-year-old Laura serves as the audience’s guide through life with her deaf parents, which is unusual, challenging and surprisingly ordinary.
Preceded by
DO YOU HEAR WHAT I HEAR? World Premiere
Director: Stephanie Mankins
Country: USA, Running Time: 43 min
A documentary about the filmmaker’s sister, deafened by spinal meningitis at age 3, and her decision to get a cochlear implant 38 years later.


WEST COAST
Director: Benjamin Weill
Country: France, Running Time: 80 min
Film follows four inseparable teenagers in a small town in Brittany, France. As lifelong fans of the West Coast, they think they are real gangstas. Together as a “gang”, they are invincible, respected, fearless and nothing can reach them, certainly not the teasing and contempt of their fellow classmates. So when Fle-O, the leader of this merry gang learns that he has to leave his town and his friends at the end of the year, his whole world falls apart leaving him vulnerable when the most popular kid in school decides to make fun of them in front of everyone. Humiliated, our protagonists decide to take their revenge through one last expedition together that will lead them further than they would have imagined.
Preceded by
LET’S STAY TOGETHER
Director: Wayne Williams
Country: USA, Running Time: 5:41
Aubrey, an easy going yet dangerously oblivious nine year old husband has to convince Bobbi, his eight year old devoted yet overly-sensitive wife, not to file for divorce after she witnesses an unforgivable transgression of his.
And
WANT IT BACK
Director: Olivier Dressen
Countries: China, France, Running Time: 4:04 min
A world without adult, only ruled by kids. The story about 5 years old kids, living like adults in a wild wild world.


WIGGER PLEASE
Director: Jonathan Ashley
Country: USA, Running Time: 54 min
A documentary on the American cultural stereotype of Wiggers—White rap fans who ‘act Black’. A group of White artists and activists share their thoughts, emotions and opinions on the subject while illustrating how their lives and consciousness were forever changed by their involvement in hip hop culture.
Preceded by
ANY DAY NOW
Director: Albert Uria
Countries: Spain/USA, Running Time: 20 min
A short, sweet comedy about how short (and sweet) life can be…
And
IN BLACK AND WHITE
Director: Dana Verde
Country: USA, Running Time: 20:10 min
When an interracial couple hosts a feast for family and friends to announce their pregnancy, what should have been a celebration quickly turns into a debate over the racial and ethnic identity of the unborn child (who has an African-American mother and a Latino father).


Short Film Programs

ADULT SHORTS NIGHT
BLASTERCORE East Coast Premiere
Director: Alessandro Vivarini
Country: Italy, Running Time: 11:25 min
Porn lovers, hardcore music, ninja-police and socially inadequate behaviors are mixed in a low-quality homemade exploitation style short film.

THE FROZEN EYE
Director: Karim Oulhaj
Country: Belgium, Running Time: 29 min
Bernard is an average man who is moving into his new apartment. While settling in, he suddenly discovers there’s a hole in his floor, enabling him to spy on his neighbor…

HOMELAND INSECURITY
Director: Zeina Barakeh
Country: US, Running Time 9:47 min
This animated piece investigates various mechanisms of war and the fragmentation of the body and the self. It further draws upon current events, as well as cotton as a core resource in the economics and spread of Empire from the Islamic Era, through the Crusaders, through slavery and into the present.

PRINCESS EUN HWA
Director: Dave Zhang
Countries: China/South Korea/USA, Running Time: 38:12 min
A dark fairy tale about a young Korean princess who falls in love with princes from different kingdoms in her fantasies.

RABBIT BLOOD
Director: Yagmur Altan
Country: USA, Running Time: 4:36
Animated short film looks at an ordinary day at an old mysterious Turkish country house where the residents have an extraordinary way of brewing tea.

WADE
Director: Devereux Milburn
Country: USA, Running Time: 12:22 min
A maladroit bumbler pines after a co-worker in the vain hope of catching her eye over the advances of his superior.


HARLEM SHORTCUTS – HOMEMADE CINEMA
BOOK OF DAYS: THE FINAL CHAPTER
Director: Ian Phillips
Country: USA, Running Time: 39 min
A book vendor on the streets of NYC struggles to get his own book published. Shot over the course of 8 years.

CURSE OF WAR
Directed: Abdul Malik Abbott
Country: USA, Running Time: 16:49 min
A U.S. Marine who's suffering from PTSD reminisces about his tumultuous past and makes a decision that will affect his future.

IT’S ALL ABOUT THE HARRIETS
Director: Clare Kent
Country: USA, Running Time 5:20 min
Three Harriet Tubmans have something to say about how America runs its money, since her face is going to be on it. Featuring a soul/rap track with a gospel finish.

NOTHING HAPPENED
Director: Ted Schneider
Country: USA, Running Time: 22:44 min
If a man is stopped and frisked in the middle of Harlem but no one thinks it’s a big deal, did anything really happen?

ONE MAN’S TRASH
Director: Kelly Adams
Country: USA, Running Time: 17 min
For 34 years, Nelson Molina has worked for the NYC Department of Sanitation, developing a unique relationship to the objects that fill the garbage bags lining the streets. With a keen curatorial eye for finding treasure in household trash, Nelson has created a collection of found objects in a sanitation garage in East Harlem, which he refers to as a museum of “Treasures in the Trash.”

UPTOWN UNDERDOG
Director: Nuhi de Stani
Country: USA, Running Time: 13 min
Film looks at Michael Henry Adams, a Harlem historian and activist who finds himself in a constant battle against greed and cultural destruction.


SUNDAY SHORTS - SOULFUL
THE CRIP WHO LOVES YOGA
Director: James Wvinner
Country: USA, Running Time: 6:00
A Crip gang member tells the story of the rise and trials of the Shoreline Crip gang in Venice, California and how yoga became a part of his life.

HENDRIX TRIBUTE
Director: Azar Dagher
Country: USA, Running Time: 4:33 min
Hendrix tribute song from Charlie Sayles 25th anniversary reissue of the classic 1990 sessions.

HOW BERLIN GOT THE BLUES
Director: Victoria Luther
Countries: Germany, USA, Running Time: 45:00
The film looks at Eb Davis and the Super band. How a military man, working in a small, clandestine unit in West Berlin, was able to spread the Blues to the people of West and East Berlin, bridging the gap between the cold war and the love of the Blues.

MERCURY RISING
Director: Colm Dillane
Country: USA, Running Time: 4:40
A collaborative story between visual artist Colm Dillane and recording artist Zarif Wilder (AKA theMIND). Dillane’s film is a depiction of the streets of Zarif Wilder’s youth in Chicago and Philadelphia. The video’s characters are made out of clay and hand-made clothes from the fabrics from Dillane’s KidSuper clothing line and the sets are made of cardboard, paint and found objects.

ONE DAY AT A TIME
Director: Gabri Christa
Countries: Netherlands Antilles, Running Time: 27:18
When a Caribbean Man discovers Yoga and finds his Guru, he discovers that he is more than his blackness and becomes a yoga teacher and health activist in his local island community.

SOUL CITY
Directors: Gini Richards, Monica Berra, SheRea DelSol
Country: USA, Running Time: 20:45
The story of a group of Black Power activists who attempt to build a multi-racial utopia in Klan Country, North Carolina during the 1970s.


SUNDAY SHORTS – SCI FI TO SURREAL
GHOSTS IN TIME
Director: Jimmy Nsubuga
Country: UK, Running Time: 8 min
Eve risks her life to travel back in time in order to change the events that caused the death of her parents.

IN VIVO
Director: Tamika Guishard
Country: USA, Running Time: 9:22
Using exposure therapy to supplement his PTSD medication, a soldier teeters on the edge of reality.

NEUROPHREAK
Director: George Dalphin
Country: USA, Running Time: 20:10
ORANGE is the AI that runs society, to which all humans are directly connected via wireless brain implants. Gwen is a young woman who wants to find the base of reality; Will is a young man who has discovered a meditative method of making use of the mental connection shared by all, to take over the bodies of others, and after they meet, nothing will be the same.

SHEN
Director: Jace Alexander Casey
Country: USA, Running Time: 21:33
Seeking solace from her domineering fiancé, a traumatized bride-to-be searches for an artist who appears to be drawing her erotic, ominous fate. Part psychosexual thriller, part art-house film, SHEN is a unique portrait of desire and domination in their most cerebral and bodily manifestations.

SISTERS
Directed by David Chontos
Country: USA, Running Time: 3:50
A music video which is part exercise of passion, and part love letter, SISTERS is a fragment of some lost, tragic opera

THE SKY OVER BERLIN OF MY CHILDHOOD New York City Premiere
Director: Bakhtiyar Islamov
Country: Kasakhstan, Running Time: 10:04 min
This is a film about lost children in a strange place and a metaphor of the lost generation born in the post Soviet area between 1980-1990. The images of the film are memories of the young people who passed through the collapse of the empire.

TUSSLE IN THE BACKWOODS
Director: Fabio Sousa
Country: Brazil, Running Time: 14:34
An animated short film about a group of farmers in a rickety truck that have an accident and have to finish the trip on foot. That is when they end up face to face with a mysterious creature.


SUNDAY SHORTS – SUSPENSEFUL
A BEAUTIFUL DAY
Director: Phedon Papamichael
Country: USA, Running Time: 21:01 min
Gene Thompson (James Brolin) wakes up knowing that the decision he has made will change his life forever. Following in the tradition of the new Greek Cinema phenomenon, the film’s Athens-born director brings a searing expose of the fragility of the human psyche. Gene gets up day after day and follows the same monotonous routine that he has lived since the death of his wife ten years earlier. He is aging fast from illness and loneliness and has given up on the future. Today, however, he awakens with a new determination to end the life he has known. Today, there is a new resolve that will change the course of everything.

ALL MY BLACK SONS
Director: Nicole Lockhart
Country: US, Running Time 5:42 min
Italian art's iconic Black Madonna comes to life to protect her son, the Black Messiah, from his impending death.

