Showing posts with label Harlem International Film Festival. Show all posts
Showing posts with label Harlem International Film Festival. Show all posts

Sunday, September 18, 2016

Nightcap 9/18/16 Thank you Harlem FF and the small festivals for proving film is alive, Film Comment, INTO THE INFERNO at Toronto, and Randi's links

Captain America out side the Barclays Center in Brooklyn


I want to give a huge thank you to the Harlem International Film festival for reminding me the most interesting films are not at the big name festivals but the smaller ones like Harlem, Portland, Milwaukee or Oxford.

I would take deference to the current Film Comment which ponders the health of cinema and says that certain great filmmakers are going to save it- no the small festivals will. It is at these smaller fests that you will find the entire garden of the glories of film and not the currently in vogue bloom. With several big fests effectively killing my desire to ever see a film again I’m delighted when I’m invited to cover some festival I never considered only to find I’ve walked into a some secret garden of extra-earthly delights.

One film by one filmmaker isn't going to save anything- seeing many films by many filmmakers is. Knowing that so many talented people are out there is what is going to keep audiences coming back. Additionally having so many talented people out there gives us a wide variety of voices to listen to instead of the same old same old artsy voices that that Film Comment tends to choose.

Film is alive and vital just ask the Harlem International Film Festival which had films of all types from all over the world- not just ones culled from the major serious and important film festivals. Films like A NEW COLOR, WEST COAST H.O.M.E., THIRSTY FOR KIBERA or RAIN THE COLOR BLUE WITH A LITTLE RED IN IT truly show how film is alive and being used by people all over the world to do and engage people in a way most cineastes would never consider.

Film is a live and well and living at the smaller festivals like Harlem, the writers at Film Comment need to get of their ivory towers more and see it.

Support the smaller festivals by attending and you will be delighted.
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As for the new set up of Film Comment- its nice but it is really just a version of the old magazine with different writers, a few features dropped and basically a new look that allowed a new graphic designer to get paid.
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Just a quick note to say that the new Werner Herzog film INTO THE INFERNO, which played Toronto, is a hypnotic film. For the most I think its part one of Herzog’s best films. Aside from an out of place side trip to pick up bone fragments it is a wonderful mediation on volcanos and their effect on the people live near or climb them. Side trip aside one of my favorite films of 2016.

A full review will run October 21 (I’m embargoed by Netflix until then) and it will run on Netflix October 28
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I know you’re wondering why I’m covering so many new films and festival films when I said in no uncertain terms I was going to let Unseen run until December on its own- well- while I have not been covering new films the chance to do the festivals appeared so I jumped at a few titles and well one thing lead to another and I’ve ended up giving you a ton more extra titles.

While it may not look like it to you I have cut back to the point I don’t know what December or after is going to look like

My advice is just sit back and enjoy
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Apologies to the Harlem Film Fest and to you readers concerning the scattershot way the coverage of the festival went up. It was the result of things happening and my just main lining films.

I had no plans on really covering as much as I did but I was given the chance to see a large number of the films and so I did because one good film made me want to see the next. I saw them randomly and I put the reviews up more or less the same way

I actually saw two other films THE SISTER  a film from the Philippines about trying to retrieve the body of a sister who died in Saudi Arabia, but it instantly struck me as the sort of film I dislike so I gave up on it because I would not give it a fair shake.

I also saw some of the documentary I GO BACK HOME about Jimmy Scott. I liked what I saw but stopped watching it because I was in exactly the wrong place mentally to appreciate it and so I stopped watching it figuring to go back. I never did and simply ran out of time. (NYFF press screening start tomorrow)
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As festival season heats up a few notes

I just discovered that The Hampton Film Festival over laps the NYFF and NY Comic Con making it a dead certainty that short of a miracle I physically can’t go because I have films that weekend. For those playing the home game I’ve missed everyone except the first The festival runs October 6 to the 10th

DOC NYC announced its opening film CITIZEN JANE: BATTLE FOR THE CITY about Jane Jacobs clash with Robert Moses over the shape of New York. DOC NYC runs November 10-17
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And now Randi's links

The PRISONER in Pictures
For the serious Bat-Fan
Nighthawk replacing Park Slope Brooklyn's hellish Pavilion Theater
Winners and Losers in Movie Marketing
007 by Erich0823 on DeviantArt
Best James Bond Fan Art
Those wonderful moments when Star Trek Lost its mind
The heroism of a Scottish missionary is rediscovered
An F1 champion who lost his legs wins a gold in Rio
More Captain America pictures
The Use of music in the Marvel Films

Harlem Film Festival Capsule Reviews: JONAS AND THE BACK YARD CIRCUS, HEAR THE SILENCE and SWEET DILLARD

JONAS AND THE BACKYARD CIRCUS
Documentary about 12 year old Jonas who loves circuses and struggles to keep the circus he runs in his back yard with his friends going.

Charming, at times heart breaking and frequently unexpected, Jonas is a lovely little film that is like it's subject something that goes it's own way. This was a film that had me expecting one thing and then went in another direction. Its a lovey portrait of a boy who doesn't want to grow up and who wants to stay at the circus he's created for himself.

Recommended.

HEAR THE SILENCE (aka HORE DE STILLE)
Unit of German soldiers behind enemy lies in the Ukraine take over a town, who at first see them as liberators from the Soviets. However tensions rise and soon the two sides are at war, egged on my one of the villagers who fears what will happen if the Soviets return and they don't resist.

Solid small scale war film is gripping to a real sense of place and of life. There is something more here beyond than the typical black and white images or big Hollywood productions and it gives a real sense of life and death.

As small inde war films go this is one of the best I've seen recently to the extent that I'm actually taking the time to write the film up.

Recommended.


SWEET DILLARD
Excellent portrait of Christopher Dorsey  the head of the jazz band at the  Dillard Center for the Arts in Broward County. Doresy has shaped the band into something that helps the musicians in the band achieve a level of perfection that makes them able to play with the best in the world as well as come together to be young people able to go out into the world and make a difference.

What can I say the film is full of great music and great characters. A wonderful film that is one of the best films at the Harlem International Film Festival.

A must see

Harlem Film Festival Capsules: DOGTOWN REDEMPTION,GOOD FUNK and FROM MASS TO MOUNTAIN


DOGTOWN REDEMPTION concerns three homeless people who earn money by bring in scrap, recyclables and garbage to the title business in Oakland California. Heartbreaking tale that is one of the best portraits of being homeless I've seen. There is a raw intensity to the film that knocks one's socks off and forces you to sit up and take notice much more than any other film I've seen.


GOOD FUNK- Very good little film about the intersecting lives of several people in Red Hook Brooklyn. I'm trying to sus-out what the interview segments are during the end credits other than filler to bring it up to feature length, Otherwise this is a touching little film


FROM MASS TO THE MOUNTAIN
Portrait of Father Wally, aka Padre Pablo, an American priest in Panama who is helping the locals redo their water supply system which has been compromised because of climate change, neglect, corruption. This is a good little documentary o a problem that we really don't think about.

Saturday, September 17, 2016

In brief: A New Color: The Art of Being Edythe Boone (2015) Harlem International Film Festival

The Harlem Film Festival is closing with what may be it's best film- A NEW COLOR is a glorious biography of the lovely Edythe Boone an artist and community activist who did some amazing things and created some magical art. As Ms Boone works with some kids to create a mural we learn about her life and her art.

What can I say- a damn near perfect documentary works on so many levels- bio of an activist, bio of an artist, a look at the passage of culture to the next generation, a history of the civil right movement and the suffering of African Americans. Most importantly it a lovely portrait of a woman who refuses to break down and who struggles on and insists on making a difference.

I love this film. At a time when the world can make you feel hopeless Edythe Boone makes me feel hopeful. The world could use a great many more Ms Boones.

As high a recommendation as I can give. An absolute must see at the Harlem International Film Festival or wherever it plays.

For more information and tickets go here.

