This is a look at the the looting of a works of art from German after the Second World War. The film focuses on the case of treasures taken from Quedlinburg where the treasures that had been taken by the Germans had been placed in the cave which was found in cave.
This is a small story that represents a much bigger story. Focusing on objects that had been taken from the collection and had been mailed home to Texas the film reflects a story repeated hundreds of times in the post war period as GIs sent home souvenirs, except in this case it involved priceless works of art. Similar stories are playing out to this day.
Divided int to more or less three parts the film tells the story of the hunt for treasures, the story of the man who took the treasures and the aftermath of the announcement of the finding.
Things are set in motion when the German government started to pay students to look through the archives for clues as to where the various treasures might have gone. Through good luck and series of chance meetings one investigator found that there was a chance that some of the objects might be in Texas. It seems that a GI had access to some of the found treasure and he began to mail home various pieces. The film follows the course of events which set off a fire storm of controversy when German government found out the NY Times had the story and splashed it on the front page, where previously they had been quietly buying back the objects.
This is a very good film which is much too short. by focusing so much on the one case the larger story kind of gets lost despite on screen text which tries to make the film bigger. The film also seems rushed in the final fifteen minutes as the film tries to tie everything up and to make sense of events in a larger scale. It doesn't quite work and what was for most of it's running time one of my favorite of recent films, deflated into being just a good film.
Despite that I suspect the film is going to have a nice long life after Dallas and I suspect that the film will end up at DOCNYC later in the year where I plan on taking another crack at it.
A collection of reviews of films from off the beaten path; a travel guide for those who love the cinematic world and want more than the mainstream releases.
Showing posts with label dallas film festival 2016. Show all posts
Showing posts with label dallas film festival 2016. Show all posts
Tuesday, April 19, 2016
Sunday, April 17, 2016
Five Nights in Maine (2015) Dallas International Film Festival
I’m a bit puzzled as to why I had not heard of FIVE NIGHTS IN MAINE until I saw it at the Dallas Film Festival line up. Here’s a film with David Oyelowo, Diane Weist and Rosie Perez giving some of the best performances of their careers and it’s just quietly chugging along on the festival circuit. Why aren’t trumpets blaring?
The film has Oyelowo heading up to Maine to see his estranged mother in law after his wife is killed in a car accident. While you can guess how some of this goes, a great deal of this doesn’t go as expected with the result the you don’t feel like you’ve been here before. This is a wonderful little drama.
What makes the film better than a mere little drama are the performances by the entire cast. Everyone in the film is perfect with the three big name stars taking things to just another level. These are not characters on the screen, rather they are real people up there and when they let go you feel it in your soul. I completely understand why Weist and Perez took the role and why Oyelowo acted as one of the producers because good roles such as this are so hard to find.
This is one of the must sees at the Dallas Film Festival, or where ever you get a chance to see it. This is a true hidden gem of a film.
For tickets and more information go here
Addendum- This film comes out in August to theaters everywhere
The film has Oyelowo heading up to Maine to see his estranged mother in law after his wife is killed in a car accident. While you can guess how some of this goes, a great deal of this doesn’t go as expected with the result the you don’t feel like you’ve been here before. This is a wonderful little drama.
What makes the film better than a mere little drama are the performances by the entire cast. Everyone in the film is perfect with the three big name stars taking things to just another level. These are not characters on the screen, rather they are real people up there and when they let go you feel it in your soul. I completely understand why Weist and Perez took the role and why Oyelowo acted as one of the producers because good roles such as this are so hard to find.
This is one of the must sees at the Dallas Film Festival, or where ever you get a chance to see it. This is a true hidden gem of a film.
For tickets and more information go here
Addendum- This film comes out in August to theaters everywhere
Demimonde (2015) Dallas International Film Festival 2016 4/19
Sometimes style over substance works. Sometimes when you have style to burn you can take a slight narrative and make a kick ass film, such as in the case of Demimonde.
The story of three women, a social climbing demimonde, her house keeper and the young maid who comes to work with them. The relationship between the women is frequently changing as mistress and housekeeper circle each other in a love hate relationship and the young maid tries to take it all in and learn how to improve her station. We know it all ends badly since the film begins with the discovery of a body floating in a basket in a river.
The story isn’t the most revelatory one you’ll find, we’ve seen stories like this before, however the cinematography is absolutely stunning. I love the look and feel of the film which transports us back to the years before the First World War blew Europe apart. I love the explosions of movement that add life to the seemingly sedate proceedings. It’s a visual manifestation of all the pent up tension hiding under the surface.