BOAT PEOPLE
Director: Paul Meschùh
Countries: Croatia/Germany, Running Time: 29 min
On his journey from Somalia to Europe, shipwrecked Moussa is picked up by a wealthy couple on their luxurious catamaran. The athletic young man is the only survivor of a disaster in the Mediterranean Sea and asks Hannes and Gerlinde to smuggle him across the border. Questioning Moussa’s true intentions, the yacht owners are torn between mistrust, fear and the urge for helping a fellow human being. A political drama of two separated worlds colliding within one global community.

THE FIRMEST FRIEND
Director: Andrew Fixell
Country: USA, Running Time: 19:46
The story of human and canine outsiders finding their way into each other’s lives and giving each other hope where previously there had been none.

UGLY New York City Premiere
Director: LeRon Lee
Country: USA, Running Time: 21 min
An urban, coming-of-age story of a boy looking for love in the wrong place..his own environment.


ABOUT THE HARLEM INTERNATIONAL FILM FESTIVAL
Celebrating the art of cinema in the home of the Harlem Renaissance, The Harlem International Film Festival (Hi) inspires and entertains by honoring dynamic films by anyone about anything under the sun. Conceived from the belief that we all have unique experiences and perspectives to share, the Festival actively seeks and exhibits fresh work. Hi is committed to exemplifying the eminence that Harlem represents and is dedicated to bringing attention to the finest filmmakers from Harlem and across the globe.

Escape from Hellhole (1983) (also released under several other titles)

This is a review of mine that was deleted from IMDB for reasons I'm unsure of.

Women are kidnapped or tricked into going to a mercenary camp where they are used as sex slaves for the men in training. After much torture and sex and violence and nastiness the women break free and a huge gun battle ensues.

Jaw droppingly insane this is the sort of film that they never made in the US which means it has to come from tsomewhere else- or in this case the Philippines. Wild wanton and wacky this is the sort of wonderful bait a switch "I can't believe I'm watching this sort of movie".

Far from the best film in the world its the sort of thing that forces you to admit you've seen something. Its the weird and wild stream of films like this that kept people going back to the grindhouse week after week. Worth a look for those who want to see what a real grindhouse film is like (as opposed to the Tarantino/Rodriguez versions) If you like the weird and the off beat you must see this film

Wednesday, September 7, 2016

As I Open my Eyes opens Friday Medhaffar


Now that AS I OPEN MY EYES hits theaters Friday I am reposting the review that ran during Tribeca. Go see this film.

Baya Medhaffar stars as Farah, a recently graduated high school student who would rather sing then study to be a doctor. Hanging out with friends drinking and performing hidden places Farah gives her mother fits of worry as she fears something terrible will happen, something she knows from experience.

Yes we've been here before any number of times but the fresh faced Medhaffar shines and sells AS I OPEN MY EYES in ways that the script that go way beyond the script’s ability to carry things. There is something about this young woman that is so vibrantly alive that you can't help but willingly follow her where ever she goes. Michael Caine said the secret to great acting is all in the eyes and with Medhaffar we read the joy of singing and the pain of existence in her eyes. It’s through the eyes that Farah ceases to be a cinematic character but instead become a living breathing person. Say what you will about the rest of the film, but Medhaffar’s performance is a star maker and is the reason this film is a must see at Tribeca.

Outside of our young heroine this is still a very good film. The film works thanks to a the great cast, a great sense of place and some wonderful songs. It was the thought of hearing the music that was what hooked me in and it’s the songs that I’ll remember beyond the great central performance.

In reading on the film I discovered that the political realm to be something that intrigued me. Set before the various Arab Spring revolutions that swept across the region, the film takes place in Tunisia where one such revolution wiped away the ruling regime, which was then replaced by a popularly elected Arab Brotherhood. While the film was made during the halcyon after the revolution the election and the fear of repression has largely forgotten (director Leyla Bouzid had to remind everyone how to behave in cafes and on the street) , the election of the Brotherhood has many people worried if the bad old days are going to be returning. What was originally supposed to be an examination of the old days in the country and the struggle for freedom, may have become a warning of where the country maybe heading to again. Knowing that bit of information is not necessary to enjoying the film, however it is something that makes the film more intriguing.

A must see film when it opens Friday

Tuesday, September 6, 2016

THE BROOKLYN HORROR FILM FESTIVAL ANNOUNCES PROGRAM FOR INAUGURAL YEAR!

Groundbreaking new Brooklyn Horror Fest unleashes full round-up of features, shorts, and special events for 1st edition

Tuesday September 6th - The Brooklyn Horror Film Festival couldn’t be more honored and thrilled to bring such a historic event to New York City for the first time. Happening from October 14th to 16th in venues and locations across North Brooklyn, we're excited to bring BHFF to life with horror films from all over the globe that have never been screened in NY until now. For this year’s lineup, we’re looking forward to presenting 2 World Premieres, 5 U.S. Premieres, and a number of amazing East Coast and New York premiering films.

Our poster, which gives credit to one of New York City's more beloved rodents of the past year, is designed by David Lupton. A London based illustrator with a love of horror and everything strange, his design for the festival spotlights our mandate to incorporate local flavor to the horror film genre. His work is rich in melancholy and the macabre and his past work includes editorial illustration, picture book design, music video promos and record cover artwork, along with concept art for Corin Hary's 2015 hit THE HALLOW.

Our opening night film is the East Coast premiere of DEAREST SISTER by Laos' only horror director, Mattie Do. As impressive as the film is itself, DEAREST SISTER comes with an even greater backstory. It’s only the 13th feature film to be produced is Laos’ history. As Do has stated elsewhere, “Every Lao film is a historic event" and we can't wait to share the film following it's Fantastic Fest World Premiere. The film will screen at the Wythe Hotel Screening Room and will be preceded by an original live musical score by Johnny Butler and Dani Marie accompanying the world premiere of their Dario Argento-inspired music video directed by Richard Bates.

The festival's centerpiece film will be the critically acclaimed feature WE ARE THE FLESH. Already cosigned by Mexican filmmaking giants Alfonso Cuarón and Alejandro González Iñárritu, WE ARE THE FLESH gives credence to the old saying, “You’ve never seen anything like this before.” Directed by 26-year-old rookie director Emiliano Rocha Minter, it’s an assaultive and ultimately sublime blend of art-house experimentation and grindhouse sensibilities.

For closing night, we've got the World Premiere of USA/Icelandic co-production CHILD EATER. Through a successful Kickstarter campaign, Icelandic writer-director Erlingur Thoroddsen and his team were able to expand upon their 2012 short film of the same name, which made noise at the SXSW Film Festival. Merging the babysitter set-up with a fresh monster mythology, CHILD EATER takes elements from John Carpenter’s HALLOWEEN and Wes Craven’s A NIGHTMARE ON ELM STREET to introduce horror fans to a brand-new kind of monster. The film will screen with producer and respected film journalist Perri Nemiroff in attendance.


BROOKLYN SHOWCASE

SPONSORED BY EL BUHO MEZCAL

In addition to presenting the world’s best indie horror films, the BHFF is also dedicated to supporting the borough’s strongest homegrown cinema. This out of competition section of the festival celebrates Brooklyn’s most exciting genre filmmaking, both past and present. The block will feature the world premiere of PSYCHOTIC! A BROOKLYN SLASHER by directors Maxwell Frey and Derek Gibbons as well as a screening of Michael Winner's 1977 Brooklyn based horror THE SENTINEL and a shorts program highlighting Brooklyn filmmakers.


STAGE FRIGHTS

The Brooklyn Horror Film Festival is thrilled to offer stellar special live events as part of our STAGE FRIGHTS program.

Kicking off the festival week, BHFF invites you to an exhibition showcasing strange, eerie, and horrifying artwork by emerging artists as part of our APPARITION: A POPUP ART SHOW. Held at Brooklyn’s finest occult book store, Catland Books, the show will be curated by Brooklyn-based artist and curator Kerry R. Thompson, and will feature a variety of artwork, illustrations, and sculptures in a range of media. Film Festival tickets and tarot readings will also be available at the event. Artists Include: Andrea Mora, Casey Reed, Cielle Charron, Julie Severino, Kathleen Skirvin, Kerry R. Thompson, Michelle Leigh, Paul Aguilera, and Sarah Salovaara.

CRITICAL DRINKING

In this interactive event, audience members will be asked to place their sobriety in the hands of their favorite critics! Hosted by Matt Donato of We Got This Covered, critics representing portions of the audience will duke it out over genre-related trivia questions and debate topics. Points will be awarded by the host, and each round will have a selected winner—along with losers, who must face whatever libations lay ahead! Competing critics include Perri Nemiroff (Collider), Eric Walkulski (JoBlo), and Max Evry (Shock Till You Drop) and esteemed horror journalist Michael Gingold.

GHOSTS WE’VE KNOWN: STORYTELLING COMPETITION

PRESENTED IN COLLABORATION WITH CATLAND BOOKS. SPONSORED BY BOROUGHS OF THE DEAD

Join us around the campfire to share and listen to horrifying tales of ghosts, monsters, and everything else that goes bump in the night. Held in the backyard of Catland Books, Brooklyn’s finest occult bookstore, each storyteller will have 10 minutes to share their ghoulish tale for the audience. The raconteur with the best story will receive two tickets to a haunted Brooklyn walking tour complimentary of Boroughs of the Dead. The event will be hosted by Melissa Madara, one of the owners at Catland books, who has been a practicing witch for most of her life. In addition to offering consultations with tarot cards, Melissa is also skilled in scrying and wax reading and incorporates these different divination methods into her readings.

SUMMERLAND LOST: A GHOST STORY IN PROGRESS
Live spoken word performance by Grady Hendrix

The Wall Street Journal calls him “a national treasure.” His mother calls him “Sunshine.” Now, author Grady Hendrix brings his one-man show about psychic teenagers to Brooklyn with Summerland Lost: A Ghost Story. Full of shaved cats and biomechnical sex cults, this is the all-shocking, all-true tale of drunk Victorian teenagers who teamed up with the ghost of Ben Franklin and an Arctic explorer to answer the ultimate question: Is there life after death?

About the Storyteller:

Grady Hendrix is the author of the novels Horrorstör, about a haunted IKEA, and My Best Friend’s Exorcism, which is Beaches meets The Exorcist. One of the founders of the New York Asian Film Festival, he’s written about machine gun collectors, ninjas, the Confederate flag, and Jean-Claude Van Damme for Playboy, Variety, Slate, and the New York Post.