Harlem Film Festival Capsule Reviews: TWO WORLDS and WEST COAST

TWO WORLDS
Award winning documentary about Laura, a 12 year old girl with deaf parents. Mixing home video footage with recently shot film of the families day to day life TWO WORLDS paints a portrait of  how people with a handicap and their families deal with the world.

Unsensational, matter of fact and deeply affecting TWO WORLDS makes it clear that life is rather ordinary no matter who you are. While Laura most definitely has to help her parents by acting as their ears and voice, she is ultimately just a regular young girl interested in music, boys and her friends.

This is a lovely film and a must see at the Harlem International Film Festival.


WEST COAST
Four white kids in Brittany in France identify with West Coast rappers and have formed their own posse When the leader of their group is dised right after he finds out that he is going to have to move away the group plots to get revenge as their last act together.

Good, but more interesting for the attempt rather then the actual execution film is like an old school coming of age film but with sweet white kids who think they are gangstas.  Its an odd mix of a film like KENNY AND COMPANY, STAND BY ME or to some extent GOONIES but with rap music and lots of four letter words. The sweetness is kicked in the balls by the profanity and it doesn't quite work as well as it should. I think the problem is that we never really buy the boys as gangsta wannabes.

Its not a bad movie, if you forgive its flaws its actually quite good, the problem it never quite comes together it's neither sweet enough nor gritty enough to amount to the great film it almost is.

Worth a look for the curious.

A non-review of THE REMNANT (2016) Harlem International FIlm Festival

Karmia Olutade's THE REMNANT is impossible for me to review. Watching it I was instantly struck that this musical is either going to be your favorite thing in the world or it's going to be a tough slog to the end. You either will fall in love with it's music and it's visual style that reminds one of Norman Jewison's JESUS CHRIST SUPERSTAR set in a barren dystopia or you'll get up and walk out of the theater.

The plot has bunch of orphaned kids living in an orphanage that is really a second hand water factory. They run off  to try and find the home that they always dreamed of.

Part Biblical allegory, part dystopian scifi tale, part off Broadway musical the film very much insists on being it's own thing. You have to give the film points for going it's own way, of casting all Asian actors, and simply existing.

The problem is that if you don't love the music, there are 18 songs, and the dance, there are 18 songs, then you're going to find this impossible to get through. I didn't care for either and had a tough time caring about anything.  For me the songs all sounded too similar, with the same deadly serious emotion behind them, while the dance was the sort of thing I point out as the reason I hate going to see modern dance recitals. The film also takes a sledge hammer approach to it's story and point. (remember I said the film is biblical in construction.)

I like it for what it's trying to do but I really dislike it for what it is...two hours I won't get back.

Friday, September 16, 2016

In Brief: Rigoberta Menchú Tum – Daughter of the Maya (2016) Harlem International film Festival

Portrait of Rigoberta Menchú Tum who won the Nobel Peace Price in 1992 for fighting for the rights of the indigenous people in Guatemala and South America.

This film was made as part of PeaceJam's Nobel Legacy Film Series the film is an okay look at a person most people have never heard of.  While informative the film plays more like the sort of film that you see in schools about famous people. Its full of talking points and information but it isn't the most compelling of films.

While the film is okay on it's own terms it's kind of puzzling as to what it is doing in a festival such as HIFF.  While the festival certainly is programming something for everyone, this is a film I can't really see as being drawing a either a big crowd or the crowd being thrilled by the film when it was finished. I would rather  have seen this film on PBS

One of the lesser films at this years Harlem Film Fest

Good Grief (2016) Harlem International Film Festival



With a score reminiscent of the Vince Guaraldi Peanuts  GOOD GRIEF is the story of a bunch of friends who return for the funeral of one of their number and are forced to consider the choices that they have made in their lives which had been turned into a successful comic strip.

Expanding his short Brandon Ford Green writes, directs and stars as part of a killer ensemble that muscles through the typical "whatever somethings come together to sort out their lives" plot. Yes you been here before. If you're a lover of inde film then no doubt you're like me and you've seen 14 variations of the plot this year alone. I know the friends come together in the description scared me to death to the point that I really didn't want to see the film...

...I'm happy to report that GOOD GRIEF surprised the hell out of me and is actually very good.

While there is no doubt that Green is a director to watch, his construction of the plot and his arrangement of scenes and shots make it something other than most other inde films, meaning it's actually not run of the mill, the film's main selling point is the cast. The ensemble is pretty much close to perfect and they lift even the least written character and makes them some one you care about. I would love to wax poetic about them individually but they are all great and are another case for why the Oscars should have an ensemble award.

Honestly, as much as I hate these sort of films, GOOD GRIEF is actually a film that I would watch again (by my own choice) and not just something I would recommend. That should be taken as very high praise for the film and a major dismissal of most other films with a similar plot line. (My only complaint is the inclusion of the comic thread since everything else is so good it didn't need to be there, especially since it forces thoughts that these are all grown up Peanuts. Its a comparison we shouldn't be making)

A really nice surprise at the Harlem International Film Festival- GOOD GRIEF is recommended when it plays tomorrow at the Festival or where ever you catch it after that because this is a film that is going to have a long life.

For tickets and more information go here.

Harlem Film Festival Capsules: NUCLEAR NEIGHBORS and COLD NIGHTS HOT SALSA

NUCLEAR NEIGHBOR
Story of the residents around Finland's nuclear power plant in Pyhäjoki’s Hanhikivi to stop it's construction. The plant began construction in 2011 right after the Fukishima disaster and has been the epicenter of a community fight ever since then.

A kind of companion piece to last year's RETURN OF THE ATOM about Finland's building of  a reactor in 2002, the first since Chernobyl, NUCLEAR NEIGHBOR is a good little film about people fighting to keep their land radiation free. Focusing on the activists and not on the site the film shows us what it's like from the outside.

Recommended for those who are anti-nuclear power


COLD NIGHTS HOT SALSA
Portrait of two salsa dancers, Katia Morales and Victor Contreras over three years as they strive to get into the top ten in the world.

Not only does this sweet little film have to charming people at its center it is full of great dancing and good music.

Recommended.

Thursday, September 15, 2016

H.O.M.E. (2016) Harlem International Film Festival

The times that the universe changes and suddenly you're jaw is hanging open at something so over powering and unexpected are few and far between. You never know when something is going to hit you like a brick and change your view of everything. One of the reasons I love festivals, especially ones like the Harlem Film Festival is that every now and again you walk into something you know nothing about and have less than no expectations for and, when it's done, you stagger out wanting to know everything you can about the people who has just rattled you cage.

All hail director Daniel Maldonado and this cinematographers Boryana Alexandrova and Shawn Bell. All hail the future royalty of film.

That's not an idle boast, that's something heartfelt and from the gut.

The plot of the film is two separate stories, a young man with Asperger's Syndrome wandering the city sketching and traveling. The other follows a livery cab driver who takes a woman home to her sick child.  On the face of it the stories aren't anything special however its in the editing and especially the cinematography that the film becomes a work of art.

Shot on location across New York City the film has a sense of time and place that I've only seen equaled in a very few films, usually a documentary.  We are on the subways, the cars, the streets, the bodegas and everywhere in between. The look, the sounds, everything comes together to create a tactile sense of the city. I've traveled around it enough to know what it is like in the places shown and seeing and hearing the images I could smell some of the places as if I was there.

What really knocked my socks off is how the story is told. Maldonado knows where to put his cameras and how to compose shots in order to tell his story so effectively. From the opening shot of a subway station high above the tracks in a place we'd never be the audience is drawn in. Maldonado pulls us in and makes us complicit in the events. Most of the film seems to have been shot in such away that we could have been there. Watch how some scenes begin as if we are some on in a subway or a store and we kind of see something happen and we're watching it from the corner of our eye before our attention shifts to full on watching.