This is a great great film and I can’t wait to wade in and see it again when I can just lose myself in it and enjoy it without having to review it.
Highly recomended
Fr tickets and more information go here.
Saturday, April 16, 2016
All The Colors of the Night (2015) Dallas International Film Festival 2016
All the Colors of the Night is short experimental feature about a party girl who wakes up one morning with a dead body in her living room and what happens.
More style than substance, with lots of flashy camera work and some overbaked dialog, All The Colors never really grabbed me. The film was trying much too hard to be about something but I’m not too sure if it ends up being about anything. The problem for me is that I never really cared about anyone. To me everyone came off as rather shallow. I was also not a huge fan of the camera style which put us on top of everyone.
If you like you films flashy give it a shot otherwise this can be skipped, even though it runs just over an hour.
For tickets and more information go here
More style than substance, with lots of flashy camera work and some overbaked dialog, All The Colors never really grabbed me. The film was trying much too hard to be about something but I’m not too sure if it ends up being about anything. The problem for me is that I never really cared about anyone. To me everyone came off as rather shallow. I was also not a huge fan of the camera style which put us on top of everyone.
If you like you films flashy give it a shot otherwise this can be skipped, even though it runs just over an hour.
For tickets and more information go here
Friday, April 15, 2016
Two from the Dallas International Film Festival I PROMISE YOU ANARCHY and OCCUPY TEXAS
I PROMISE YOU ANARCHY
Gay skateboarders run afoul of Mexican drug cartels who regularly take blood from them. Murder and mayhem result and send one of them fleeing to the US.
Odd mash up of genres and styles gets points for trying to be different and have it’s own unique vision but it loses points for not managing to pull it off. The odd shifts and changes keep things interesting but also annoy because it leaves you wondering what the point of it all is. What exactly is the central vision? I’m not sure.
I admire the film for what it’s trying to do but I don’t like it.
OCCUPY TEXAS
Adequate time killer has an off the grid young man who was living the street as part of the Occupy Wall Street movie being track down and told he parents have died in Texas. Heading home he is forced to deal with the past and his two teenage sisters.
Nice warm and fuzzy movie isn’t anything you haven’t seen before. We’ve been here any number of times, which isn’t a sin especially when it’s done as well as this is. But at the same time it’s done well enough that you wish it had been a tad more creative.
Worth a look
For tickets and more information go here
Thursday, April 14, 2016
A Fat Wrek (2016) Dallas International Film Festival 2016
Portrait of "Fat Mike" Burkett of NOFX and his record company Fat Records. Its the story of the man, the various bands and the company and what happened over the last 30 years. And when I say what its happened, it's all here the good the bad and the ugly. Some of it is told view interviews and some it reenacted via puppets.
Good documentary about Fat Mike and the punk rock scene on the west coast is going to be a mixed affair for anyone who doesn't already know the bands and the scene. Those who know and love the label and the bands on it are going to think this is manna from heaven. On the other hand if you don't know the bands this is going to seem like a marketing tool. Things never seem to get too deep. I always felt as if I was getting a glossed over version of the story. I think part of it is that these guys have told their stories a bit too many times so its all too polished and a bit like a promo film instead of solid documentary.
Worse too many of the people say exactly the same things such as Mike never told anyone what they had to do he just let them make music and left them alone. Its said so often that I quickly ended the idea of a drinking game when I realized that 15 minutes in you'd be shit faced and under the table in 20. Personally the repetition really wore me down.
On the other hand there is the music and the wall to wall sound made me want to crack out my CDs and play some stuff that I haven't heard in a long time.
Highly recommended for those who love the music. All others proceed with caution
For tickets and more information go here
Good documentary about Fat Mike and the punk rock scene on the west coast is going to be a mixed affair for anyone who doesn't already know the bands and the scene. Those who know and love the label and the bands on it are going to think this is manna from heaven. On the other hand if you don't know the bands this is going to seem like a marketing tool. Things never seem to get too deep. I always felt as if I was getting a glossed over version of the story. I think part of it is that these guys have told their stories a bit too many times so its all too polished and a bit like a promo film instead of solid documentary.
Worse too many of the people say exactly the same things such as Mike never told anyone what they had to do he just let them make music and left them alone. Its said so often that I quickly ended the idea of a drinking game when I realized that 15 minutes in you'd be shit faced and under the table in 20. Personally the repetition really wore me down.