Dearest Sister (EAST COAST PREMIERE)

Laos/France/Estonia / Dir: Mattie Do
Hailing from the cinematically neglected country of Laos, DEAREST SISTER is a classically minded supernatural horror-drama about Nok, a young poor woman who moves in with her recently blinded cousin to help take care of her. While living with her afflicted family member, all seems well until she realizes that there’s a catch: her cousin is able to communicate with the dead.


We Are the Flesh (EAST COAST PREMIERE)

Mexico / Dir/Screenwriter: Emiliano Rocha Minter
Two down-and-out siblings seek refuge inside a rundown building, which is already occupied by a maniacal man who claims to be immortal. The desperate brother and sister concede to the man’s every command, most of which involve S&M, cannibalism, and some good old-fashioned incest. It’s just too bad that mental instability and homicide have to get in the way of their perverted goal of collective euphoria.

Screening with short film Mother of God
Dir: Gigi Saul Guerrero
A woman (Tristan Risk, AMERICAN MARY) wakes up to find herself bound to an altar and greeted by an elderly Mexican couple with a nightmarish plan for her.


Child Eater (WORLD PREMIERE)

USA/Iceland / Dir/Screenwriter: Erlingur Thoroddsen
Babysitting can be a real nightmare, especially for Helen who's stuck looking after Lucas, a frightened boy who says he hears noises coming from his bedroom closet. Shortly after he makes those claims Lucas disappears, possibly at the hands of an infamous supernatural serial killer who, as legend has it, eats children’s eyes in order to keep his vision. Helen’s only option? Enter the dark, creepy woods where the mythical “Child Eater” lives to try to save Lucas. And its reign of terror will begin at the Brooklyn Horror Film Festival.

Screening with short film Gryla
Dir: Tomas Heidar Johannesson
An unlucky man thinks the ass-whooping he’s about to receive from a hulking debt collector is going to be painful, but that’s nothing compared to the mythological creature at the end of the road.


Beyond The Gates (NY PREMIERE)

USA / Dir: Jackson Stewart
After reuniting to sell off their missing father’s video store, two estranged brothers (Chase Williamson, Graham Skipper) discover the store’s darkest product: an old VHS board game that might hold secrets about their dad’s disappearance. Unfortunately, the game is also ready to subject them to unimaginable and brutal supernatural terrors. Wearing its proud ’80s influences like badges of honor, first-time director Jackson Stewart’s BEYOND THE GATES impressively captures that kitschy decade’s horror eccentricities and manic energy. The result is one hell of a vibrant and gruesome roller-coaster ride. Beyond The Gates is the winner of the LA Film Festival Nightfall Jury Prize.


Broken (NORTH AMERICAN PREMIERE)

United Kingdom / Dir: Shaun Robert Smith
Haunted by a nightmarish childhood and multiple past demons, Evie (Morjana Alaoui, MARTYRS) looks to make a major life change by becoming a live-in caretaker for a former rock star turned quadriplegic invalid. As her patient’s demands and attitude continually get harsher and his friends grow increasingly more disrespectful by the day, Evie’s already-fractured sanity is pushed to its horrific breaking point. Anchored by a harrowing performance from Alaoui, British director Shaun Robert Smith’s BROKEN toes the line between psychological dread and explosive horror right up to its you-gotta-see-it-to-believe-it ending.


Let Her Out (US PREMIERE)
Canada / Dir: Cody Calahan
Helen has had a tough life, and it all started when her prostitute mother tried to kill her in the womb 23 years ago. Now to make rough matters even worse, Helen suffers a brutal head injury that rattles something loose inside of her, something that’s determined to distort Helen’s reality while gradually making its way out of her—literally. Produced by Black Fawn Films, the on-the-rise Canadian team behind last year’s now-infamous gross-out flick BITE, this visually lavish creepshow finds its own clever and revolting ways to push the gore envelope, all while telling an impressively character-rooted story.

Screening with short film Pigskin
Dir: Jake Hammond
Prepping for a date with the high school football team’s quarterback should be exciting for cheerleader Laurie. But her physical insecurities have other, much more gruesome plans.


Fury Of The Demon (US PREMIERE)
France / Dir: Fabien Delage
There’s a reason why so few people have seen iconic French director Georges Melies’ film LA RAGE DU DEMON: whenever it’s shown to an audience, the crowd inexplicably erupts into a frenzy of violence, mass hysteria and random death. One theory is that the world’s most dangerous silent film was actually made by an occult-loving one-time murder suspect Victor Sicarius; the other theories, however, are too bizarre to accept. In search of the truth behind LA RAGE DU DEMON, this wide-ranging documentary features accounts and opinions from historians, journalists and filmmakers like Alex Aja (HIGH TENSION) and Christophe Gans (SILENT HILL). Does a definitive answer await you, or will you, too, fall victim to LA RAGE DU DEMON’s powers?

Screening with short film The Monster
Dir: Bob Pipe
Looking to resurrect his screen career, a classic horror movie monster signs up to star in a modern slasher film. But once he falls in love with his beautiful co-star, the production is doomed.


The Master Cleanse (NY PREMIERE)
USA / Dir: Bobby Miller
All Paul (Johnny Galecki, THE BIG BANG THEORY) needs is a little away time to figure his life out, so he signs up for a spiritual retreat overseen by an oddball named Ken Roberts (Oliver Platt). Hoping to get over a recent heartbreak, Paul goes along with Ken’s strange routines, not the least insane of which have to do with a small army of cute yet destructive little monsters that would make those GREMLINS creatures blush. Going for black comedy with tinges of creature-feature playfulness, writer-director Bobby Miller makes his feature debut with this delightfully weird look at how people’s inner demons can get the best of them. Aided by a strong supporting cast, including Anna Friel (PUSHING DAISIES) and the great Angelica Huston, THE MASTER CLEANSE blurs the line between hilarity and repulsion with sharp precision.

Screening with short film Gwilliam
Dir: Brian Lonano
Fresh out of prison, an ex-con decides to get his rocks off in an unconventional way that would make GREMLINS’ Gizmo want to vomit.


Pet (NY PREMIERE)
USA / Dir: Carles Torrens
Dominic Monaghan (THE LORD OF THE RINGS trilogy) plays Seth, an introverted and socially awkward animal shelter worker who randomly bumps into former schoolmate Holly (Ksenia Solo, ORPHAN BLACK), a beautiful and confident woman for whom Seth has always harbored a crush. But when his romantic advances are rejected, Seth takes matters into his own hands, kidnapping Holly and locking her up inside a cage hidden away in the shelter’s basement. If you think you already know where PET goes from there, you’re dead wrong. Once Holly is put inside those metal bars, Barcelona native Carles Torrens’ unpredictable psychological thriller upends expectations at every turn.

Screening with short film The Man Who Caught a Mermaid
Dir: Kaitlin Tinker
Obsessed with capturing a mythological mermaid, an old man suffers painful letdowns while fishing until, one day, he finally accomplishes the seemingly impossible. And then things get really bad.


Therapy (US PREMIERE)
France / Dir: Nathan Ambrosioni
Only 17 years old, France-born director Nathan Ambrosioni defies his teenage youthfulness with THERAPY, an inventive, fascinating and no-holds-barred combination of found-footage shocker and whodunit police procedural. After discovering a series of video recordings that show what appear to be brutal slayings by a masked killer, two detectives become obsessed with reviewing the footage in hopes of preventing further killings. But is there a far more sinister and elaborate plot at hand? Cutting back and forth between found-footage and traditional direction, Ambrosioni deftly balances visceral scares with mystery-box storytelling.


Trash Fire (NY PREMIERE)
USA / Dir: Richard Bates Jr.
Owen (Adrien Grenier, ENTOURAGE) and Isabelle (Angela Trimbur, THE FINAL GIRLS) are in the most toxic kind of hate-love with one another. After Isabelle finds out she's pregnant, she demands that they take a road trip to visit Owen’s only living relatives: his grandmother (Fionnula Flanagan) and severely burned sister (AnnaLynne McCord). Unfortunately for Angela, Owen’s family’s personal demons are ready to play. Coming off of the SCOOBY-DOO-esque SUBURBAN GOTHIC, singular writer-director Richard Bates, Jr. returns to the grimness of his critically acclaimed debut, EXCISION, with this darkly funny, bleak and unflinching horror-comedy.


Without Name (US PREMIERE)
Ireland / Dir: Lorcan Finnegan
There’s something bizarre and nightmarish waiting in the woods, and its sights are set on Eric (Alan McKenna), a land surveyor who’s tasked with assessing the woodland area in question just as his marriage is about to crumble. Stressed out by his fractured home life, Eric is tragically susceptible to the woods’ powerful ability to enter the emotionally wounded man’s mind and wreak both physical and mental havoc on him. Incorporating disorienting and inventive visual tricks to bring the film’s scenic forest to life, first-time Irish director Lorcan Finnegan taps into an effective psychological dread to create a psychedelic and one-of-a-kind descent into madness.

Screening with short film The Sound of Blue Green and Red
Dir: Joshua Erkman
A married man thinks he’s found his missing wife inside a seedy roadside motel, but he’s wrong—horribly and deathly wrong.

____________________________________________________________


HEAD TRIP: ALTERNATIVE SHORTS
Whether it’s through pitch-black comedy or blurred genre lines, these unpredictable and adventurous short films stretch horror’s definition into bold new directions.

DISCO INFERNO Dir. Alice Whittington

A sultry cat burglar attempts to rescue a beautiful damsel-in-distress in this surrealistic explosion of old cinema influences and occult imagery that gloriously epitomizes “WTF!”

EVELESS Dir. Antonio Padovan
Trapped in a dystopian nightmare, two men desperately try to prove that the opposite sex isn’t just a myth.

THE PUSH Dir. William Joines
A working woman in New York City battles psychological torment after witnessing a violent incident in an NYC Subway station.

EMPTY BED Dir. Brandt Shandera
a Late at night, a mother’s worst fears come to life after she notices that her son isn’t in his bed.