I know it's form to praise just the director but with a film like this, where so much of the story is conveyed by the images that it is not possible to think that Maldonado and his visual artists didn't work hand in hand. There is no way that this couldn't have been a collaborative effort because with out the visuals the story would have been nothing special, while without  the writing and direction the visuals would have been vodka advertising.

This film is the calling card of people who are ready to kick ass and take names.

You will forgive me if I don't prattle on, I'm too in awe of what I just saw. I need time to process. I've rushed this review up because you need to know to run out and buy tickets for tomorrows screening now.

One the best films at the Harlem International Film Festival.

For more information and tickets go here.

Travis: The True Story of Travis Walton: The Directors Cut (2015) Harlem International Film Festival 2016



Portrait of UFO abductee Travis Walton told by Walton and those who witnessed and investigated his disappearance.

The short version of the story is that Travis Walton and six workers were out in the Arizona forest in November 1975 when they saw a what appeared to be a flying saucer. Travis approached it and he was hit by a beam of blue light which dropped him. His friends fled, then realizing that they should help their friend. Returning to the site of the encounter they found no trace of the UFO or Travis. The sheriff's department investigated, figuring that that perhaps they had killed Travis. Then five days later Travis reappeared thinking only two hours had passed. This set off a firestorm in the media as everyone wanted to know what happened.

I have been following the Walton story since it happened. I have heard every sort of explanation for what happened from its was a copy cat of the UFO INCIDENT  TV movie which had run several shortly before, to it happened to was a cover-up to keep Travis out of trouble. I've seen how the polygraphs have said they were sometimes telling the truth and sometimes not. I've even seen the awful movie FIRE IN THE SKY that was made of the incident with lots of added material to spice it up.  After 41 years of back and forth I still don't know what really happened, but its one hell of a tale.

That said TRAVIS is a pretty good look at what may or may not have happened in November of '75. Siding with the "something did happen" camp the film takes a pretty straight forward pass by the events and the aftermath. Extremely unsensational the film could be charged with being a tad slow except that the film is more interested in getting it all out there instead of being exciting. In a world where most UFO docs are showy History Channel fodder or way too short and undetailed YouTube clips is nice that a film looks at a subject and really investigates it.

While the film could have been a tad more questioning of events, I still think this is a must see film for anyone who has an interested in the subject and wants to know how UFO things played out before cellphone videos.

Thirsty (2016) Harlem International Film Festival


(After I wrote what follows I went to Twitter and tweeted the following: "Just saw a film that so mixes up genres- to great effect- that I can't really figure out what to say other than WOW." While I think that is the perfect review of the THIRSTY it doesn't give me enough for a post at Unseen. For that reason I now give you the original lesser review)


THIRSTY is the true life story of Scott Townsend aka Thirsty Burlington a self described "girly-boy" who grew up to be a drag sensation and Cher impersonator. It is also a one of a kind film that mixes genres and film styles to unique create a portrait of the artist as a young woman, or more to the point the artist as a living and breathing human being

I am not going to lie, I have no idea how to adequately describe this film. I'm not being coy or anything, I genuinely don't have any idea how to describe this film. A coming of age tale one minute, a musical the next, a family drama the next, the time jumping non-linear style smashes down walls and creates a work of art that is something unique, much like Thirsty herself.

The bouncing genres acts as a slap in the face, heightening the emotions. There are times where you can not stop smiling to the point where tears well up in your eyes  but at other times it's painfully uncomfortable to watch as Townsend's life is laid open and we are forced to see as young Scott has to deal with bullying, alcohol abuse, failed romances and poverty as well as the uncertainty of his gender identity. Credit the filmmakers for daring to make choices that kind of seem counter intuitive- sudden musical number with buoyant songs suddenly shift to painful exchanges between characters. Joy one minute results wounds opening up the next. I have to applaud Townsend for remaining upright after all that has happened to him.

While there is much to love, enough for me to recommend it,  the film suffers from in a couple of areas  such as an occasionally uneven cast and some sets looking too much like sets instead of real places. Its only noticeable because so many of the scenes are clearly real places that the fake ones stand out. As I said the flaws aren't fatal but you should be aware of them and forgive them because this is a one of a kind film.

I really like this film a great deal. There is something special about it and it's subject that makes a film that by all rights shouldn't work, not only work but stand out as something special.

Wednesday, September 14, 2016

FOR KIBERA! (2015) Harlem International Film Festival 2016


Kibera is a section of Nairobi in Kenya. It is one of the poorest places on earth. It is the home to radio journalist Boy Dallas who began to wonder why with so many companies and NGO's coming in trying to help why nothing is getting done and change isn't happening.

One of the best films at the Harlem Film Festival is one of the most important films of the year. A stunning political statement and a glorious use of digital technology to show the world what is really happening. This is agit prop of the best sort a call to arms and tell it like it is documentary. Its a film that will make you ant to get up and do something.

This is a film that should be seen everywhere- not only because it may help to bring change to Kibera, but also because if people see it maybe they can do something similar to effect change elsewhere in the world.

The only thing I can say bad about the film is that it's 56 minute run time is going to limit bookings

A must see at the Harlem International Film Festival where it is screening with several shorts to form a full program.

Rain the Color Blue with a Little Red in It /Akounak Tedalat Taha Tazoughai (2016) Harlem International Film Festival 2016

The Opening Night film of the Harlem International Film Festival is a fictional story about the Taureg guitar culture. The has guitarist Mdou Moctar playing a version of himself in a film about an artist having to fight his family, his lover and life in general just to find a place where he can make his music.

Yea you've seen this before. If you like Hollywood musicals you've probably seen any number of variations on the films basic plot, so on that level the film isn't anything new. I mean the title and much of the imagery is a homage to PURPLE RAIN, so you'd have to be kind of blind not to realize going in that there is some manipulation of cliches going on here

However unlike PURPLE RAIN and most of the other Hollywood films referenced, RAIN THE COLOR BLUE WITH A LITTLE RED IN IT has to things going for it- first it all feel real. I have no idea how many people in this film are actors, but it doesn't matter because while the situations feel well worn there is something about the performances that makes it all feel real, The film feels like real people doing real things the way they would even if the camera wasn't rolling. Its something every film strives for and almost none ever manage to get- even the best of the best

The other thing this film has going for it is the music. While the film runs 75 minutes, I suspect that 70 minutes of them are ful of music, either full on performances by various bands or by guitar riffs that drift under the images and carry us long. It feels like a jam band just jammed for an hour and we get to be carried along.  To hell with John Williams or whomever ends up with the Oscar this year, the ones that deserve it are the guys  who wrote the music that powers this film

Seeing this film was one of those "holy crap I can't believe what I'm seeing" moments. Its one of those glorious times when I see a film that rocks my world and I get to go out and try to get people to see it. Its one of rare times where I feel like I'm getting in on the ground floor of something really good and really special. I'm not going to lie and tell you its perfect or even great- but at the same time its alive,and it breathes and it dances and it makes the audience want to get up and dance or if not dance sway to the music.

A cinematic joy. One of the great finds of 2016

Monday, September 12, 2016

The Harlem International Film Fest starts Wednesday and we've got coverage coming


The Harlem International Film Festival opens this week and if you are in NYC you need to go because there is some really interesting stuff in the mix. Actually the best way to describe the festival is a mix of films that truly bridge pretty much every subject from children with birth defects in Africa to music biographies to family dramas to World War 2 dramas to UFO abduction to comedies to who knows what else. The Harlem Film Fest is one of the most eclectic programmed festivals I’ve ever seen – there literally is something for everyone.

I’m coming late to the game on the festival. I wasn’t really aware of the fest until a friend sent me the press release which I posted last week. It looked pretty good and after looking over the slate I contacted them about covering the fest…

…and that’s what’s going to happen. Later in the week and through the weekend when the festival is running Unseen Films is going to be running reviews and hopefully reports on the goings on. Because I’m coming late to the fest we won’t be able to do a full on curtain raiser with recommendations because we haven’t had a chance to see anything.