On the other hand there is the music and the wall to wall sound made me want to crack out my CDs and play some stuff that I haven't heard in a long time.
Highly recommended for those who love the music. All others proceed with caution
For tickets and more information go here
Arianna (2015) Dallas Film Festival 2016
Arianna is a 19 year old girl who has small breasts and still hasn’t had her period. She is feeling adrift. When she decides to stay behind to study at a childhood home, Arianna decides to go see a different gynecologist to determine if there isn’t something that can make her feel more normal. What she discovers shocks her.
The film’s promotional material tries to hide the big reveal but you pretty much know at the start that Arianna was in fact born a boy and had her sex reassigned. The details of why I’ll leave to the film to give you. I’m not sure why they are making it a mystery since the film doesn’t need it since it’s a very good look at the psychology of the many people who had their sex reassigned. I think it’s a super portrait that is done a disservice since suggesting a big mystery raises all sorts of expectations that are not met.
Mystery nonsense aside I really liked this film a great deal. It is a great portrait of a person forced to live with the choices forced upon her by someone other than nature. Recommended.
For Tickets and more information go here.
Wednesday, April 13, 2016
In Brief: Until Proven Innocent (2016) Dallas International Film Festival 2016
Hannah Overton was the foster mother of Andrew Burd. She was arrested and charged with killing Andrew with an overdose of salt and spices. She was doubly guilty the prosecution said because she did not get him care and let him die. The trouble was Overton was viewed by pretty much everyone as a saintly mother as a near saint, and worse the the alleged facts didn't add up.
Good, if very overlong look at a case where justice went away. The cracks in the case became clear to the reporters covering the case who found that very little the prosecution was saying seemed to be the case. Worse they seemed to be ignoring or hiding facts that would prove innocence- for example Overton didn't watch Andrew die, rather she took him to a walk in clinic instead of the hospital.
I remember hearing about this case when the original arrests happened but I never followed it. I certainly was completely unaware of the move to get Overton out of prison. I went into the film largely blind and came out largely pissed off.
Structured in such away as to be the story of a reporter experienced in covering cases of miscarriage of justice, UNTIL PROVEN INNOCENT takes us int to the case from the point of view coming into things after the fact. We see the case unfold as her research did.
This is a very good film that nicely lays out everyone and every thing connected to the case. Its film that clearly explains why and how it all went down.It is for the most part a compelling tale.
The only problem with the film is that the film is so slackly paced that interest begins to wane in the second hour imply because it is taking almost too much time to tell us its story. Its not fatal but it makes an ecellent film a really good one instead.
Good, if very overlong look at a case where justice went away. The cracks in the case became clear to the reporters covering the case who found that very little the prosecution was saying seemed to be the case. Worse they seemed to be ignoring or hiding facts that would prove innocence- for example Overton didn't watch Andrew die, rather she took him to a walk in clinic instead of the hospital.
I remember hearing about this case when the original arrests happened but I never followed it. I certainly was completely unaware of the move to get Overton out of prison. I went into the film largely blind and came out largely pissed off.
Structured in such away as to be the story of a reporter experienced in covering cases of miscarriage of justice, UNTIL PROVEN INNOCENT takes us int to the case from the point of view coming into things after the fact. We see the case unfold as her research did.
This is a very good film that nicely lays out everyone and every thing connected to the case. Its film that clearly explains why and how it all went down.It is for the most part a compelling tale.
The only problem with the film is that the film is so slackly paced that interest begins to wane in the second hour imply because it is taking almost too much time to tell us its story. Its not fatal but it makes an ecellent film a really good one instead.
HOTEL DALLAS (2016) Dallas International Film Festival
HOTEL DALLAS is a head trip film. Nominally a documentary the film spins off in all sorts of directions to make an endlessly compelling film if for no other reason than it seems untethered to reality.
Beginning with life in the bad old days of Romania where Dallas was the only Western TV show allowed, the film spins off in odd directions as children reenact portions of Dallas, the Dallas ranch is built in Romania and a filmmaker makes a film with Patrick Duffy as a man who dies in Texas only to wake up in Romania in the Dallas mansion. I’m forgetting the found footage and the musical numbers.
Yea it’s out there.
It’s so out there that I stopped taking notes and just stared at the screen wondering what in the hell I had gotten myself into. To be honest I have no idea how to describe the film and stole bits of the official description to put the synopsis together. If I was forced to actually tell you what happens under pain of death I’d be dead. I can’t describe it rationally. This is one of those films where a bunch of things happen and they kind of fit together.