VENEFICA Dir. by Maria Wilson
Hoping to prove herself worthy of becoming a legitimate witch, a young woman (played by the film’s director, Maria Wilson) prepares the ultimate sacrifice.

SHORTY Dir. Anna Zlokovic
Not human but also not quite alien, Laura (Mary Loveless, EXCESS FLESH) satiates her hunger for acceptance by preying on unsuspecting victims until she meets an unlikely match.


NIGHTMARE FUEL: SCARY HORROR SHORTS

PRESENTED BY QUICKFRAME

With unconventional zombies, homicidal maniacs and bloodthirsty ghosts, these short films were made with the sole intention of messing you up through pure in-your-face terror.

DAWN OF THE DEAF Dir. Rob Savage

An inexplicable sound turns everyone who everyone who hears it into a flesh-eating zombie; meaning, it’s up the city’s deaf residents to survive.

THE PUPPET MAN Dir. Jacqueline Castel
Powered by an original score composed by John Carpenter (who also co-stars), this stylized, neon-drenched fever dream pits a young woman and her friends against an inhuman killer.

TILLY Dir. Robert Kotecki
A little girl fears the monster she thinks lives in her bedroom. If only she’d pay closer attention to the real threat in her family’s house.

PLAYBACK Dir. Nathan Crooker
Shot in an extended single take, this lean and mean shocker follows a young man who watches a homicide on his TV and quickly realizes he’s seen the murder’s location before.

THE STICKS Dirs. Russell Davison and Jamie Delaney
On a bright and scenic day, two friends take a leisurely stroll into the woods. They should have just minded their own business.

THE HOME Dir. L. Gustavo Cooper
Home invasion gets nasty as a woman (Alex Essoe, STARRY EYES) who’s just given birth is forced to fend off homicidal invaders inside a home for unwed mothers.

THE STYLIST Dir. Jill Gevargizian
Before closing her beauty salon for the night, introverted hairstylist Claire (Najarra Townsend, CONTRACTED) has something special in mind for the evening’s final client.

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BROOKLYN SHOWCASE

Psychotic! A Brooklyn Slasher (WORLD PREMIERE)
USA / Dir: Maxwell Frey and Derek Gibbons
As if paying their ridiculous $1,400-a-month rent in Bushwick wasn’t bad enough, struggling artists Tim and Stuart can’t even enjoy the Brooklyn party scene without stumbling across mutilated bodies and a homicidal maniac’s reign of terror. The hardest fact of all to accept, though, is that the maniac is most likely one of their friends. With that whodunit set-up and their intimately authentic use of their hometown Bushwick setting, co-directors Maxwell Frey and Derek Gibbons turn Brooklyn into a giallo-inspired nightmare in this stylish and corpse-ridden ode to slasher movies.

The Sentinel (1977)
USA / Dir: Michael Winner
What better way to punctuate BHFF’s first year than by inviting New York City to screening the craziest Brooklyn horror movie ever made? Initially made to cash in on THE EXORCIST’s popularity, Michael Winner’s 1977 horror gem THE SENTINEL has justifiably earned serious cult-classic cred over the last three decades—it’s easy to see why. The plot, about a mentally disturbed fashion model (Cristina Raines) who moves into a Brooklyn brownstone that doubles as the Gates of Hell, is secondary to THE SENTINEL’s demented imagery, including a surreal-as-hell dinner party attended by a cat wearing a birthday hat and a controversial climax featuring dozens of real-life deformed people playing Satan’s minions. If you’ve never seen this twisted masterwork, here’s the perfect chance to catch up with one of the most insane horror flicks of the 1970s. Screening hosted by Syndicated Theater following our closing night film.


LOCALS ONLY: SHORTS BY BROOKLYN FILMMAKERS

CHAMBERS | Dirs. Cory C. Maffucci & Josh Haslup
ETA | Dir. William Nawrocki
LAST STOP CONEY ISLAND | Dir. A.K. Espada
MUTE | Dir. Kyle Greenberg
STITCHED | Dir. Heather Taylor
THE TOOTHBRUSH | Dir. David Otte
WANDERING | Dir. William Kaplowitz

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FEATURE JURY:

LAURA KERN: Film Comment, Programmer at Lincoln Center
MATT DONATO: Film Critic, We Got This Covered
SAM ZIMMERMAN: Curator, Shudder

SHORTS JURY:

ERIC WALKUSKI: Arrow In The Head/Joblo
ERLINGUR ÓTTAR THORODDSEN: Dir. Closing Night Film “CHILD EATER”
JENN WEXLER: Producer, Glass Eye Pix

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The Brooklyn Horror Film Festival will screen feature films and short films that represent filmmakers from around the world that are contributing to the horror genre. In addition to the film screenings, the festival will also be hosting an opening night party, panel discussions, Q&A’s with filmmakers, games, contests, merchandise tables, award ceremony and a sendoff party after the final screening. Venues for the festival include The Wythe Hotel Screening Room, Videology, Syndicated and Spectacle theaters among others.

BHFF is proud to honor and say thanks our special festival sponsors, which include Throne Watches, Syndicated, Horror Pack, El Buho Mezcal and QuickFrame. Premium sponsors are Uber, Bruce Cost Ginger Ale, Brooklyn Bean Roastery, Essentia and Skinny Pop. Beer and liquor for the fest is supplied by Coney Island Brewery and El Buho Mezcal. Supporting sponsorships offered by Screencraft, Boroughs of the Dead, Kings Of Karaoke and Hattan Media.

Special thanks to our BHFF media sponsors, We Got This Covered and BellaDonna as well as festival friends BK Horror Club, and Brooklyn Music Fest.

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ATTENDING THE FESTIVAL

A limited number of Film Festival Badges are available for purchase. Individual tickets will be available in mid-September.

http://brooklynhorrorfest.com/

More festival information and other horror news can be found on the BHFF Facebook page; https://www.facebook.com/BrooklynHorrorFest/
On Twitter; https://twitter.com/brooklynhorror/
Instagram; https://www.instagram.com/brooklynhorrorfest/

Starving the Beast: The Battle to Disrupt and Reform America's Public Universities (2016)

Beginning with a fiery speech by James Carvell about the importance of public education STARVING THE BEAST goes on to chart the troubling trend to see universities not as a place of higher learning and thus institution for the public good but rather consumer oriented organizations where users buy a service and it would all be run as a business. At the same time politicos are begining to see the colleges as place where an  ideology more in keeping with their way of thinking could be taught. As a result higher education would be saved.

Or not.

Absolute must see film will completely horrify any rational person  about the current state of higher education. This is isn't a film just about the way public institutions are going private but how and why this is a very bad thing.  Its a film about how the conservative right, in places like Texas and Wisconsin is changing what students learn because of who is now footing the bill, Its a film about how that bill is going to hobble the students taking loans. And its also a film about the death of free speech  because the change in faculty structure and hiring makes everyone afraid to speak out.

I have no idea what to say or how to react to this film. Its a film so full of information I need to see it a couple more times before I truly comprehend what its saying.  I know enough to be utterly horrified. This is one of the most important films of the year. Its a film that everyone who cares about the future of America should see because it is a dire warning of something terrible not far in the future.

Sitting here trying to write this film up I find that it's one that is impossible to summarize or discuss simply. There is simply too many factors floating around to say anything in a couple of sentences. This is a film that requires lots of words after multiple viewings. Its a dense film that has press notes that contain several page of links that take the ideas of the film even further. This is a film that  requires its audience that is educated and assumes they are going to be able to follow along.Its a film that most film goers are never going to go near because  of that.  Even documentary film fans are going to be taken back...

....And that's a good thing because it makes it clear that the film really does know what it is talking about. Yes it can be tough to take it all in, but its so well done you'll want to see it a second or third time.

This document, its much too important to label it as simply a film, is a must see. If you care about America and your children you have to see this film when it opens Friday.

Monday, September 5, 2016

In Brief: Gus Van Sant's SEA OF TREES (2015) - a contrary position

Critically reviled film was a major disappointment at Cannes where there were numerous walkouts and full on booing when it ended. When the film was picked up by A24 many writers were left scratching their heads as to why they did it, but were hopeful that the company saw something those at Cannes didn't. When the film was release writers then began to ponder why it as getting released because it was so absolutely awful.

The thing is it's not awful, not perfect but no where near awful.

Wandering into Aokigahara, a forest near mount Fuji in Japan known for being a magnet for people in emotional distress, a man named Arthur (Matthew McConaughey) is looking for a place to commit suicide. Just as he is about to take an over dose of pills he hears the sound of someone in trouble and finds Takumi Nakamura (Ken Watanabe) lost and stumbling around. He wants to go home. Arthur wants no part of him and tries to send him  on the right path, but instead finds they must travel together if either is going to go home.

To be honest the film isn't perfect. The flashback sequences with Naomi as Arthur's wife, while good, belong in a completely other film. The sequences come across as if they are from some parallel story that keeps intruding on the main narrative. I know why they are there and as I said they are good but from a cinematic perspective the sequences trip things up. While you need them to understand Arthur's motivation,  they intrude because the Arthur in those sequences runs counter to the Arthur in the woods. We know why but its grating and lessens the impact of the film.

Personally if I could chop out all the flashback sequence I think we'd have a kick ass little film.

Having seen the film I'm left to ponder what did my fellow writers think the film was going to be? WHy did they hate it so? integrating the flashbacks aside I don't think anything is really wrong with the film. Yes it's obvious as to what is happening, I mean the film telegraphs the punchline of the film almost from the minute that Nakamura shows up, if not before. If you can't guess who he is and what is going to happen then something is wrong.  But it doesn't matter since the interplay between the actors is go good you don't care.

I'm sorry this movie doesn't suck. Its not a disaster and it's actually quite charming once you realize its not going to do any special tricks but do what you expect really well.

I like the film and recommend it

The amazing ROYAL ROAD hits home video tomorrow

I loved ROYAL ROAD when it played last year at Anthology Film Archives here in New York and at several film festivals we covered. Now it's coming to home video and you too can fall in love with this wonderful thoughtful film. Here's my original review:

ROYAL ROAD is Jenni Olson's hour long meditation on her life, gender, love, the movies, the Spanish conquest of the American South West and whatever subjects that drift off from there.