Well that’s not true, we have seen three films previously
CHILDREN OF THE MOUNTAIN
42 SECONDS OF HAPPINESS
DADDY DON'T GO
And if you click on the titles you’ll see the earlier titles.

As for the rest of the fest- I don’t know- I’m zeroing in on most of the other features but I can’t say what I’ll be reporting in on. I guess the best thing is to keep checking back to see what we see.

If you’re interested in checking out the festival yourself the website is here with the schedule, film in fo and the link to buy ticket.

Go see something and if you see me and my monster bag say hi.

Thursday, September 8, 2016

THE 2016 HARLEM INTERNATIONAL FILM FESTIVAL announces full schedule for its 11th edition (September 14-18)

Opening Night features special tribute to Prince, including a screening of Christopher Kirkley’s African homage to PURPLE RAIN, RAIN THE COLOR BLUE WITH A LITTLE RED IN IT

Closing Night features Marlene “Mo” Morris’s A NEW COLOR: THE ART OF BEING EDYTHE BOONE

World Premieres include Janet Paxton Gardner’s LOST CHILD-SAYON’S JOURNEY, Jim Virga’s SWEET DILLARD, Margo Pelletier’s THIRSTY, and Maciej Adamek’s TWO WORLDS

RAIN THE COLOR BLUE WITH A LITTLE RED IN IT

New York, NY (September 8, 2016) – The 2016 Harlem International Film Festival today announced the official selections for the 11th edition of the film festival taking place on September 14-18 at MIST Harlem (41 West 116th Street). Opening with a tribute to Prince including a screening of Christopher Kirkely’s African homage to Prince’s PURPLE RAIN, RAIN THE COLOR BLUE WITH A LITTLE RED IN IT, and closing with Marlene “Mo” Morris’s A NEW COLOR: THE ART OF BEING EDYTHE BOONE, the five-day film festival will screen 99 films (31 features, and 68 short films). With a theme of “Around the world in 5 days,” the Harlem International Film Festival will screen films representing 35 countries, led by 14 world premieres, 1 North American Premiere, and 7 U.S. premieres.

“We are honored and ecstatic once again to be able to bring so many phenomenal works from around the world here to Harlem, while celebrating the work of some wonderful local filmmakers at the same time. What better way to launch our second decade than with a film from Saharan Africa inspired by Prince’s PURPLE RAIN, in a language that has no word for “purple” and represents the first narrative film ever in the Tuareg tongue. There will be unforgettable musical and dance performances as well - all inspired by Prince’s artistry on screen, stage and in the studio,” said Harlem International Film Festival Program Director Nasri Zacharia, “To bookend the 99 films, we are wrapping up with a crucial and necessary one because it is a Harlem Homecoming for a woman who lived in a housing project in Harlem and during the problems of the 80s when she decided to move to the San Francisco Bay Area. She became a famous muralist, activist and educator and is now returning to Harlem as an elder to have her East Coast Premiere with A NEW COLOR. The fact that Eric Garner (who was killed by NYPD in a chokehold) is Edythe’s nephew ties several important issues together for us, which makes it more than appropriate as a closing night film.”

Opening Night, on Wednesday, September 14, will be an exciting evening of live dance, musical performances and films from around the world including the Harlem Premiere of the Tuareg tribute to PURPLE RAIN, Christopher Kirkley’s (with Mdou Moctar and Jerome Fino) RAIN THE COLOR BLUE WITH A LITTLE RED IN IT (Akounak Tedalat Taha Tazoughai). Filmed in a language without a word for “purple,” the film is also the first fiction film in the Tuareg tongue. The story follows the struggle of a musician’s efforts to succeed, against all odds, in the winner-takes-all Tuareg guitar scene of Niger. The screening will be preceded by three short films, including; the East Coast premiere of Jacob Krupnick’s DOVE, about a woman’s efforts to retrieve her prize bird, which has been stolen by her estranged lover; the world premiere of Michael Fequiere’ KOJO, about child prodigy jazz drummer Kojo Odu Roney; and the New York premiere of Paul Szynol’s THRIVE, about 12-year-old blind piano player. Following the screenings, fest goers will enjoy a “purple party,” as the Prince-themed celebration continues.

Closing Night, on Sunday, September 18, will feature the New York premiere of the award-winning A NEW COLOR: THE ART OF BEING EDYTHE BOONE, about the celebrated muralist, educator and aunt of Eric Garner whose chokehold death and final words ignited a national outcry for racial justice. The evening will feature a Harlem Homecoming for the film’s subject, as Boone will attend and participate in a Q&A, following the film. The film received the Audience Favorite Special Mention at Mill Valley Film Festival, and won Best Documentary Short in Chicago. The screening will be preceded by three short films, including; Jamal Joseph’s STREETS, where the professor and former Chair of the Columbia University Film School takes a look at the streets of his home burg; and Mike De Caro’s BY JAMAL JOSEPH, which turns the camera on the man, himself.; The third short is Byron Harmon’s FOX 5 FILMS: YELLOW TAPE, which follows rap stars Maino and Uncle Murda, as they take the viewer on a tour on one of New York’s most notorious neighborhoods.
Lost Child

Highlights among the 14 world premieres populating the festival’s official selections are:Janet Paxton Gardner’s documentary LOST CHILD-SAYON’S JOURNEY, about the subject’s harrowing life and survival in Cambodia during the Khmer Rouge atrocities; Jim Virga’s SWEET DILLARD, which gives a fly-on-the-wall account of one of the nation’s best public high school jazz band’s efforts to reach the finals; Margo Pelletier’s THIRSTY, about drag queen sensation, Scott Townsend; and Maciej Adamek’s TWO WORLDS, where a 12-year-old girl serves as the audience’s guide through life with her deaf parents.

Additional festival highlights include the Saturday, September 17, East Coast premieres of Christina Kallas’s 42 SECONDS OF HAPPINESS, and Adam Kriitzer’s GOOD FUNK. Kallas’s 42 SECONDS OF HAPPINESS has echoes of Cassavetes in its ensemble dramatic comedy about a group of friends and family gathered for a same-sex wedding and a family intervention while under threat from Hurricane Sandy. The locally produced and shot film recently won Best Feature at the Women Texas Film Festival and will have the entire cast on hand for a post-screening Q&A. Set in Red Hook, Kritzer’s GOOD FUNK follows three generations of citizens whose lives intersect via acts of kindness in a neighborhood on the cusp of gentrification. Also making their East Coat premieres on Saturday will be Yoon-ha Chang’s I GO BACK HOME – JIMMY SCOTT, about the attempts of music producer Raif Kemper to record a record with the jazz legend, and Karmia Olutade’s THE REMNANT, about a group of orphaned child laborers struggling to escape the factory they are held and forced to work at in their drought-stricken world.

The Harlem International Film Festival will also feature a number of films in their annual Harlem Spotlight, which celebrates the work of Harlem and locally-based filmmakers in front of and behind the camera. Led by the Harlem Shortcuts short film program on Sunday, September 18, and including films screening throughout the other short film programs as well.

Closing Night will also feature the final stage of the Harlem International Film Festival’s Screenplay Showdown, where 6 finalists from this year’s competition will direct excepts from their scripts in a live read by actors for the film festival’s audience. Following the readings, the winner will be announced along with the other festival awards winners for best feature, best short, best Harlem Spotlight film, etc.