It’s a head trip and I enjoyed the hell out of it because for however long the film was on I was outide of myself.
This is not a film for all audiences but for those wanting to wrestle with another way of looking at the world this is a must see.
For tickets and more information go here
Beginning with life in the bad old days of Romania where Dallas was the only Western TV show allowed, the film spins off in odd directions as children reenact portions of Dallas, the Dallas ranch is built in Romania and a filmmaker makes a film with Patrick Duffy as a man who dies in Texas only to wake up in Romania in the Dallas mansion. I’m forgetting the found footage and the musical numbers.
Yea it’s out there.
It’s so out there that I stopped taking notes and just stared at the screen wondering what in the hell I had gotten myself into. To be honest I have no idea how to describe the film and stole bits of the official description to put the synopsis together. If I was forced to actually tell you what happens under pain of death I’d be dead. I can’t describe it rationally. This is one of those films where a bunch of things happen and they kind of fit together.
It’s a head trip and I enjoyed the hell out of it because for however long the film was on I was outide of myself.
This is not a film for all audiences but for those wanting to wrestle with another way of looking at the world this is a must see.
For tickets and more information go here
Tuesday, April 12, 2016
In Pursuit of Silence (2016) Dallas International Film Festival 2016
Mediation on the nature of sound and silence in particular is less a documentary and more an essay. Its a stunning trip into a particular head space. Its one that clears the mind and gets you thinking about all of the sounds and noises that intrude on our lives.
It is in its way a kind of spiritual sibling to the great documentary INTO GREAT SILENCE which is portrait of a monastery where the brothers remain mostly silence. Its a film that makes you want to go off into the silence and just think and commune with the world around you.
I don't know what to say. Its hard to really discuss or review a film such as this because ultimately the film isn't really a film, it's a journey. Its a film that takes us somewhere and shows us something and forces us to confront the world and ourselves. I can not even begin to imagine how you will react to it. Rather this is simply a film I can tell you about and press into your hands and say "See this. You must see this because it will make you think and feel." This is a film that may very well change the way you see the world and interact with it.
Of course it may not, but it is something you should see and all I cn do is point you toward the Dallas Film Festival or where ever this screening and have you try it.
It's a very recommended mediation on
Farmer Veteran (2016) Dallas International Film Festival 2016
Farmer/Veteran is damning portrait of what we are doing to our soldiers. If things continue like this then we will be leaving a whole generation of broken and damaged young men and women to pay for our stupid wars.
The film is a portrait of Alex Sutton. Three tours in Iraq have left him only a reflection of himself. Suffering from PTSD Sutton is trying to make a living being a chicken farmer. When his girlfriend becomes pregnant it kicks up all sorts of issues, many of which he is having trouble dealing with. Making it worse is the cocktail of meds that he is on to control the symptoms of his illness.
A sad angering film will make you want to get up and do something. If this is what we are doing to our soldiers by getting involved n rich men’s wars then we should be ashamed. Watching the film and watching as Sutton cycles through being, normal, emotional; and zombified when the meds kick in, is incredibly troubling. We should be better than this. I was moved to tears.
This is a vitally important film that will make you wonder if there is anything better we can do to help our soldiers get along, and if there is, why aren’t we doing it.
For ticket and more information go here
Saturday, April 9, 2016
The Dallas International Film Festival starts Thursday and you should go
The Dallas film festival starts this week and it’s filled with great films.
It’s a film that I were introduced to by a good friend who told me that the festival existed and that Unseen Films should be covering it. John was dead on, the Dallas Film Festival is a wonderful mix of big and small films that manages to be the rare festival that can walk both sides of the cinematic road. Here big films mix with small films and genre films mix with mainstream to make a festival that truly is for everyone.
How good is the festival? I’ve chopped myself in half and I am actually going to be covering some films at the festival while I’m covering the Tribeca Film Festival that is happening at the same time and which most of you know eats my time and my brain. Reviews for Dallas will be dropping starting later in the week so that those of you who are able to go can get a bead on what to see.