The film is essentially an illustrated monologue told via voice over as Olson discusses her life or a version of her life, including her appropriation of male characters from films as a means of connecting to the world. The on screen images are of various locations that we are to believe the places we are hearing discussed. As to whether this is true or not is for us to decide, though I'm guessing that they are more spiritually connected places rather than actual ones (at least as far as the cityscapes are concerned.

I am a sucker for films like this. I love to have some one tell me a really good and really involving story. My collection of films is littered with similar films where the filmmaker is essentially giving us an illustrated lecture of of some kind- one where the words mix with the images to become something greater. While this film is nominally a documentary, the style is frequently used by fiction filmmakers such as Peter Greenaway in many of his early films (THE FALLS, WALK THROUGH H) or Patrick Kieller's ROBINSON films.


What I like about the film is that while it begins with Olson's search for identity in Hollywood portrayals of masculinity the film is in actuality simply about a quest for self regardless of if you are a person or a country. This is about the paths we all take to now even as we look back at the past.

You have to forgive me as I fumble my way through this review because this is one of those films that I can tell you what it is, and it is deceptively simple, but at the same time it kicks up a whole hell of a lot of thoughts and feelings and ideas. In trying to explain my feelings about the film I find I want to say everything right at the start-as if every sentence of thought and feeling wants to come out out at once. At the same time I'm trying to wrestle with the fact that if I started to actually write down everything that this film kicked up and where it goes and all of that we'd probably end up with a piece that's novella length.

(Sits staring at the computer screen for about 15 minutes pondering what to say)

This is the problem with writing on film,or writing on anything thing. There are times when you are required to say something or explain things and it's kind of pointless to do so. It's like the comment the Quay brothers made when I recently spoke with them and they basically said things sometimes just are and it's kind of mad to try and explain them. ROYAL ROAD is something that is going to kick up stuff and affect each viewer differently because it's going kick up stuff from each person's life. How I am reacting, what I am trying to explain is not how you are going to react.

I think probably the best thing I can say is that you need to track this film down and just see it. It's an hour so it's not a huge commitment of your time- at least on the front end- on the back end I'm guessing you'll be discussing it and mulling it over for a few hours afterward. If you are in New York Friday or the following week, make your way to Anthology and see the film, If you're not watch the film's website for screening locations and details on how to see it.

ROYAL ROAD hits home video tomorrow

Sunday, September 4, 2016

Nightcap 9/4/16- a major break is happening, thank you Joe Dante, KUBO, I AM NOT A SERIAL KILLER, Cinearama trailers and Randi's links


THE BEST OF CINERAMA Trailer from Flicker Alley on Vimeo.

With coverage of the Portland Film Festival coming to a close and before the wave of the fall films and festivals hits us it’s time to pause and hit reset and take stock.

First for the next couple of weeks I’m going to be backing off the new releases. I have some films set to go, but for the moment there is going to be a drop off of new films. It’s not for lack of stuff being offered to Unseen, rather it’s simply there are other things in the mix, live shows, concerts and other things and a bunch of the stuff being offered is less than thrilling - I'm tired of seeing weak or out right crappy films (There have been some real stinko horror films I won't mention)...

…and on top of it I need a break. Too much has been thrown my way, at Unseen, in life and the day job and I’m not doing as well as I should be. So when something happened this week which brought home the point I decided that I need to take a serious break from something, and the one thing I can step away from is Unseen and all of the things connected to it.  Basically I'll be scarce for the next few weeks from Unseen and related social media. While Unseen is set to run on its own until December  I will be dropping in reviews, interviews and festival coverage but things are going to be running on their own, probably into to the new year.

Regarding NYFF, yes we will be covering from the trenches and the press pits. Because of the way things have laid out, there are some complications with the day job so I’m not sure how the coverage is going to go. All I can say is that there will be coverage- I can't say how much. To help with our coverage I’m roping in people so watch out.
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From the I think this is so cool- say what you will good or bad concerning Joe Dante’s LOONEY TUNES BACK IN ACTION- it is the gateway for some people into the Warners cartoons. My six year old niece is now memorizing the cartons because of the film which delights me to no end.

Thank You Joe Dante for making Avery a Looney Tunes fan
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I saw KUBO AND THE TWO STRINGS. I completely understand why some people have gone crazy for it.

I on the other hand was less thrilled. While I do like the film I am not a fan of the story construction with it seeming to want to be like, say a Neil Gaiman story, instead of it's own story. Its following a template and not its soul.

Still it has some wonderful bits- though why have George Takei  if he has only three throw away lines one of which is is signature "Oh my"?
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I saw I AM NOT A SERIAL KILLER. and was completely surprised about how it went. I had no real idea of the plot going in so I was completely unaware of where it went.

Based on a YA novel the film starts in one direction then changes and changes again. What its really  about completely surprised me and less said the better. Just see it

I will say that despite being based on a YA novel it can be graphic such as in showing the embalming process (the hero lives in a funeral home)
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Randi's Links

True Movies Lie to You
Scary Commercials and even more
Music Mysteries
VOYAGE TO THE PLANET OF PREHISTORIC WOMEN
Anderson Rabin and Wakeman talk their tour and album
Paley Center 50 years of Star Trek
Cool bridges around the world



CINERAMA'S RUSSIAN ADVENTURE Trailer from Flicker Alley on Vimeo.

In Brief: Gold Balls (2016) Portland Film Festival 2016

Portrait of several tennis player chasing after the national tennis championship after the age of  80- the gold ball of the title

Impossible to dislike film is a loving portrait of a game and the people who play it with an undying passion. These guys and gals are an utterly charming bunch of people who maybe obsessed with one thing but manage to carry on doing what they love well past most people would have thought to give it up.

I completely understand the love these players have for sport and competing. My dad who is himself approaching 80 is still out there plugging away as best he can and seeing these other warriors still out there reminds me that this is what we should be doing and not the living death of retirement communities where we just plod along until we finally are planted. God bless them all.

An absolute joy of a film and possibly the feel good film of the Portland Film Festival.

On the Farm (2016) Portand Film Festival 2016

Making  waves at several festivals before landing at the Portland Film Festival, ON THE FARM is a film that has been talked about for a while now.  The film is a fictionalized account of the crimes of Robert Pickton who killed at least 49 women on his farm outside of Vancouver over a period of almost two decades- though told from his victims point of view.

The short version of the real story is that Pickton and his brother had a farm that they converted to a non-profit center where people could hold events. The farm was used by various groups for raves, biker meetings and other fringe events. At some point people started to go missing from the events but no one paid any mind. Eventually the Canadian government pulled their non-profit status and things started to go south. Eventually a young woman escaped from Pickton and the police went calling and it was discovered that terrible things had been going on at the farm. Pickton confessed to killing 49 women  but DNA of at least 80 people, men and women were found at the farm. It is believed that Pickton either fed his victims to the pigs on the farm or mixed them into his ground pork sausages.

In the film we only get a small portion of the story as a woman escapes from the farm and is picked up by a passing car. As she is in a hospital the story flashes back to her coming to Vancouver, getting in with the wrong crowd and eventually ending up at the farm where terrible things happen to her and a small group of Mounties try to figure out what the hell is going on at the farm.

A good but not particularly great film this is one that will curl your toes at times. This is a small scale film that shines a light on to societies in ability to catch a large scale predators How could so many .women go missing? Why didn't anyone connect the dots? Its question that we seem to be asking more and more. It question that has formed the basis of UNSEEN which is also playing at the Portland Film Festival and Nick Broomfield's TALES OF THE GRIM SLEEPER, however where those films dealt with women of color, this film deals with a case where the women were Native Canadian as well as other ethnicities. It also clearly shows that  despite what we may think psychopaths aren't just an American creation

The problem with the film for me is that in structuring the film as a couple of women's tale, cop and victim, and by fictionalizing the events you've kind of dumbed things down and made it a TV Movie of the week (which it is the film was made for Canadian TV ). Any uniqueness is lost in the clumping of characters and events together to try and get the whole story out in under 90 minutes -The story is so complex that it needs to be much longer. There is a sense of things being left out.

It's also clear that the film has an agenda as witnessed by the text that appears at the end stating that the Canadian government wouldn't be prosecuting Pickton further- leaving out the reason which was that that doing so would not keep him in jail any longer than he was going to be- life. It also leaves out that the cost of the case, including attempts to determine who and how many victims there were so the family could have closure was over 75 million dollars according to one account.

To be honest I don't think the fact that several friends at other festivals had talked highly about the film influenced my feelings much at all. Yes I was looking for a film that was going to lay me out but at the same time the stadard presentation lessened  it in my eyes. I do however know that the excellent documentary UNSEEN which played a couple of days ago did affect my thoughts on this film. That film tells the story of the Cleveland Strangler from the point of view of the victims and it managed to get the balance right. Which most certainly not as complex a tale as this it still parallels it with a long term psychopath operating under the noses of the police. (such is the danger of multiple festival screenings)

This is an okay true crime film that pales in comparison to the real story

Saturday, September 3, 2016

Dark Harvest (2016) Portland Film Festival 2016

Marijuana grower Carter end up forcibly having to work with a cop he injured a year before when one his friends is murdered.

World premiering last night at the Portland Film Festival DARK HARVEST is a neat little crime drama that really shines thanks to writer, director and star James Hutson skillfully stringing us along and not taking the easy road in plot resolutions. I'm not going to lie, Hutson is a very talented man. Taking what should have been and what could have been a by the numbers B story, he has pumped it up with some really nice twists.

While Hutson's own character isn't the most compelling in the film  he has surrounded him with some awesome characters. Cheech Marin proves he's an under valued actor with his turn as Ricardo, Carter's friend. Its a role that in a bigger budget film would have gotten Marin an Oscar nom because he is so perfect that it doesn't seem to be acting. Hutson has also crafted a complex role for AC Peterson, who plays the cop whose police career was derailed by a bear trap in Carter's office. He is not a guy you like, but by the end of the film you do come to respect him.

Hutson's staging of the films sequences is nicely handled. Its so well done I wanted to see what else he had directed and was shocked to discover he'd only done a documentary previously. How the hell can some one be this assured and this agile with crafting suspense the first time out? More importantly what will he do next and where do I line up to see it?