Film festival passes and tickets are on-sale now. To purchase tickets and for more information on the Harlem International Film Festival go to http://harlemfilmfestival.org/hi-lights//


Feature Films Presentations

OPENING NIGHT
RAIN THE COLOR BLUE WITH A LITTLE RED IN IT
(Akounak Tedalat Taha Tazoughai)
Director: Christopher Kirkley (in collaboration with Mdou Moctar and Jerome Fino)
Country: Niger, Running Time: 75 min
A revolutionary story of one musician’s struggle to make it, against all odds, in the winner-takes-all Tuareg guitar scene of Niger.
Preceded by
DOVE
Director: Jacob Krupnick
Country: Colombia, Running Time: 4:52 min
Desire and betrayal shot throughout the alleys and markets of Bogotá, Colombia. The story begins as our hero realizes her lover has left — and stolen her prize bird. With a seductive soundtrack by Pillar Point and featuring the sensational moves of Voguing artist Kia Labeija, what follows is an adventure through the city told through music and dance.
And
KOJO World Premiere
Director: Michael Fequiere
Country: USA, Running Time: 8:27 min
A short profile piece on child prodigy jazz drummer Kojo Odu Roney.
And
THRIVE
Director: Paul Szynol
Country: USA, Running Time: 13:15 min
A short documentary about the prodigious talent and irrepressible spirit of a musically precocious 12-year-old blind boy who plays the piano.


CLOSING NIGHT
A NEW COLOR: THE ART OF BEING EDYTHE BOONE
Director: Marlene “Mo” Morris
Country: USA, Running Time: 57 min
A joy-filled and yet heart-rending Harlem homecoming for this story about community, art and lives that matter. Spanning from Harlem to Berkeley and from Malcolm X to Eric Garner, Boone’s commitment to challenging inequality inspires hope. But when the death of her nephew ignites a national outcry, everything she has worked for so tirelessly is at stake.
Preceded by
BY JAMAL JOSEPH Harlem Spotlight
Director: Mike De Caro
Country: USA, Running Time: 13:28
A short portrait of the filmmaker, professor, activist, youth advocate, and Oscar Nominee, Jamal Joseph. Formerly a young leader in the 70’s Black Panther Party, Jamal changed his life through and with the arts and is now a well respected writer/director based in his beloved Harlem.
And
STREETS Harlem Spotlight
Director: Jamal Joseph
Country: USA, Running Time: 5:00
A view of life on the streets in Harlem
And
FOX5 FILMS: YELLOW TAPE
Director: Byron Harmon
Country: US, Running Time: 15:33
Fox 5 Films’ Zachary Kiesch spent the day in Bed-Stuy, Brooklyn, and the Pink Houses with Maino and Uncle Murda, two of the biggest rap stars in the game right now. We take you inside two of the most notorious neighborhoods in New York City and show you a side rarely seen on local news.


42 SECONDS OF HAPPINESS East Coast Premiere
Director: Christina Kallas
Country: USA, Running Time: 95 min
A circle of thirty-something friends reunite for a weekend away to celebrate the same sex wedding of a member of their group. Yet, despite their best efforts to behave themselves, a series of surprise plans, unexpected arrivals and exposed secrets lead to an explosion of drama that, coupled with the flammable combination of hurt feelings, unresolved tensions, and lots of wine cannot be contained.
Preceded by
BANGERS
Director: JD Ferenc
Country: USA, Running Time 3:45 min
Josh Wells’ music video takes a unique look at gun violence and police brutality.


CHILDREN OF THE MOUNTAIN
Director: Priscilla Anany
Countries: Ghana/USA, Running Time: 102 min
A woman gives birth to a son with cleft lip and other health complications. Her life becomes a nightmare as she’s accused of impairing the child because she carried and delivered it. While she endures bashing from her community, she does everything in her power to find cure for the child. When all fails she decides get rid of the child in favor of a clean slate with a new love interest.
Preceded by
HOW WAS YOUR DAY? East Coast Premiere
Director: Damien O’Donnell
Country: Ireland, Running Time: 13:30 min
A Woman is excited about the approaching birth of her first child.


CLARENCE New York State Premiere
Director: Kristin Catalano
Country: USA, Running Time: 76 min
After fifty years away from academia, Clarence Garrett, an 85-year-old African-American WWII Vet, returns to the University of WI-Milwaukee to nullify his biggest regret–not earning his Bachelor’s Degree.
Preceded by
BEAUTIFUL LIES World Premiere
Director: Tracey Anarella
Country: USA, Running Time: 10 min
Dementia serves as the vehicle for an 87-year-old artist to be able to talk about his life, his art and why he painted all through the alter ego he created in his head named “Charles.”
And
FISH
Director: Saman Hosseinpuor
Country: Iran, Running Time: 3:41
An old couple are in their apartment, the man is sleeping and the woman is doing housework. She wants to change the fishbowl water but it slips out of her hand and falls on the ground. They've ran out of water and there’s no water for the fish. But with the help of the sleeping man they find some.


COLD NIGHTS HOT SALSA Manhattan Premiere
Director: Edwin Gailits
Country: Canada, Running Time: 61 min
The passionate story of two young salsa dancers from Montreal, Canada, in love with dancing and each other, who, over three ambitious years, set their sights on winning a World Salsa Championship.
Preceded by
BAILAR AMOR
Director: Corin Michalski
Country: USA, Running Time: 13 min
Gerardo, a Mexican immigrant living in New York, feels isolated after moving to the city. Exhausted and alone he works as a janitor for a small studio where he rediscovers his passion for dance and connects with the present and the daughter he left behind.


DADDY DON’T GO
Director: Emily Abt
Country: USA, Running Time: 88 min
Captured over two years, the feature length documentary about four disadvantaged fathers in New York City as they struggle to beat the odds and defy the deadbeat dad stereotype.
Preceded by
REDO
Director: Gine Therese Gronner
Country: Norway, Running Time: 15 min
Kim has been messing up his life. He lost his family on the way. Now, he wants one thing only: To spend some time with his ex-wife and their daughter. Like they used to before, if only for a few stolen moments.


DAUGHTER OF THE MAYA (Rigoberta Menchú Tum) US Premiere
Director: Dawn Engle
Countries: Guatemala/USA, Running Time: 61 min
In 1959, a little girl is born into a poor family, in one of the most remote, mountainous areas of Guatemala. One year later, civil war breaks out and her tiny village is swept up in a tidal wave of violence. What can one family do to stand up for their rights, in a time of such great change? What can one young woman do, to tell the world what was happening, and to try to stop the suffering? What could the indigenous Maya people do, to gain a voice in the determination of their own future? This is a story about a family, a people, and a destiny. After more than five decades of political turmoil, the courage and tenacity of the indigenous Maya people of Guatemala shines through in this beautiful, tragic, and ultimately triumphant film, which tells their story of struggle and success, through the personal journey of 1992 Nobel Peace Prize winner, Rigoberta Menchú Tum.
Preceded by
SOY CUBANA
Director: Jeremy Ungar
Countries: Cuba/USA, Running Time: 16 min
Winners of the 2016 CUBADISCO Award for best vocal group, the Vocal Vidas are a female a cappella quartet from Santiago de Cuba — the cradle of Afro-Cuban music. This documentary explores their unique sound and tells the story of crafting a musical career in a society in which artistic merit is not measured solely by economic success.


DOGTOWN REDEMPTION New York City Premiere
Director: Amir Soltani
Country: USA, Running Time: 95 min
Set in Oakland, California, DOGTOWN REDEMPTION is a story about Americans who survive off trash. Jason, the Olympic titan of recycling, Landon, a former minister, and Miss Kay, formerly a punk rocker, introduce us to the art, science, economics and politics of recycling: what it offers, how it touches and why it matters to the poor. Their struggles with addiction, mental illness, homelessness, and their triumphs, provides a glimpse into the dynamics of economic inequality, racial discrimination and political disenfranchisement in Oakland and beyond.


FOR KIBERIA! New York City Premiere
Director: Kati Juurus
Countries: Finland/Kenya, Running Time: 56 min
Self-taught radio journalist and cameraman, Boy Dallas, lives in one of Africa’s largest slums. One day he starts wondering why his native slum Kibera stays poor despite the many aid projects and NGOs that try to make life in Kibera better for its inhabitants.
Preceded by
THE VOICE OF THE KORA New York City Premiere
Directed by Claudine Pommier
Countries: Canada/Gambia/France/Mali/Senegal, Running Time: 45 min
The kora is a harp-lute originating in West Africa. Traditionally it is played by the “Griots”, who have been for centuries, from father to son, storytellers, diplomats, advisers, keepers of memories, poets. The Griot talks and sings while playing very elaborate music that gets enriched from generation to generation.


