Showing posts with label scary movies 8. Show all posts
Showing posts with label scary movies 8. Show all posts

Tuesday, November 4, 2014

Lost Soul: The Doomed Journey of Richard Stanley’s Island of Dr. Moreau (2014) Scary Movies 8

Richard Stanley and the dogman mask he wore when appearing in MOREAU
I have a weak spot for the 1996 ISLAND OF DOCTOR MOREAU. Don't get me wrong it's not a good movie, but it is as trippy and wrong headed film as you are ever likely to see. There is something about seeing the pissed off Val Kilmer wander around the tropics while Marlon Brandon cavorts in a house dress that makes me realize that maybe,just maybe, my life isn't that bad.

The film was originally supposed to be directed by Richard Stanley who had done DUST DEVIL and HARDWARE. It was supposed to be a lowish budget epic but then the studio got involved and suddenly the budget shot out of control -even before  a frame was shot. When shooting started it all went wrong and Stanley ended up being fired and John Frankenheimer was brought it. That's when things got really freaking weird.

Cautionary tale meets true life mockumentary (as Gavin Smith said before the screening tonight, if you didn't know it was true you'd think they were joking) LOST SOUL is the story of what happened told by the people who were there- and willing to talk (Kilmer is nowhere to be found nor is David Thewlis). Actually this is only a fraction of what happened since Douglas Buck, who edited the film and was at the screening tonight said there is hours and hours of stories they didn't use.

The film begins with Richard Stanley who feel in love with the Moreau tale as a child. Managing to connect with Edward Pressman after making DUST DEVIL he managed to talk him into producing MOREAU. The trouble was Pressman took the project to New Line who then began to up the budget and bring in big stars like Marlon Brando, Bruce Willis and Val Kilmer. They also feared for Stanley's ability to make the film and briefly brought in Roman Polanski before budgeting in money for a replacement director. (There are a couple of stories there-one of which involves witchcraft)

Basically it was doomed from the start...or doomed once the studio came in since Richard Stanley is his own unique individual. Stanley intended to only where a white suit when directing and traveled to the location, where they were to spend  six months, with just a carpetbag. Probably the only person who could have directed Stanley's script was Stanley since he was the only one bold enough to have even made it even kind of work (The film explains several sequences the studio was terrified of-a sex scene involving the Cat Girl for example).

As the film goes on and other people are brought in Stanley fades from view, as various cast and crew tell you what they saw and heard around Stanley and even after Stanley was sacked. Even when Stanley disappears from the narrative's center stage he's always felt since for better or worse MOREAU was his baby and he set it in motion leaving everyone is constantly wondering what Stanley would have done as things got weirder and weirder.

As the film goes on it transforms from more or less straight portrait of a man's obsession to make a film into a look not so much the heart of darkness but the insane mind of Hollywood. Why else push on with a film they pretty much knew was going to bomb? The "serious" documentary becomes almost a full on comedy of errors as everyone goes insane. Its still a documentary, its just god damn fall on the floor funny

LOST SOUL is in its way a daring attempt to try and capture the insanity that was the MOREAU production. Its an attempt that succeeds; so well in fact that Mondocurry and several other people were looking on Netflix after the screening to see if they could get MOREAU to watch tonight (The Film Society really should have run that film after this one)

While it may not be as great as JODOROWSKY'S DUNE, which many people compared it at the end of the screening, its till is it's own sort of great.  If nothing else rarely has filmmaking seemed so funny.

An absolute must see. (and lets hope there are hours of goodies on the Bluray and DVD)
Barbara Steele and Richard Stanley on the set of a film consigned to the cutting room floor

Friday, October 31, 2014

Three from SCARY MOVIES : THE PACT, ANGST and REFLECTION OF FEAR

The annual Scary Movies series starts today at Lincoln Center. As they do every year they run a bunch of great old horror movies mixed in with new favorites. I’m going to try and get to some of the new films when they play (screeners were not available for review and I couldn’t make the two press screenings.) but since I’ve seen the old films already, many many times, I thought I’d write up the old films. I was going to write up each of the following three films as a separate review but found that while they are all good, I really didn’t have much to say about them.

THE PACT
Robert Clouse’s animals run amok film. One of Clouse’s few non-martial arts films (he directed Enter the Dragon) the film is a solid popcorn film of the drive in variety.

The film has the inhabitants of a small island being terrorized by a pack of wild dogs. As handled by Clouse the prospect is rather terrifying. Actually the film is one of the better animals run amok films that filled late 1970’s movie theaters. Its logical and well-reasoned, with a kick ass sense of how to create suspense.