As many of you know I see a great many B thrillers and some are good and some are bad and some are best left unmentioned. It is a rare occasion when I see a film, which manages to knock my socks off not just because it's an entertaining film but also because it's writer/director/star constructs a confection of such promise that one can't help but think that this is going to be the first of many kick ass films.

See this film when it rescreens tomorrow. For tickets and more information go here.

In Brief: The Good Mind (2016) Portland Film Festival 2016

A portrait of the Onondaga Nation in upstate New York which is battling to regain some say in how the land that they once controlled is used as well as to pass on their culture to a younger generation.

This is a good look at a native American nation fighting to to do more than survive and instead actually make a difference in the world. As one of the chiefs says "we don't want to take the land away from those who are living there, that is something we know. Rather we are looking to have a say in how it is used so that it is protected from harm." That's also something they know since Lake Onondaga, one of their sacred sites is now so polluted you can't touch the water with out some form of protection on.

I really liked this film a great deal. Its nicely made look at a people and a subject that most of us don't really know, I mean most of us don't know what it's like to be a native American nor do we even remotely understand that they really are essentially another country inside of this one.(The discussion of treaties is wonderful)

I suspect that this film is going to have a life well beyond the festival screenings at Portland and elsewhere.

The 19th Indie Memphis Film Festival announces the first twelve official selections for this year’s festival (November 1-7)



Prichard Smith’s THE INVADERS is the Opening Night selection, and Stephen John Ross’s KALLEN ESPERIAN: VISSI D’ARTE has been chosen as the Closing Night title.

Other highlights include 2 from Ira Sachs (LITTLE MEN, THE DELTA), and Miloš Forman (MAN ON THE MOON, THE PEOPLE VS. LARRY FLYNT), Jake Mahaffy’s FREE IN DEED, Anna Billar’s THE LOVE WITCH, as well as selections from Kino-Lorber’s celebrated “Pioneers of African American Cinema” collection

Memphis, TN (September 2, 2016) – The Indie Memphis Film Festival presented by Duncan-Williams, Inc, (November 1-7) has announced the first 12 films out of an expected 160 films to be featured at the 19th edition of the annual festival this year. Prichard Smith’s documentary THE INVADERS, executive produced by Craig Brewer, will open the festival, while Stephen John Ross’s documentary KALLEN ESPERIAN: VISSI D’ARTE about Memphis’s famous opera soprano, will send Indie Memphis out on a song as the closing night selection.

Featuring critically acclaimed director Ira Sach’s latest film, LITTLE MEN, along with a special 20-year anniversary screening of his debut feature, THE DELTA, Jake Mahaffy’s Memphis-produced award-winner, FREE IN DEED, another special 20-year anniversary screening - of Miloš Forman’s classic (and Memphis-produced) THE PEOPLE VS. LARRY FLYNT, and key selections from Kino Lorber’s “Pioneers of African American Cinema” collection, the first selections out of the gate honor the rich history of local film production, black film history, and attention-getting films coming to Memphis for the first time.

Venues span from primary sites in Midtown and Downtown Memphis to new satellite venues in East Memphis and Collierville. With the support of Marquee Sponsors, Amazon Studios, AurtoZone, and Malco Theatres, Indie Memphis will once again present its unique and diverse slate of programming throughout the weeklong format that was successful last year, contributing to the largest film attendance in the history of the festival.

“The lineup and expanded venues are reflected in this year’s festival message, Film for All.” said Executive Director, Ryan Watt. “We want everyone in Memphis to feel invested in the success of the festival. Different moviegoers will gravitate to specific films and events throughout the 7-day program, there are more options than ever before.”

Prichard Smith uncovers the history and significance of the often-overlooked group which radicalized generations of civil rights activists, in his documentary THE INVADERS, detailing their surprising behind- the-scenes involvement with Dr. Martin Luther King, Jr. in the pivotal days leading up to his assassination. This special event features the original members of The Invaders and Executive Producer Craig Brewer in-person for two festival screenings of a film which could not be more timely considering current events in the country. Stephen John Ross’s KALLEN ESPERIAN: VISSI D’ARTE will close out the film festival in style. The title translated as “I Lived for Art” details the famed Memphis opera singer’s struggles and comeback. In a special treat for the Indie Memphis audience, Kallen will perform with Gary Beard following the screening of the film.

Two films each by two singular film artists will be presented this year, as Indie Memphis shines a light on the work of both Memphis-raised director, Ira Sachs, as well as the legendary Miloš Forman. Sachs will be on hand to discuss both his latest, LITTLE MEN, about a new pair of best friends have their bond tested by their parents' battle over a dress shop lease, as well as a 20th Anniversary screening of his first feature film, THE DELTA, about a 17-year old boy leading a secret life, as he is coming of age, in which he's drawn to men he doesn't know. Two of Forman’s beloved works will be presented by co-writer Larry Karazewski (recently nominated for an Emmy as co-writer/producer of “The People Vs. OJ Simpson”), including a 20th Anniversary screening of THE PEOPLE VS. LARRY FLYNT. The partially idealized film of the controversial pornography publisher and how he became a defender of free speech for all people, will be screened from a 35mm print, with a conversation to follow about the Memphis-based production. Karazewski will be joined by Memphis wrestling legend Jerry Lawler for a screening of MAN ON THE MOON, about the life and career of the notorious comic genius, Andy Kaufman.

The initial announced selections also include two films that have gained great notice on the film festival circuit. Jake Mahaffy’s award-winning Memphis-production of FREE IN DEED. The film depicts one man's attempts to perform a miracle for a young mother and her son battling a seemingly incurable illness. The film was the winner of “Horizons: Best Film” at the Venice Film Festival. Anna Billar’s stylish THE LOVE WITCH, about a modern-day witch uses spells and magic to get men to fall in love with her, in a tribute to 1960s pulp novels and Technicolor melodramas, has also been the recipient of much critical acclaim at previous stops on the film festival map.

Finally, the Indie Memphis Film Festival and Kino Lorber have teamed for a very special presentation of four films from Kino Lorber’s “Pioneers of African American Cinema” collection. The films, culled from this collection of historically vital works of America's legendary first African-American filmmakers and film artists, including Oscar Micheaux, Paul Robeson, Spencer Williams , and James Gist, will be featured at the Hattiloo Theater “Black Box” (37 Cooper Street). Films include THE BLOOD OF JESUS, BODY & SOUL, HELLBOUND TRAIN, and SYMBOL OF THE UNCONQUERED.

The full lineup and schedule of the films, live music, panels and parties will be announced on September 26th at the “Preview Party” at Rec Room (3000 Broad Avenue). Passes are now for sale and additional information on the film festival can be found at IndieMemphis.com.


The first twelve official selections include:

THE DELTA (1996)
Director: Ira Sachs
Country: USA, Running Time: 85min
THE DELTA follows Lincoln, a 17-year old boy leads a straight life most of the time: he has a girlfriend, goes to dances, jokes with guys. But he also has a secret life, in which he's drawn to men he doesn't know. One night, while visiting a gay video arcade, he connects with John, a Vietnamese-born gay man, in his 20s probably, whose father was an African-American US soldier. John invites Lincoln to spend some carefree time with him, which leads the two to take Lincoln’s father’s boat into the Mississippi delta, where setting off some fireworks out of season precipitates betrayal and revenge.

FREE IN DEED
Director: Jake Mahaffy
Country: USA, Running Time 100min
Set in the distinctive world of storefront churches, and based on actual events, FREE IN DEED depicts one man's attempts to perform a miracle for a young mother and her son battling a seemingly incurable illness. However, for the lonely Pentecostal minister confronting his own demons as well, it seems the more he prays, the more things seem to spiral out of his control.

THE INVADERS
Director: Prichard Smith
Country: USA, Running Time: 76min
Executive produced by Craig Brewer, THE INVADERS is a documentary which uncovers the history and significance of the often overlooked group of civil rights activists. Inspired by militant black leaders like Malcolm X and Stokely Carmichael, a new, radicalized generation made up of young college students, Vietnam vets, musicians, and intellectuals emerged in Memphis in 1967. The Invaders espoused Black Power and, when pushed, did not limit themselves to non-violence. Prichard Smith uncovers the history and significance of the often- overlooked group, detailing their surprising behind- the-scenes involvement with Dr. Martin Luther King, Jr. in the pivotal days leading up to his assassination.

KALLEN ESPERIAN: VISSI D’ARTE
Director: Steven John Ross
Country: USA, Running Time: 64min
KALLEN ESPERIAN: VISSI D’ARTE profiles the famed Memphis soprano, chronicling her struggles and successes as she worked to reignite her career following a dark and difficult period in her life and career. Overcoming a divorce, depression, extreme weight fluctuations, physical injury and even, brain surgery were among the challenges that stood before Esperian as she made her way back.

LITTLE MEN
Director: Ira Sachs
Country: USA, Running Time: 85min
LITTLE MEN explores the deepening friendship between two artistic boys whose families enter into a heated and escalating battle over the rent of their shared brownstone in a quickly gentrifying Brooklyn. Jake (Theo Taplitz) is the son of Brian (Greg Kinnear) and Kathy (Jennifer Ehle), who move into the upstairs of a brownstone they inherit; Tony (Michael Barbieri) is the son of immigrant seamstress Leonor (Paulina García), who's been renting the store on the ground floor for several years. When a battle over rent sharpens, the boys—rather than splitting along lines of family loyalty—give the adults the silent treatment and continue to forge their own bond.

THE LOVE WITCH
Director: Anna Billar
Country: USA, Running Time: 120min
A modern-day witch uses spells and magic to get men to fall in love with her, in a tribute to 1960s pulp novels and Technicolor melodramas. Elaine, a beautiful young witch, is determined to find a man to love her. In her gothic Victorian apartment, she makes spells and potions, and then picks up men and seduces them. However, her spells work too well, and she ends up with a string of hapless victims. When she finally meets the man of her dreams, her desperation to be loved drives her to the brink of insanity and murder.