FROM MASS TO THE MOUNTAIN US Premiere
Directors: Kurt Sensenbrenner, Colin Sytsma
Countries: USA/Panama, Running Time: 66 min
Film looks at Eastern Panama which has suffered decades of government corruption and neglect that has impoverished the region. However, thanks to the tireless efforts of one priest to build infrastructure, protect watersheds, and conserve the rainforest, life is looking up for the locals.
Preceded by
SERES VIVOS
Country: Cuba, Running Time: 9 min
A young girl in a Cuban pueblo leaves her school one afternoon with a secret.
Produced as part of the workshop of auteurs filming in Cuba with Abbas Kiarostami just months before his passing this Spring.


GOOD FUNK East Coast Premiere
Directed by Adam Kritzer
Country: USA, Running Time: 73 min
Set in Red Hook, a Brooklyn neighborhood on the verge of gentrification, is the story of three generations of citizens whose lives intersect through acts of kindness both big and small.
Preceded by
MBFF (MAN’S BEST FRIEND FOREVER) New York Premiere
Director: Tony Ducret
Country: USA, Running Time: 17 min
An abused dog escapes its captor and embarks on a quest for love and glory.

Good Grief

GOOD GRIEF New York City Premiere
Director: Brandon Ford Green
Country: USA, Running Time: 103 min
Life pulled them apart. Cory drew them together. A film inspired by one of the world’s most beloved comics.
Preceded by
I’LL TEXT YOU East Coast Premiere
Directed by David Lasdon
Country: USA, Running Time: 4 min
Two people meet on a blind date…Or is it?


LA GRADUA
Director: Adrian Manzano
Country: USA, Running Time: 85 min
When a young Latina graduate returns to her native Bronx, she struggles to find a job, a career, a love, and herself.
Preceded by
THE QUANTUM LIGHTER (L’Encenedor Quàntic)
Director: Pau Escribano
Country: Spain, Running Time: 5:12 min
She thought it was just another night out. She didn’t expect she would see another side of him.


THE GRANT GREEN STORY World Premiere
Director: Sharony Green
Countries: USA, Canada, Running Time: 58 min
A son travels to several cities to learn more about his father, the late jazz guitarist Grant Green.
Preceded by
WORLD’S NOT FOR ME World Premiere
Director: Greg Charles Royal
Country: USA, Running Time: 13:02
A jazz musician wakes up from a coma in 2016 to find the world he once knew is gone on every level. An up and coming jazz musician, whose career is cut short in 1987, wakes up from a near 30 year coma to find a world out of control, musically, economically and culturally. Featuring former Duke Ellington trombonist Gregory Charles Royal.
And
PEPSI, COLA, WATER US Premiere
Director: Tom Bogaert
Countries: Belgium, Egypt, Switzerland, Running Time: 9:18 min
The video chapter of “1971, Sun Ra in Egypt” a visual arts project based on the life and work of the legendary American jazz pioneer, mystic, poet, and philosopher Sun Ra.


HEAR THE SILENCE (Höre die Stille) US Premiere
Director: Ed Ehrenberg
Country: Germany, Running Time: 95 min
One could actually get lost in the breathtaking cinematography and set design of this piece if not for the riveting story of the men and women at the time of the German attack on the Soviet Union in 1941. A small, lost unit of German soldiers is looking for shelter in a remote, small, snowy village in the Ukraine. They get separated from their company during battle and wind up deep within enemy territory cut off from their fellow troops.
Preceded by
THE NIGHT WITCH
Director: Alison Klayman
Country: USA, Running time: 4 min
This animated New York Times Op-Doc explores the life of Nadezhda Popova, known as Nadia, who became a World War II hero as part of a Soviet all-female bombing regiment.


H.O.M.E.
Director: Daniel Maldonado
Country: USA, Running Time: 75 min
A meditation on urban communication that weaves two stories together, both inspired by true events in New York City. Part 1 is a lyrical tone poem concerning of a missing young man with Asperger’s Syndrome who wanders through the labyrinth-like subways, somehow unnoticed. Part 2 follows a gambling Ecuadorian livery driver who offers a ride to a stranded Chinese woman desperate to get home to her sick child. H.O.M.E. explores alienation & meaningful encounters through the lens of a “disconnected” city in constant motion.
Preceded by
HERE COMES THE TRAIN World Premiere
Directed by Joie Lee
USA, Running Time: 8:08 min
A woman wrestles with honesty, integrity and two needy souls on the NY subway.
And
NYCHAPTERS: JERRY
Director: Alexander Hankoff
Country: USA, Running Time: 5:16 min
A day in the life of Jerry, a pet store owner in the Bedford-Stuyvesant section of Brooklyn as he tends to his pigeons and shares his philosophies about NYC.


I GO BACK HOME – JIMMY SCOTT East Coast Premiere
Director: Yoon-ha Chang
Country: Germany, Running Time: 96 min
The story of jazz legend Jimmy Scott and disillusioned producer and composer Ralf Kemper who accepted the job to produce an album with the almost-forgotten icon. Jimmy Scott, friend of Billie Holiday, Charlie Parker and one of the last connections to the golden age of jazz, was described as “perhaps the most unjustly ignored American singer of the 20th century,” by the New York Times. Kemper becomes obsessed with the idea of bringing attention to his hero, but it takes a tragedy to put his thoughts into action. Ralf gathers some of the most important jazz musicians into the studio in tribute for Scott. Together with many of Scott’s old friends like Quincy Jones, Joe Pesci and James Moody, Kemper pursues his dream. He can’t give up. He spares no expense and reaches the limits of what can be done to capture Jimmy’s unique voice in a race against time. Winner of Best Musical Documentary at SXSW this past Spring.

Jonas and the Backyard Circus

JONAS AND THE BACKYARD CIRCUS US Premiere
Director: Paula Gomes
Country: Brazil, Running Time: 83 min
Jonas is 13-years-old and his life dream is to maintain the circus that he created in his backyard. While he faces this challenge, he will live the adventure of growing up.
Preceded by
MARQUIS World Premiere
Director: Maya Suchak
Country: USA, Running Time: 7:46 min
The story of Marquis Dixon who was sentenced to 9 years in state prison for stealing a pair of sneakers, told through the perspective of his mother Aisha.
And
GUILT TRIP World Premiere
Director: Majestic Tillman
Country: USA, Running Time: 3 min
Shot in one single take, GUILT TRIP is the story of two cousins dealing with the aftermath of a crime gone wrong.

LOST CHILD – SAYON’S JOURNEY World Premiere
Director: Janet Paxton Gardner
Countries: Cambodia/USA, Running Time: 57 min
Sayon Soeun was abducted at age six and exploited by Cambodia’s Khmer Rouge, and his family life and education were stolen. Breaking a 25-year silence, he takes us inside the Children’s Army as a witness to genocide. Footage from a lost archive reveals a war-torn country closed to Western media during the 1970s, and we follow Soeun’s remarkable recovery and redemption from painful childhood trauma. LOST CHILD celebrates the power of the human spirit to overcome oppression and make peace with an inconceivably difficult past.
Preceded by
THE TELEGRAM MAN (2011*)
Director: James Khehtie
Country: Australia, Running Time: 14 min
A man delivers telegrams to farming families during World War II in a rural community letting them know a husband or son was killed in action.

*Regarded as a film of artistic, cultural and historical significance by the OSCARS® | Academy Awards® Film Archive, THE TELEGRAM MAN is part of its permanent collection at the Pickford Center for Motion Picture Study in Hollywood. The Archive collects, preserves and provides access to moving images that represent significant contributions to the art and science of motion pictures. Starring Australian and international screen legends Jack Thompson, Gary Sweet and Sigrid Thornton.