I’m going to do something I probably shouldn’t and give you a warning, the ending, which I like has annoyed many people over the years. I’m not going to say what it is but I know some people who think the film fails in the final minutes. I’ve yet to meet anyone who really hasn’t liked it up to the end, but the end may bother you.

ANGST
This German horror film has a reputation as being a love it or hate it proposition. I know many horror fans never knew what to make of it. On the other hand the film engendered a great sense of love from others who still trumpet it as a lost classic. I’m not sure it’s a classic , nor do I think it’s trash, I think it’s an interesting film that gets points for trying even when it doesn’t quite work. Certainly what it was doing in 1983 hadn’t been done before.

The film follows an ex-convict who goes back out into the real world as gets the urge to kill which takes him from the city to a remote country house. Brutally graphic the film has tinges of style which lifts it out of the “you are there” genre.

As I’ve said the film has split audiences. Some people like the stylistic touches, some people don’t. I know many people back in the 80’s were shocked by the brutality, which by the standards of some films today isn’t all that shocking. (I see a lot of these things and know how far we’ve come). I don’t know what to tell you about going-the choice is yours based on seeing something off the beaten path and with a high level of nastiness.

REFLECTION OF FEAR
Back before Sandra Locke had a career that didn’t involve Clint Eastwood, she was making some really great films from The Heart is a Lonely Hunter to this film.

The film has little Sandra living in seclusion with her mother and pining away for her absent father. When Dad comes home with a new girlfriend in tow things turn deadly.

A flawed gem of a film, this is the sort of neo-gothic films that were turned out with regularity in the 1960’s and 60’s beginning with Whatever Happened to Baby Jane and then moving onward through the cycle. I don’t think the film is scary so much as having a feeling of dread and being off. There is just something wrong about everything. Is it a great film, probably not, but it is good enough that when I saw it listed in the Scary Movies listing of films it got me to say “oh cool” out loud.

Definitely worth your time and the cost of a big basket of popcorn.

For details on these and all the Scary movie films go to the Scary Movies website.

Thursday, October 30, 2014

Amsterdamned (1988) Scary Movies

Dick Maas is an award winning filmmaker, that hasn’t stopped him from occasionally drifting down into the exploitation ghetto with films like Saint about a killer Santa Claus or The Lift about thinking elevators that kill their occupants (don’t laugh the film actually works). He’s also made A film called Amsterdamned, which is where I discovered him.

Amsterdamned is a great little thriller. Less horror film and more a thriller the film concerns hard boiled detective who pieces together that a bunch of random killings around the canals of the city are actually the work of a serial killer. The killer hasn't been discovered because he comes in and out of the city's canals when no one seems to be looking. The detective has to scramble to try and stop the mad man before he kills anyone else.

Way back in my video store days Amsterdamned was one of those films I was constantly recommending to everyone who wanted something they hadn’t seen before. They’d always come back and want another film like that. While I could recommend other good films, I couldn’t really recommend anything like it. Dick Maas’s films aren’t like anyone elses, or even his own since he jumps from genre to genre and style to style with the greatest of ease.

If I were to say what the film was like I’d have to say the German film called the Embalmer about a frogman wandering around the canals of a European city, but outside of the plot the two films are different since the embalmer is a moody black and white film that fits into the Krimi genre of the mid-60’s where Amsterdamned is high octane thriller with a great chase or two.

Say what you will about Mass and his films, there is no denying how good he is at staging a chase, all one has to do is look at any of his chases, say here or in Saint and you know he’s a master.

This is a must see when it plays this weekend at Scary Movies-and that goes for anyone who wants a great thriller and not a horror film.

Sunday, October 26, 2014

The Nightcap10/26/14:Tod Slaughter week starts tomorrow, Lincoln Center's Scary Movies starts Friday, The Pink Panther, a must see at DOC NYC and Randi's links

Halloween is Friday and usually we take a stab at running horror films but this year we’re going to do something else. This year we’re going to take a look at a large portion of the output of the late great Tod Slaughter.

Slaughter was a barn storming actor who toured all through England with dark melodramas. These were the sort of things that got the audience to boo and hiss at his vile antics. Slaughter was always the bad guy, he chewed scenery mercilessly (trust me you’ve never seen scenery chewed until you’ve seen Slaughter do it) and he seemed to relish it. Slaughter fell into films thanks to the British Quota system. Since producers needed films to fill the quotas imposed by the British government they looked for projects that they could turn into quick movies. Since Slaughter was a known quantity with a repertory of “classic tales” (The Face in the Fog, Sweeny Todd) they scooped him up and turned the plays into films. Todd then split his time between the cinema and the stage.