MAN ON THE MOON (1999)
Director: Miloš Forman
Country: USA, Running Time:119min
Jim Carrey stars as the late Andy Kaufman, who was considered one of the most innovative, eccentric and enigmatic performers of his time. A master at manipulating audiences, Kaufman could generate belly laughs, stony silence, tears or brawls. Whether inviting the audience out for milk and cookies or challenging women to inter-gender wrestling matches, he specialized in creating performances so real that even his close friends were never sure where the truth lay.

THE PEOPLE VS. LARRY FLYNT (1996)
Director: Miloš Forman
Country: USA, Running Time: 129min
Pursued by opponents who say his "Hustler" magazine breaks decency laws, pornographer Larry Flynt (Woody Harrelson) hires lawyer Alan Isaacman (Edward Norton) to help fight his legal battles. A zealot shoots the men near a Georgia courthouse, and though Flynt discovers he'll never walk again, his fighting spirit -- like his love for stripper Althea Leasure (Courtney Love) -- stays strong. Ultimately, the unlikely free speech warrior takes his biggest case to a showdown at the Supreme Court.

Pioneers of African American Cinema
THE BLOOD OF JESUS (1941)
Director: Spencer Williams
Country: USA, Running Time: 58min
Small-town residents pray for a miracle after a newly baptized woman is accidentally shot by her sinful husband.

BODY & SOUL (1925)
Director: Oscar Micheaux
Country: USA, Running Time: 102min
Directed by the legendary African American filmmaker Oscar Micheaux, BODY & SOUL is a direct critique of the power of the cloth, casting Robeson in dual roles as a jackleg preacher and a well-meaning inventor.

HELLBOUND TRAIN (1930)
Director: James Gist
Country: USA, Running Time: 60min
HELLBOUND TRAIN comprises a series of vignettes of “sinful” acts, any of which could book you a spot on that locomotive to perdition: Women deceiving their husbands; gamblers and tipplers; crooked men conducting illicit business; and insolent children disrespecting their parents make up the passenger list. At the end of each scene a character dies, and a round man in a form-fitting devil suit hops off a train and does a little jig as he accepts a new passenger.

SYMBOL OF THE UNCONQUERED (1920)
Director: Oscar Micheaux
Country: USA, Running Time: 54min
In this silent film, Eve Mason (Iris Hall) learns of her grandfather's death, leaves her small Southern town and travels west to inspect her newly-inherited land. With help from her neighbor, Hugh Van Allen (Walker Thompson), she arrives at her grandfather's homestead. When the self-loathing Jefferson Driscoll (Lawrence Chenault) learns that Van Allen's property sits atop a vast oil reserve, he teams up with a group of unsavory criminals to threaten Mason and force Van Allen off his land.


ABOUT INDIE MEMPHIS
Through diverse year-round programming, a world-class annual festival, and on-going efforts to include new voices, new media, and new audiences, Indie Memphis is a 501(c)3 non-profit organization which enriches, inspires, and connects the Memphis community while cultivating interest in, and development of, independent film. For additional information, or for details about membership, visit www.indiememphis.com or call (901) 214-5171.

Friday, September 2, 2016

Unseen (2016) Portland 2016

Anthony Sowell was convicted of the rape of Melvette Sockwell in 1989 and went to jail for 15 years. In 2009 the bodies of 11 people were discovered in and around his home in the Cleveland neighborhood of Mt Pleasant. The women had disappeared over a three year period, however the police never investigated the cases of the missing women until the bodies turned up.

Similar to the Grim Sleeper killings in California where the police didn't investigate a decades long serial killing spree because the women were black, and in many cases suspected to have questionable reputations, the Cleveland killings went unnoticed because the neighborhood had fallen into extreme poverty and many of the people were addicted to drugs.  The cops seemingly couldn't be bothered, despite multiple missing person reports, despite ungodly smells and despite a visible pattern to look into any of the disappearances.. They did nothing until they actually saw the first two bodies.

UNSEEN is a sad sad film. Not so much because it looks at the crimes of Sowell but because the film is really at a society so broken that things can happen pretty much in plain sight and no one will say anything. The film will have you shaking your head wondering how it could have happened, and pondering how often things like this are still happening. Despite our hopes that things like this won't happen, more and more its turning out that they have and do occur... we just didn't notice it because it wasn't in the nice part of town.

While we follow the sordid details of Sowell's crimes, ultimately they are more the spine to hang a look at the lives of the victims on. They were all women trapped in poverty with no way out but to escape into drugs. It was the drugs that made the women willing to go with Sowell and it was drugs that made several survivors not report their encounters with the killer. It is this last bit that is saddest of all, it might have ended sooner if the women thought they would have been believed. And they probably wouldn't since in the films most chilling moment a local store owner sides with the killer who he said was "taking out the trash".

UNSEEN is a quietly powerful film that transcends the true crime documentary to become deeply moving reminder of what is lost when we marginalize each other.

One of the best films at the Portland Film Festival and a must see when it plays later today. For tickets go here.

Neil Stryker and the Tyrant of Time (2016) Portland Film Festival 2016

Tongue in cheek send up of science fiction adventures has the world's greatest secret agent chasing a super villain who has stolen Stryker's young son after escaping from the psyche ward of  the maximum security lock down.

If it wasn't for the violence, foul language and nudity this would almost be a kids film, instead its a very adult send up of various science fiction films and science fiction tropes. Funnier the more references you know the film has some clever bits and dead on homage. This is the sort thing that science fiction fans who like spoofs are going to eat up- especially if you grew up watching cheezy schlock films of the sort .that were released in the 1980's and 90's and are in a RIfftrax sort of mood.

As on target some of the film is it has two real problems that kept me from truly giving myself over to it.

First the film seems to be largely dubbed after the fact. Its an amusing trope that makes it seem like a badly dubbed Italian film, but at the same time it grows wearisome almost instantly because there is no reason for it. I don't mind watching a foreign film dubbed into English because other wise I wouldn't under stand it. Here there is no reason for it and it just grates and pretty much derails the movie.

The other problem is that the pacing is way too slack. The sequences play out much too slowly with the result that some sequences fall flat and we are given too much time to admire the the cheapo production. Yes the film has some laughs but the action sequences which should pop look as though the characters are walking through them. It almost kills the film, and it would have been so much better if the film had moved things along with a sense of urgency.

Flaws and all I do think the film is worth a look for forgiving science fiction fans looking for something not too serious (more so if you can see this with a bunch of like minded friends and lots of drinks).  All others can probably skip it.

Monster Fest 2016 Announces Keynote Speaker Ted Kotcheff and Exciting Closing Night Film with Guests!

Monster Fest, Australia’s premier genre festival, returns to the Lido Cinema in Melbourne from Nov 24-27, 2016, for four days of premieres, special guests, repertory sidebars, short films, presentations and more.

In conjunction with the festival, Monster also announces the return of the Monster Academy - now dubbed The Swinburne University Media and Communication Monster Academy – a two-day industry conference that takes place Nov 23 and 24th, running up to the festival itself.

We are pleased to announce that veteran director Ted Kotcheff will appear in person to present the film that many critics regard as the greatest Australian film ever made, his 1971 outback classic WAKE IN FRIGHT, as well as screenings of FIRST BLOOD (1982), WEEKEND AT BERNIE’S (1989) and SPLIT IMAGE (1982), the latter as part of our previously announced all-night Cult of Monster marathon.

Kotcheff will also be the keynote speaker at the Swinburne University Media and Communication Monster Academy with a three-hour masterclass on Thursday Nov 24th. A limited number of tickets are now on sale for the masterclass HERE: >> https://www.trybooking.com/227339

We’re also excited to announce that Sundance WTF sensation THE GREASY STRANGLER will be our Closing Film followed by a GREASY GALA with the two stars of the film, special guests Sky Elobar (Big Brayden) and Michael St. Michaels (Big Ronnie – the Greasy Strangler himself) in person! The premiere of the film The Guardian called "a playful oasis of filth and depravity" and Empire called “one of the best movies of 2016” will be accompanied by a nationwide tour with the stars in attendance for special event screenings, “Greasy Disco”, themed drinks, “Hootie Tootie Disco Cutie” contests and various oily hijinx. Grease is the word!

Weekend passes to Monster Fest are on sale now for $199 AUD. This includes access to all screenings and events at Lido Cinemas from Nov 24-27, including the Opening and Closing Parties and the all-night Cult of Monster Marathon. Individual Day Passes are also available for $65 AUD. Passes are available now on the Lido website HERE: https://www.lidocinemas.com.au/Promotion/Monster-Fest-2016-At-Lido

Please note Monster Academy Passes and tickets are sold separately and will go on sale when the full Academy lineup is announced in the coming month.

Thursday, September 1, 2016

Disney’s Queen of Katwe and Academy Award-Winners Highlight Spotlight Presentations at the Milwaukee Film Festival



Disney’s Queen of Katwe and Academy Award-Winners Highlight Spotlight Presentations
Festival opens with Life, Animated from Academy Award-winner Roger Ross Williams
Milwaukee 53206: A Community Serves Time returns to Milwaukee after sold-out June premiere

MILWAUKEE – Thursday, September 1, 2016 – The 8th Annual Milwaukee Film Festival, presented by Associated Bank, announces its Spotlight Presentations Program lineup, including the Opening Night, Centerpiece, and Closing Night films. For the first time, these three marquee presentations are films directed by Milwaukee Film Festival alumni.

“The uplifting, award-winning, and critically acclaimed Life, Animated is a perfect way to begin our eighth edition, as it is a testament to the power of movies,” shares Artistic & Executive Director Jonathan Jackson. “Films with strong local ties, star power, and inspiring story lines make up the rest of our Spotlight Presentations lineup, which I think is the strongest in our history.”

The festival’s Centerpiece film, Almost Sunrise, is an example of one of these local stories. Director Michael Collins and producer Marty Syjuco (Give Up Tomorrow, MFF2011) follow local veterans Tom Voss and Anthony Anderson on Veteran’s Trek: when, in August 2013, they set out to walk from Milwaukee, WI to Santa Monica, CA to raise awareness around veteran’s issues. Collins, Syjuco, Voss, Anderson, and several other subjects from the film are scheduled to attend the festival.