NUCLEAR NEIGHBOR US Premiere
Director: Fredrik Oskarsson
Countries: Finland/Norway/Sweden, Running Time: 79 min
NUCLEAR NEIGHBOR isn’t just a film about a nuclear plant project, where the end justifies the means. It is also a story about a regular person’s mammoth task to overcome the powers that be.
Preceded by
JIM’S SOLUTION
Director: Stefan Beaumont
Country: USA, Running Time: 4:09 min
One man's trash is another man's treasure - a junk man's take on cleaning up our act.
And
MUIR SONG
Director: Janssen Powers Manhattan Premiere
US, 2016 (3:18 min)
This film visually and emotionally captures the energy and attitude of exploring the Pacific Northwest through the eyes of people who do so religiously. Modern day explorers living and breathing the outdoors. Narrated by infamous Mountaineer Lou Whittaker who is a living example of explorer and environmentalist John Muir.


REDEMPTION SONG North American Premiere
Director: Cristina Mantis
Countries: Brazil/Guinea/Italy/Senegal, Running Time: 64 min
This film sings the song of redemption that the African refugee Cissoko, dreams for his people and his land. Having arrived in Italy, in the hottest time of migration, Cissoko decides to return home to convince his young brothers not to emigrate in search of false dreams. Back in Africa, he begins to make projections in schools and villages to inform the people about the precarious living conditions of many immigrants, often dramatically close to slavery.
Preceded by
ALL THEY KNOW IS SHOOT New York City Premiere
Director: Anike Bay
Country: USA, Running Time: 5:04 min
This is a civil rights Anti-Police Brutality protest music video for the artist Tripp Sticc for his new song of the same title.
And
OUT OF THE ASHES
Director: Susan Saltz
Countries: Congo, US, Running Time: 23:32 min
Out of the ashes of war torn Eastern Congo two boys emerge with an education, an adventure and a dream.


THE REMNANT East Coast Premiere
Director: Karmia Olutade
Countries: China/USA, Running Time: 120 min
A group of orphaned child laborers in a second hand water factory struggle to escape and rediscover home in a drought-stricken world.


SEARCHING FOR SHANIQUA New York City Premiere
Director: Phil Branch
Country: USA, Running Time: 61 min
Searching for Shaniqua is a documentary that examines the impact that unique, Afrocentric, Islamic and so-called “ghetto” names have on people’s lives.


THE SISTER US Premiere
Director: Joseph Israel Laban
Country: Philippines, Running Time: 80 min
In the midst of the traditional moryonan rites observed every Holy Week in the island province of Marinduque, Mariana receives a devastating news from abroad – her sister, Magda, who was working as a domestic helper in Saudi Arabia is dead. Mariana and her mother then have to deal with the tedious and expensive process of repatriating the remains of Magda.
Preceded by
LOSTFOUND
Director: Shakti Bhagchandani
Country: USA, Running Time: 12 min
A day in the life of a woman in the Nation of Islam.

SWEET DILLARD World Premiere
Director: Jim Virga
Country: USA, Running Time: 54 min
From the first day of class to a national competition, SWEET DILLARD provides an inside look at one of the nation’s best public high school jazz bands.
Preceded by
BUSKERS: SOUND OF THE CITY World Premiere
Director: Megan Zebrowski
Country: USA, Running Time: 10:27 min
Film looks at the people that play on the city streets and trains and their inspiration to perform.


THIRSTY World Premiere
Director: Margo Pelletier
Country: USA, Running Time: 97 min
Bullied, girly-boy Scott Townsend grows up to become drag queen sensation, Thirsty Burlington, known for her spot on impersonation of Cher. But is it enough? A true-life, musical adventure as dramatic as it is entertaining.


TRAVIS: THE TRUE STORY OF TRAVIS WALTON (DIRECTOR’S CUT)
Director: Jennifer W Stein World Premiere
Country: USA, Running Time: 80 min
The film recounts the now world-famous 1975 UFO abduction of Travis Walton and the impact it has had on his life over the intervening forty years — and on the lives of others who were also involved.
Preceded by
CIRCLE
Director: Alexander Heringer
Country: Germany, Running Time: 11 min
A grievous loss puts a young woman in an endless struggle of escaping the past.


TWO WORLDS World Premiere
Director: Maciej Adamek
Country: Poland, Running Time: 51 min
In this inspiring family portrait, 12-year-old Laura serves as the audience’s guide through life with her deaf parents, which is unusual, challenging and surprisingly ordinary.
Preceded by
DO YOU HEAR WHAT I HEAR? World Premiere
Director: Stephanie Mankins
Country: USA, Running Time: 43 min
A documentary about the filmmaker’s sister, deafened by spinal meningitis at age 3, and her decision to get a cochlear implant 38 years later.


WEST COAST
Director: Benjamin Weill
Country: France, Running Time: 80 min
Film follows four inseparable teenagers in a small town in Brittany, France. As lifelong fans of the West Coast, they think they are real gangstas. Together as a “gang”, they are invincible, respected, fearless and nothing can reach them, certainly not the teasing and contempt of their fellow classmates. So when Fle-O, the leader of this merry gang learns that he has to leave his town and his friends at the end of the year, his whole world falls apart leaving him vulnerable when the most popular kid in school decides to make fun of them in front of everyone. Humiliated, our protagonists decide to take their revenge through one last expedition together that will lead them further than they would have imagined.
Preceded by
LET’S STAY TOGETHER
Director: Wayne Williams
Country: USA, Running Time: 5:41
Aubrey, an easy going yet dangerously oblivious nine year old husband has to convince Bobbi, his eight year old devoted yet overly-sensitive wife, not to file for divorce after she witnesses an unforgivable transgression of his.
And
WANT IT BACK
Director: Olivier Dressen
Countries: China, France, Running Time: 4:04 min
A world without adult, only ruled by kids. The story about 5 years old kids, living like adults in a wild wild world.


WIGGER PLEASE
Director: Jonathan Ashley
Country: USA, Running Time: 54 min
A documentary on the American cultural stereotype of Wiggers—White rap fans who ‘act Black’. A group of White artists and activists share their thoughts, emotions and opinions on the subject while illustrating how their lives and consciousness were forever changed by their involvement in hip hop culture.
Preceded by
ANY DAY NOW
Director: Albert Uria
Countries: Spain/USA, Running Time: 20 min
A short, sweet comedy about how short (and sweet) life can be…
And
IN BLACK AND WHITE
Director: Dana Verde
Country: USA, Running Time: 20:10 min
When an interracial couple hosts a feast for family and friends to announce their pregnancy, what should have been a celebration quickly turns into a debate over the racial and ethnic identity of the unborn child (who has an African-American mother and a Latino father).


Short Film Programs

ADULT SHORTS NIGHT
BLASTERCORE East Coast Premiere
Director: Alessandro Vivarini
Country: Italy, Running Time: 11:25 min
Porn lovers, hardcore music, ninja-police and socially inadequate behaviors are mixed in a low-quality homemade exploitation style short film.

THE FROZEN EYE
Director: Karim Oulhaj
Country: Belgium, Running Time: 29 min
Bernard is an average man who is moving into his new apartment. While settling in, he suddenly discovers there’s a hole in his floor, enabling him to spy on his neighbor…

HOMELAND INSECURITY
Director: Zeina Barakeh
Country: US, Running Time 9:47 min
This animated piece investigates various mechanisms of war and the fragmentation of the body and the self. It further draws upon current events, as well as cotton as a core resource in the economics and spread of Empire from the Islamic Era, through the Crusaders, through slavery and into the present.

PRINCESS EUN HWA
Director: Dave Zhang
Countries: China/South Korea/USA, Running Time: 38:12 min
A dark fairy tale about a young Korean princess who falls in love with princes from different kingdoms in her fantasies.