Slaughter’s output of films was relatively small. He only did about 15 features and a about 6 shorts. I’ve never run across any of his shorts but I have most of his features. They are dark and creaky classics that are all perfect for curling up on the couch with. If thought of the Universal horror films make you warm and fuzzy, Slaughters films will make you completely rapturous. While there are no monsters there are good guys and bad guys but there is the dark and stormy mood that pervade the Universal films in spades.

I don’t know why the films never played much in the US. To be honest until the advent of home video I never knowingly ran across Slaughter or his films. I ran across his films in the dollar bargain bins and being a cheap bastard I picked the few I could find up. When I saw the couple of films I found for a buck or two I then had to hunt down the rest and then went to places like Sinister Cinema in order to get the remaining titles. The weird thing was that when I first started looking for films IMDB only listed a hand full of the films. Slowly over the years the list grew from 6 titles to the 21 that it now lists.

If you’re wondering if you’ve ever run across any of Slaughters films just ask yourself if you ever picked up one of those large collections of old movies on DVD- you know the ones like 50 Mystery or Horror films for 20 bucks or less? If so then odds are you’ve got a bunch of his films.

Over the next seven days we’re going to wax poetic about Slaughter and his films. We’’ll be hitting some of the biggies (The Demon Barber of Fleet Street akaSweeny Todd, Face at the Window, Murder in the Red Barn) and some of the lesser ones as well. Keep reading and hopefully you’ll get inspired to watch a few during this spooky time of year.


Tod Slaughter on stage in 1926
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Lincoln Center’s Scary Movies starts Friday, Halloween and runs until November 6. The series is its usual mix of old classics and new releases, and including a documentary on the Marlon Brando Island of Dr Moreau focusing on the film’s original director Richard Stanley.

This year our coverage is going to be spotty. I have two posts ready to go, One on the wonderful thriller Amsterdamned because I’m a huge fan of the film and it’s director Dick Maas. The other post are three capsules on the other three older films The Pack, Reflections of Murder and Angst. Two of the three films are great little poisoned confections.

As of now I’m not certain how many more we’ll get to. Press screening were too close to the New York Film Festival and I couldn’t get off from the day job. I do have a ticket for Lost Soul, the Moreau film, but I’m not sure what I’ll get to beyond that since I’m seeing John Cleese speak and Hubert read (more on that next week)

For those of you with the ability to make the screenings details on the films and schedule can be found here.
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This past Thursday John and I decompressed from the craziness of the New York Film Festival and the upcoming DOC NYC by going to Lincoln Center to catch the Film Comment Select double feature of Return of the Pink Panther and The Pink Panther Strikes Again.

 I’m not going to do a real write up of the films (though I will say the comedy is hysterical, while the linking material is poor). I will say that the night was a great deal of fun with raffles, trivia questions, trailers and a featurette on the making of Return. Best of all was listening to the audience laugh with rotating members seeming to gasp for air.

I had a blast and John did too. It was one of those nights where you have a great night with a great friend and barely say a word because you’re laughing too hard at what you’re watching together.
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I've seen close to 20 films that  will be playing at DOC NYC this year so far and there are a lot of good ones. Actually they're all good or great with no stinkers anywhere among them.

Run as part of the BAM Puppets on Film series and a co-presentation with DOC NYC was  I AM BIG BIRD, which is about Carroll Spinney who plays Big Bird and Oscar. I'll do a full review closer to the festival- largely because I'm looking at a draft piece I need to go over again- but the long and short of it is the film is one of the best at DOC NYC and of the year. It will move you- no one at the BAM screening wasn't crying at some point-so bring tissues. Also Spinney and his wife will be there so thats a bonus since that means Oscar the Grouch will be there too.

You have one shot at seeing it and you must take it.

Pictures from the BAM screening are up at Tumblr.
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This week in addition to the Tod Slaughter films look fornew release films as well as titles from the Lincoln Center Scary Movies series.
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and now Randi's links

The World Clown Association thinks scary clowns are not funny
Alan Moore's Million Word Novel
"Lost" Albums
Secret casualties of Iraq's abandoned weapons
Back Stage at Disney 1983 (and a young Tim Burton)
Sphinx from the original 10 Commandments have been unearthed
Pronouncing  Shakespeare
Evil Vinyl
Pink Panther goodies
Lost Episodes from At Last the 1948 Show have been found