I've also see a bunch of the films playing the festival because they screened in New York Festivals over the last six months. Below are links to the reviews that previously appeared here at Unseen:
WEINER
DHEEPAN
EMBERS
MAGALLANES
MISS SHARON JONES
WAVES 98
MICROBE AND GASOLINE
VIVA
SPAGHETTIMAN
UNDER THE SHADOW
ANTHROPOLOGIST
And then there are the following two films which I've seen as part of my coverage of Tribeca. Because I saw them there I am embargoed about writing them up and limited to capsules in a curtain raiser
HIGH-RISE is Ben Wheatley’s glorious mess of a film. Based on JG Ballard’s novel, the film is about literal class war in a trendy high rise apartment block. Full of sex and violence, in copious amounts, the film has split critics into love and hate it camps. I think it’s a messy film (the narrative disappears in the second half) but at the same time I think it has a visceral quality that hangs with you making it a must see. As a fellow writer said several days after a screening I remember High-Rise over the eight other films I’ve seen since it.
LIFE, ANIMATED is the story of Owen Suskind, a young man with Autism. Having spent years locked inside himself, it wasn’t until his parents found that Josh could be reached via animated films that he was able to go on. A deeply moving story the film is a continuation of Owen‘s story which his father had told in a book about him. Here we watch as he finishes school, find romance and moves out on his own. It’s a film that will knock your socks off. It may end up as one of my favorite films of 2016
As I said above expect reviews to appear later in the week including IN PURSUIT OF SILENCE,THE LIBERATORS, UNTIL PROVEN INNOCENT and one of the best films of the festival DEMIMONDE (There should be a baker's dozen of reviews). I suggest you bookmark the Dallas Film Festival tag and check back periodically to see what is happening.
For ticket and more information go here
It’s a film that I were introduced to by a good friend who told me that the festival existed and that Unseen Films should be covering it. John was dead on, the Dallas Film Festival is a wonderful mix of big and small films that manages to be the rare festival that can walk both sides of the cinematic road. Here big films mix with small films and genre films mix with mainstream to make a festival that truly is for everyone.
How good is the festival? I’ve chopped myself in half and I am actually going to be covering some films at the festival while I’m covering the Tribeca Film Festival that is happening at the same time and which most of you know eats my time and my brain. Reviews for Dallas will be dropping starting later in the week so that those of you who are able to go can get a bead on what to see.
I've also see a bunch of the films playing the festival because they screened in New York Festivals over the last six months. Below are links to the reviews that previously appeared here at Unseen:
WEINER
DHEEPAN
EMBERS
MAGALLANES
MISS SHARON JONES
WAVES 98
MICROBE AND GASOLINE
VIVA
SPAGHETTIMAN
UNDER THE SHADOW
ANTHROPOLOGIST
And then there are the following two films which I've seen as part of my coverage of Tribeca. Because I saw them there I am embargoed about writing them up and limited to capsules in a curtain raiser
HIGH-RISE is Ben Wheatley’s glorious mess of a film. Based on JG Ballard’s novel, the film is about literal class war in a trendy high rise apartment block. Full of sex and violence, in copious amounts, the film has split critics into love and hate it camps. I think it’s a messy film (the narrative disappears in the second half) but at the same time I think it has a visceral quality that hangs with you making it a must see. As a fellow writer said several days after a screening I remember High-Rise over the eight other films I’ve seen since it.
LIFE, ANIMATED is the story of Owen Suskind, a young man with Autism. Having spent years locked inside himself, it wasn’t until his parents found that Josh could be reached via animated films that he was able to go on. A deeply moving story the film is a continuation of Owen‘s story which his father had told in a book about him. Here we watch as he finishes school, find romance and moves out on his own. It’s a film that will knock your socks off. It may end up as one of my favorite films of 2016
As I said above expect reviews to appear later in the week including IN PURSUIT OF SILENCE,THE LIBERATORS, UNTIL PROVEN INNOCENT and one of the best films of the festival DEMIMONDE (There should be a baker's dozen of reviews). I suggest you bookmark the Dallas Film Festival tag and check back periodically to see what is happening.
For ticket and more information go here
Monday, March 21, 2016
The Dallas Film Festival has announced the full slate
The Dallas Film Festival has me intrigued. If I hadn't committed to covering Tribeca I might have jumped on a plane and gone to Texas. But I can't go so I'm going to throw this out to you who are not going to Tribeca to go and enjoy.
In all seriousness the festival looks awesome based on the dozen or so films we've seen already. Its so awesome that I'm trying to figure out how to get access to a large double handful of films. I don't think it will happen but I'm hoping it does.
Right now I'm giving you the press release they sent out listing all the films-shortened to remove all the shorts. I've done this because if I don't you'll be reading until next Tuesday. I will follow this up with a curtain raiser linking to all our previous reviews and giving you word on the films that over lap with Tribeca
This is a festival you want to go to- you just don't realize it yet.