RABBIT BLOOD
Director: Yagmur Altan
Country: USA, Running Time: 4:36
Animated short film looks at an ordinary day at an old mysterious Turkish country house where the residents have an extraordinary way of brewing tea.

WADE
Director: Devereux Milburn
Country: USA, Running Time: 12:22 min
A maladroit bumbler pines after a co-worker in the vain hope of catching her eye over the advances of his superior.


HARLEM SHORTCUTS – HOMEMADE CINEMA
BOOK OF DAYS: THE FINAL CHAPTER
Director: Ian Phillips
Country: USA, Running Time: 39 min
A book vendor on the streets of NYC struggles to get his own book published. Shot over the course of 8 years.

CURSE OF WAR
Directed: Abdul Malik Abbott
Country: USA, Running Time: 16:49 min
A U.S. Marine who's suffering from PTSD reminisces about his tumultuous past and makes a decision that will affect his future.

IT’S ALL ABOUT THE HARRIETS
Director: Clare Kent
Country: USA, Running Time 5:20 min
Three Harriet Tubmans have something to say about how America runs its money, since her face is going to be on it. Featuring a soul/rap track with a gospel finish.

NOTHING HAPPENED
Director: Ted Schneider
Country: USA, Running Time: 22:44 min
If a man is stopped and frisked in the middle of Harlem but no one thinks it’s a big deal, did anything really happen?

ONE MAN’S TRASH
Director: Kelly Adams
Country: USA, Running Time: 17 min
For 34 years, Nelson Molina has worked for the NYC Department of Sanitation, developing a unique relationship to the objects that fill the garbage bags lining the streets. With a keen curatorial eye for finding treasure in household trash, Nelson has created a collection of found objects in a sanitation garage in East Harlem, which he refers to as a museum of “Treasures in the Trash.”

UPTOWN UNDERDOG
Director: Nuhi de Stani
Country: USA, Running Time: 13 min
Film looks at Michael Henry Adams, a Harlem historian and activist who finds himself in a constant battle against greed and cultural destruction.


SUNDAY SHORTS - SOULFUL
THE CRIP WHO LOVES YOGA
Director: James Wvinner
Country: USA, Running Time: 6:00
A Crip gang member tells the story of the rise and trials of the Shoreline Crip gang in Venice, California and how yoga became a part of his life.

HENDRIX TRIBUTE
Director: Azar Dagher
Country: USA, Running Time: 4:33 min
Hendrix tribute song from Charlie Sayles 25th anniversary reissue of the classic 1990 sessions.

HOW BERLIN GOT THE BLUES
Director: Victoria Luther
Countries: Germany, USA, Running Time: 45:00
The film looks at Eb Davis and the Super band. How a military man, working in a small, clandestine unit in West Berlin, was able to spread the Blues to the people of West and East Berlin, bridging the gap between the cold war and the love of the Blues.

MERCURY RISING
Director: Colm Dillane
Country: USA, Running Time: 4:40
A collaborative story between visual artist Colm Dillane and recording artist Zarif Wilder (AKA theMIND). Dillane’s film is a depiction of the streets of Zarif Wilder’s youth in Chicago and Philadelphia. The video’s characters are made out of clay and hand-made clothes from the fabrics from Dillane’s KidSuper clothing line and the sets are made of cardboard, paint and found objects.

ONE DAY AT A TIME
Director: Gabri Christa
Countries: Netherlands Antilles, Running Time: 27:18
When a Caribbean Man discovers Yoga and finds his Guru, he discovers that he is more than his blackness and becomes a yoga teacher and health activist in his local island community.

SOUL CITY
Directors: Gini Richards, Monica Berra, SheRea DelSol
Country: USA, Running Time: 20:45
The story of a group of Black Power activists who attempt to build a multi-racial utopia in Klan Country, North Carolina during the 1970s.


SUNDAY SHORTS – SCI FI TO SURREAL
GHOSTS IN TIME
Director: Jimmy Nsubuga
Country: UK, Running Time: 8 min
Eve risks her life to travel back in time in order to change the events that caused the death of her parents.

IN VIVO
Director: Tamika Guishard
Country: USA, Running Time: 9:22
Using exposure therapy to supplement his PTSD medication, a soldier teeters on the edge of reality.

NEUROPHREAK
Director: George Dalphin
Country: USA, Running Time: 20:10
ORANGE is the AI that runs society, to which all humans are directly connected via wireless brain implants. Gwen is a young woman who wants to find the base of reality; Will is a young man who has discovered a meditative method of making use of the mental connection shared by all, to take over the bodies of others, and after they meet, nothing will be the same.

SHEN
Director: Jace Alexander Casey
Country: USA, Running Time: 21:33
Seeking solace from her domineering fiancé, a traumatized bride-to-be searches for an artist who appears to be drawing her erotic, ominous fate. Part psychosexual thriller, part art-house film, SHEN is a unique portrait of desire and domination in their most cerebral and bodily manifestations.

SISTERS
Directed by David Chontos
Country: USA, Running Time: 3:50
A music video which is part exercise of passion, and part love letter, SISTERS is a fragment of some lost, tragic opera

THE SKY OVER BERLIN OF MY CHILDHOOD New York City Premiere
Director: Bakhtiyar Islamov
Country: Kasakhstan, Running Time: 10:04 min
This is a film about lost children in a strange place and a metaphor of the lost generation born in the post Soviet area between 1980-1990. The images of the film are memories of the young people who passed through the collapse of the empire.

TUSSLE IN THE BACKWOODS
Director: Fabio Sousa
Country: Brazil, Running Time: 14:34
An animated short film about a group of farmers in a rickety truck that have an accident and have to finish the trip on foot. That is when they end up face to face with a mysterious creature.


SUNDAY SHORTS – SUSPENSEFUL
A BEAUTIFUL DAY
Director: Phedon Papamichael
Country: USA, Running Time: 21:01 min
Gene Thompson (James Brolin) wakes up knowing that the decision he has made will change his life forever. Following in the tradition of the new Greek Cinema phenomenon, the film’s Athens-born director brings a searing expose of the fragility of the human psyche. Gene gets up day after day and follows the same monotonous routine that he has lived since the death of his wife ten years earlier. He is aging fast from illness and loneliness and has given up on the future. Today, however, he awakens with a new determination to end the life he has known. Today, there is a new resolve that will change the course of everything.

ALL MY BLACK SONS
Director: Nicole Lockhart
Country: US, Running Time 5:42 min
Italian art's iconic Black Madonna comes to life to protect her son, the Black Messiah, from his impending death.

BOAT PEOPLE
Director: Paul Meschùh
Countries: Croatia/Germany, Running Time: 29 min
On his journey from Somalia to Europe, shipwrecked Moussa is picked up by a wealthy couple on their luxurious catamaran. The athletic young man is the only survivor of a disaster in the Mediterranean Sea and asks Hannes and Gerlinde to smuggle him across the border. Questioning Moussa’s true intentions, the yacht owners are torn between mistrust, fear and the urge for helping a fellow human being. A political drama of two separated worlds colliding within one global community.

THE FIRMEST FRIEND
Director: Andrew Fixell
Country: USA, Running Time: 19:46
The story of human and canine outsiders finding their way into each other’s lives and giving each other hope where previously there had been none.

UGLY New York City Premiere
Director: LeRon Lee
Country: USA, Running Time: 21 min
An urban, coming-of-age story of a boy looking for love in the wrong place..his own environment.


ABOUT THE HARLEM INTERNATIONAL FILM FESTIVAL
Celebrating the art of cinema in the home of the Harlem Renaissance, The Harlem International Film Festival (Hi) inspires and entertains by honoring dynamic films by anyone about anything under the sun. Conceived from the belief that we all have unique experiences and perspectives to share, the Festival actively seeks and exhibits fresh work. Hi is committed to exemplifying the eminence that Harlem represents and is dedicated to bringing attention to the finest filmmakers from Harlem and across the globe.