Wednesday, September 10, 2025

OCA (2025) Toronto 2025


I have been wrestling with OCA since I first saw it.  I’ve watched it three times now and I’m still not certain what I think of it.  Normally I would say that it is a good thing because it means I’ve remained connected to the film but with OCA I’m not sure if that’s a good thing, largely because I’m not sure I know what the film is trying to say.

The film is the story of a nun named Oca. She is in a dying convent in the country. It is only herself and two other nuns. Oca is prone to having mystical visions. She is sent by her superior to speak to the archbishop about saving the convent. She is told if she is not successful, not to come back. Along the way she meets some pilgrims carrying a saint, a rich woman with an important husband and a pilot who wants to go on leave but can’t because of the arrival of the archbishop.

Set up as journey of faith, OCA is a film that is always reaching to say something more than the surface. The people Oca meet are not just people but representation of some spiritual aspect. This is fine for the deeper meaning but for the human narrative the film feels artificial. Since everyone isn’t just a person, they never are human, and we never connect. My repeated watching of the film was a search for a human being on the screen and not a cinematic treatise.

Intellectually I like the film, but emotionally I don’t need to see it again.

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