PRESS RELEASE
The Dallas Film Society announces the full schedule for the
10th edition of the Dallas International
Film Festival (April 14-24)
Academy Award-nominated DP Ed Lachman will receive the Dallas Star Award,
and legendary director Monte Hellman will receive
the first L.M. “Kit” Carson Maverick Award
USA Network’s Queen of the South debuts first episode
on the big screen as Centerpiece presentation
Nine world premieres include Shaun M. Colón’s A FAT WRECK,
Alix Blair and Jeremy M. Lange’s FARMER/VETERAN,
Ben Caird’s HALFWAY, Ciaran Creagh’s IN VIEW,
Jeff Barry’s OCCUPY, TEXAS, Willie Baronet and
Tim Chumley’s SIGNS OF HUMANITY, Jenna Jackson and Anthony Jackson’s
UNTIL PROVEN INNOCENT, and the next episode in
Randal Kleiser’s VR series, Defrost
Dallas, TX (March 21, 2016) – The Dallas Film Society today announced the full schedule of film selections for the 10th edition of the Dallas International Film Festival. The list of titles and events are led by an Opening Weekend Celebration at the Dallas City Performance Hall (2520 Flora Street), Presented by One Arts Plaza on April 14-17. Centerpiece Gala presentations include the first episode for the USA Network’s locally shot new television series, Queen of the South, and the previously announced selection of Chris Kelly’s OTHER PEOPLE. The famed Dallas Star Award will be presented to Academy Award-nominated cinematographer, Ed Lachman, and the inaugural presentation of the L.M. Kit Carson Maverick Filmmaker Award to director Monte Hellman. The Opening Weekend Celebration will serve as one of the anchor events for Dallas Arts Week (April 10-17) as DIFF continues to put film on the arts pedestal in the City of Dallas.
Among the 113 films (63 features, 50 shorts), representing 31 countries, are nine films making their world premieres, including Shaun M. Colón’s A FAT WRECK, Alix Blair and Jeremy M. Lange’s FARMER/VETERAN, Ben Caird’s HALFWAY, Ciaran Creagh’s IN VIEW, Jeff Barrry’s OCCUPY, TEXAS, Willie Baronet and Tim Chumley’s SIGNS OF HUMANITY, and Jenna Jackson and Anthony Jackson’s UNTIL PROVEN INNOCENT joining the previously announced THREE DAYS IN AUGUST (directed by Johnathan Brownlee) and DAYLIGHT’S END (directed by William Kaufman), as well as the world premiere of the next episode in Randal Kleiser’s groundbreaking VR series, Defrost. U.S Premieres include Livia Ungur and Sherng-Lee Huang’s HOTEL DALLAS, and Emre Şahin’s TAKIM (THE TEAM), as well as the previously announced ORION (directed by Asiel Norton).
Films in the Narrative Competition are: Carlo Lavagna’s ARIANNA, Maris Curran’s FIVE NIGHTS IN MAINE, Ben Caird’s HALFWAY, Creagh’s IN VIEW, Diego Luna’s MR. PIG, Greg Kwedar’s TRANSPECOS, and Elizabeth Wood’s WHITE GIRL
Films in the Documentary Feature Competition are: Keith Fulton and Lou Pepe’s THE BAD KIDS, Garrett Zevgetis’s BEST AND MOST BEAUTIFUL THINGS, Blair and Lange’s FARMER/VETERAN, Nanfu Wang’s HOOLIGAN SPARROW, Patrick Shen’s IN PURSUIT OF SILENCE, Jessica Dimmock and Christopher LaMarca’s THE PEARL, and Rokhsareh Ghaem Maghami’s SONITA.
The recipients of the 2016 DIFF awards will receive MOVIE MAGIC Budgeting and Scheduling software bundles from Entertainment Partners.
Films in the Texas Competition (with the winner receiving a camera rental package valued at $30,000 courtesy of Panavision) are: Berndt Mader’s BOOGER RED, Kaufman’s DAYLIGHT’S END, Brenda Greene Mitchell and Sam Wainwright Douglas’s HONKY TONK HEAVEN: LEGEND OF THE BROKEN SPOKE, Jeff Barry’s OCCUPY, TEXAS, Clay Liford’s SLASH, Keith Maitland‘s TOWER, and Jenna Jackson and Anthony Jackson’s UNTIL PROVEN INNOCENT.