“I am thrilled that we get to share Tom and Anthony’s powerful story with Milwaukee in its Wisconsin premiere. Audiences have embraced this film at recent festivals, and I expect no less for the film’s homecoming,” enthuses Milwaukee Film’s Programming & Education Director Cara Ogburn.

Program Books for the 2016 Milwaukee Film Festival will be available to the general public starting Saturday, September 3 from 12 PM - 4 PM at Good City Brewing and Cafe Centraal. This will also be the last day to purchase Festival Passes and ticket 6-Packs in person at an early discount rate. For a full list of Program Book locations, visit mkefilm.org/program-book-locations.

Presented by: Donald and Donna Baumgartner

Program Sponsors: 88Nine Radio Milwaukee & OnMilwaukee


2016 MILWAUKEE FILM FESTIVAL

SPOTLIGHT PRESENTATIONS
If you can only make one screening, we are sorry for you and strongly suggest choosing one from this list. These crowd-pleasing presentations are perfect for first-time festivalgoers and seasoned screen junkies alike.

FILMS

OPENING NIGHT FILM
Life, Animated
(USA, France / 2016 / Director: Roger Ross Williams)
Trailer: youtu.be/8DLLFuiyWRY
Owen Suskind was your traditional toddler: a playful, chatty bundle of energy and joy, curious about the world around him. But at the age of three he began a sudden withdrawal into himself that seemed irreversible; he ceased to speak altogether, and his diagnosis of autism suggested little hope of ever retrieving the boy he once was. But then, a discovery: armed with the knowledge that Owen spent untold hours watching and rewatching Disney films and memorizing the dialogue (preferring their comforting consistency over the ever-changing real world), his father donned an Iago (the parrot sidekick from Aladdin) hand puppet and asked Owen what it was like to be him. Any lover of film can attest to the power a great movie has to reshape our views and make sense of a chaotic world, but few would imagine a story as incredible as this one, told here by Oscar-winning director Roger Ross Williams.

CENTERPIECE FILM
Almost Sunrise
(USA / 2016 / Director: Michael Collins)
Trailer: youtu.be/cpkzrFfoli8
When Milwaukee-based veterans Tom Voss and Anthony Anderson returned home from Iraq, they didn’t expect their debilitating battles with depression and anxiety to prove every bit as life-threatening as the war zones they left behind. In an effort to help mend the emotional scars and moral injury they’ve sustained and put their pasts behind them, the two men set out on an extraordinary journey—a 2,700-mile trek on foot across America, starting off in Milwaukee and ending in California. Along the way they run into many who support their journey, including veterans willing to share their painful experiences and even an American Indian shaman who offers them spiritual advice. With suicide rates among veterans at near-epidemic levels (a veteran commits suicide nearly every hour), Almost Sunrise is an inspiring and intimate portrait of two men who journey on behalf of the mental health of fellow veterans.

CLOSING NIGHT FILM
Morris From America
(Germany, USA / 2016 / Director: Chad Hartigan)
Trailer: youtu.be/AKhFNgFdbDk
Morris is dealing with all of the normal problems a boy entering his teenage years faces: feelings for girls, struggles to make friends, concerns about where he fits in the world. These issues are compounded by his status as the only African-American student in his new residency of Heidelberg, Germany, thanks to his single father’s (The Office’s Craig Robinson) newly acquired job. With his well-meaning father and protective German instructor as the only friends he has, Morris relies on his love of hip-hop music to help him cope with his outsider status. When Morris catches the eye of 15-year-old Katrin, things seem to be looking up, even though he’ll still have to learn to be comfortable with himself before he can connect with his peers. Director Chad Hartigan tells a fish out-of-water/coming-of-age story with youthful energy and verve to spare in this irresistibly funny and sweet crowd-pleaser.

All the President’s Men
(USA / 1976 / Director: Alan J. Pakula)
Trailer: youtube.com/watch?v=9AroQdon3ZY
Celebrating its 40th anniversary, All the President’s Men has never felt more timely. We follow Washington Post journalists Bob Woodward and Carl Bernstein (youthful Robert Redford and Dustin Hoffman) as they doggedly pursue the true story behind a break-in at the Democratic National Headquarters, an investigation that eventually leads them to the highest levels of government. The film, winner of four Oscars (including Supporting Actor for Jason Robards), features precise direction from Alan Pakula and gorgeous cinematography from the master, Gordon Willis. And what better time to reacquaint ourselves with this marvelous story of persistence in the face of deception than in an election year? The film will be screening on 35mm.

Five Nights in Maine
(USA / 2015 / Director: Maris Curran)
Trailer: youtu.be/HOjUxaKfeoM
Sherwin (Selma’s David Oyelowo) is in a tailspin. His wife, suddenly lost in a tragic car accident, encouraged him to connect with her cancer-stricken mother (the great Dianne Wiest) in one of their last conversations. Despite his reservations, grieving Sherwin makes his way into the Maine woods to connect with a woman who previously disapproved of him, only to find himself trapped in an echo chamber of resentment and anguish. An electric chamber drama that generates the kind of frisson that can only occur when two great actors square off against one another, Five Nights in Maine is a sensitive portrait of love, loss, and companionship, eschewing melodrama in favor of understated naturalism.

Halfway
(USA / 2016 / Director: Ben Caird)
Trailer: N/A
The good news for Byron (The Blind Side’s Quinton Aaron) is that he’s being released from jail on parole. The bad news, however, is twofold. First, he’s being sent to rural Wisconsin to work on a relative’s struggling farm, a place where he will be the only black resident—a fact not lost on his inhospitable neighbors. Secondly, the drug dealers in the life he left behind aren’t going to give him up easily. A story of the possibility of redemption and the power of perseverance in the face of small-town discrimination, Halfway is a beautifully photographed, suspenseful, and moving drama made in our very own Montfort, WI.

Jim: The James Foley Story
(USA / 2016 / Director: Brian Oakes)
Trailer: youtube.com/watch?v=vFOWAMC5D-E
While all Americans became familiar with the grisly end of freelance journalist James Foley (kidnapped in Syria in 2012, publicly executed by ISIS two years later), few are familiar with the personal story of this Marquette graduate and his devotion to covering stories in some of the most dangerous parts of the world. This is a deeply personal and emotionally powerful tribute to a life fully lived, with family and friends providing testament to Foley’s selflessness and courage while fellow prisoners reveal the harrowing chronicle of his captivity and his incredible attempts at helping those around him even in his final days.

Metropolis
(Germany / 1927 / Director: Fritz Lang)
Trailer: youtube.com/watch?v=9VxgQN2GfMY
Alloy Orchestra returns to the Milwaukee Film Festival, inspired by the Milwaukee Art Museum’s upcoming “Haunted Screens” exhibit, to provide their inimitable brand of musical accompaniment to Fritz Lang’s sci-fi opus Metropolis. A stunning tale of working-class rebellion, mad scientists, and sexy lady robots whose influence has never waned, Metropolis is the urtext of sci-fi cinema. And there is simply no other experience that matches up to seeing a classic silent film with live music in the Oriental Theatre’s main house. Whether this is your first experience or not, there’s no doubt this one-night-only event will be unforgettable!

Milwaukee 53206: A Community Serves Time
(USA / 2016 / Director: Keith McQuirter)
Trailer: vimeo.com/180648049
53206: a Milwaukee ZIP code where 62% of the adult male residents have spent time behind bars. A character-driven, immersive ensemble helps tell the stories behind the statistic, showing the effects mass incarceration has on the hearts and minds of those left behind. These stories are sensitively brought to us, showing the familiar human faces behind what is so often used as simply a talking point. This encore presentation to our world premiere of the film back in June will be followed by an onstage, moderated panel discussion, one that should prove especially resonant to local audiences.

Motley’s Law
(Denmark, Afghanistan, USA / 2015 / Director: Nicole N. Horanyi)
Trailer: vimeo.com/140760408
University of Wisconsin-Milwaukee and Marquette graduate Kimberley Motley travels far from her husband and three kids to become the only American lawyer licensed to practice in Afghanistan. While the whip-smart Motley would be the first to admit that she initially made this career move for the money, she has since found motivation in seeking justice for the human rights cases on her docket, working to untangle the gnarled hotbed of corruption that is local government in Afghanistan. But with the situation on the ground becoming more chaotic by the day, Motley must decide whether to continue to work or return to the family she misses so dearly.

Queen of Katwe
(South Africa / 2016 / Director: Mira Nair)
Trailer: youtube.com/watch?v=z4l3-_yub5A
Based on the inspiring true story of one young Ugandan girl’s journey from selling corn on the streets of Kampala to performing gambits against world-class chess opponents in international competition, Queen of Katwe is a peerless work of entertainment from beloved director Mira Nair (Monsoon Wedding, Salaam Bombay!). When young Phiona (Madina Nalwanga in her acting debut) is introduced to the sport of chess, it’s immediately apparent she has a gift, and with the support of her coach (David Oyelowo), her family (Oscar winner Lupita Nyong’o), and her rural community, she’s given the confidence necessary to pursue her dream of becoming an international chess champion.

Yesterday Was Everything (2016) Portland 2016

The group Misery Signals reforms after several years to tour to celebrate their first album as well as to try and mend fences and put the past that had involved in fighting and fatal car accident, behind them.

Solid music doc about a band of young men trying to recapture the past and go on. Focusing not on so much on the music but the guys in the band and their shared past, this is a wonderful look at what it's like to be in a band and trying to make one's way in the world. Its a great look at a bunch of guys who may or may not have grown up over the last ten years.

Actually that's a stupid thing to say because what makes the film work are the guys themselves, now no longer kids but young men with ten years of road dust on them and all the wear and tear that got them there. What starts out as a kind of lets follow the band film at the start turns into something special as the men all turn out to be eloquent speakers. They are so eloquent in fact that I stopped  watching the film and closed my eyes and just listened. This isn't a knock to the visuals, rather its simply that the words spoken carried a weight that made me want to focus on them

I really like this film a great deal and it was a real surprise that I ended up liking it as much as I did.

I'm trying to work out if the film transcends its subject to be something more universal or not. I think perhaps it does...

The film world premiered last night at the Portland Film Festival and is one to track down.