Films eligible for the Silver Heart Award (Presented by the Embrey Family Foundation and bestowed on an individual or film for their dedication to fighting injustices and/or creating social change for the improvement of humanity. The Silver Heart Award winner receives a $10,000 cash prize courtesy of the Embrey Family Foundation) include: Seth Kramer, Daniel A. Miller, and Jeremy Newberger’s THE ANTHROPOLOGIST, Fulton and Pepe’s THE BAD KIDS, Blair and Lange’s FARMER/VETERAN, Wang’s HOOLIGAN SPARROW, Dimmock and LaMarca’s THE PEARL, Maghami’s SONITA, and Jackson and Jackson’s UNTIL PROVEN INNOCENT.
The Arthur E. Benjamin Foundation Audience Awards will be presented to: Best Narrative Feature, Best Documentary Feature, and Best Short Film.
“This year’s 10th anniversary edition of the Dallas International Film Festival appropriately does what we do best: present films from around the world, independently produced, and locally shot productions, that are entertaining, exciting, surprising, and challenging for Dallas audiences to see for the first and possibly the only time,” said James Faust, Artistic Director of the Dallas Film Society. “In our 10th year, we will once again bring to Dallas our favorite films from the festival circuit, as well as new discoveries, we’ll celebrate the work of film legends and amazing artists behind the camera, and we’ll add some brand new, fun wrinkles to our programming – like the debut of a locally shot television series. and the next episode of a new VR series, as well.”
As a nod to the vibrant film and television production hub that the city of Dallas has been over the past decade, DIFF will debut the first episode of the USA Network’s new series, Queen of the South as its Centerpiece presentation on Saturday, April 16 at the Dallas City Performance Hall. Based on the global best-selling novel “La Reina Del Sur,” by internationally-acclaimed author Arturo Pérez-Reverte, Queen of the South is a thrilling drama following the journey and exploits of a woman (played by Alice Braga) who is forced to run and seek refuge in America after her boyfriend, a drug-dealer, is murdered in Mexico. As she faces new challenges and dangers, she teams with an unlikely figure from her past to bring down the leader of the very drug trafficking ring that has her on the run.
On Friday, April 15, DIFF will also make a special presentation of the world premiere of Willie Baronet and Tim Chumley’s documentary, SIGNS OF HUMANITY at the Dallas City Performance Hall. The film documents artist and professor Willie Baronet’s cross-country trip from Seattle to New York City as part of his ongoing campaign to purchase more than 1,000 homeless signs over the past 22 years, then use them to create installations to raise awareness about homelessness. Since the film festival’s inception, the Dallas Film Society has made a dedicated effort toward working with and contributing to local Dallas-based charities and non-profits, and once again, putting their “film festival” where their heart is, DIFF and The Bridge Homeless Recovery Center will utilize the screening of the film as a fundraiser to aid Dallas’ homeless community and those in need.
Three world premieres promise to be major events in Dallas, with the likelihood of more than a few emotional moments on screen and in-person. Caird’s HALFWAY looks at the systemic failure of the American prison system via a drama starring THE BLIND SIDE’s Quinton Aaron, and a supporting cast including Jeffrey DeMunn (The Walking Dead), Amy Pietz (Caroline in the City), and Gillian Zinser (90210), with several expected to be in attendance. Barry’s OCCUPY, TEXAS is a locally produced drama that follows a washed up Occupier who returns home after the death of his parents to find himself responsible for his two teenage sisters and his Texas-sized past. The film’s cast includes Gene Gallerano, Lorelei Linklater, Catherine Elvir, Janine Turner, Nikki Moore, Reed Birney, Paul Benjamin, David Matranga and Peri Gilpin with some expected to be on hand at the screening. Jackson and Jackson’s UNTIL PROVEN INNOCENT, about a 2006 case where a four-year-old died mysteriously of salt poisoning and his foster mother was charged with capital murder, and sent to prison for life is almost certain to inspire an emotional response from the Dallas audiences.
A heartfelt drama, Ciaran Creagh’s IN VIEW, and a stirring documentary, Alix Blair and Jeremy M. Lange’s FARMER/VETERAN will also make their world premieres at DIFF. IN VIEW follows a woman’s extreme attempt to right a wrong, make peace with a past drunken indiscretion and placate her soul, while FARMER/VETERAN deals with an Iraq war veteran’s struggles to acclimate himself to life on the farm, as he is haunted by, and actually missing somewhat, the experience of war. Another documentary making its world premiere is Shaun M. Colón’s A FAT WRECK, which tells the story of founders Fat Mike (of the legendary punk band NOFX) and his ex-wife Erin Kelly-Burkett, spanning the birth, growth, struggles, and survival of the Fat Wreck Chords label.
Randal Kleiser’s VR series, Defrost, stars Tanna Frederick (who also produces), Harry Hamlin, Bruce Davison, Christopher Atkins and Carl Weathers, in a virtual reality experience of a woman who has been awakened after being cryogenically frozen for 30 years. She immediately finds her family has aged while she has not, and in some cases have become strangers to her now. The debut episode made a splash at Sundance, and this would be the first opportunity for the public to experience the next episode in the series – which places the viewer in the newly revived woman’s shoes and allows them to see the world as she sees it and her family and friends, as they interact with her. Kleiser, Frederick and one of the other stars from the project will be in attendance and participate in a special panel on storytelling in the VR world.
A hallmark of the Dallas International Film Festival has been presentation of the Dallas Star Award. Joining the illustrious group of legends and notable film artists that have received the award, will be cinematographer Ed Lachman. Nominated for an Academy Award this year for his sublime work on Todd Haynes’ masterpiece CAROL, and known for his masterful and influential work on films like DESPERATELY SEEKING SUSAN, TRUE STORIES, LIGHT SLEEPER, THE VIRGIN SUICIDES, ERIN BROCKOVICH, and LIFE DURING WARTIME, Lachman will receive his award during the DFS Honors Presented by the Arthur E. Benjamin Foundation event at The Highland Dallas (5300 E. Mockingbird Lane) on Friday, April 22, as well as participate in a special Q&A following the screening of another of his classic collaborations with Haynes, FAR FROM HEAVEN, for which he received his first Oscar nomination.
This year will also mark the first presentation of the L.M. Kit Carson Maverick Filmmaker Award. Named after the iconic and influential Texas film artist (PARIS, TEXAS) who was a true friend of the film festival and frequent attendee, and designed to honor filmmakers that exemplify the unique visionary work that Carson was known for, the Maverick Award will first go to director Monte Hellman. In a career spanning six decades, Hellman has personified cutting edge filmmaking across multiple genres, working within budgets from high-to-low, and cast from stars to unknowns. Two films in particular, THE SHOOTING (1966), and TWO-LANE BLACKTOP (1971) are examples of Hellman’s rare ability to take two vastly different genres - the western and the road movie, and deconstruct, strip them down, and make them into singular entries in what is a remarkably diverse filmography.
Hellman began working with legendary producer Roger Corman, debuting with BEAST FROM HAUNTED CAVE (1959), and later delivered another of his more notable films, RIDE THE WHIRLWIND (1966) for Corman, further cementing his reputation among critics, fellow filmmakers, and cinephiles, as a director with a singular and influential style. After an unusually long hiatus (more than 20 years), Hellman came back to the big screen with a vengeance with the visionary neo noir, ROAD TO NOWHERE (2010).
The Maverick section will include Ungur and Huang’s HOTEL DALLAS, which mixes fiction and documentary in a story set in the 80s, in the twilight of communist Romania, where Dallas is the only American show allowed on TV. The show inspires a man to build the Hotel Dallas, a life-size copy of the “Dallas” mansion, while his daughter immigrates to America, becomes an artist, and directs a film starring Patrick Duffy, as a soap opera character who dies in Texas and wakes up in Romania, in a hotel that looks just like home. And to continue the meta-theme, Duffy is expected to attend the screening. Norton’s gritty ORION stars David Arquette and Lily Cole in a sci-fi film set in a future dark age, after civilization has collapsed, where rumors and prophecies of a savior has survivors on edge. Meanwhile, a hunter fights to save a maiden from a cannibal shaman and searches for the world's last city. Arquette is also expected to attend the screening.
Previously announced, is a special concert and screening celebrating the career of award-winning composer John Williams at the Dallas City Performance Hall on Saturday, April 16. The Dallas Winds, also honoring a significant anniversary – their 30th, begin the afternoon with a performance of some of Williams’s signature works. A Q&A with Dallas Winds Artistic Director and Conductor, Jerry Junkin, will follow as the Hall is prepared for a special screening of Steven Spielberg’s family classic, E.T. – THE EXTRA TERRESTRIAL, which will also include a special Q&A with the film’s star, Henry Thomas.
Additional highlights among the feature film selections in this year’s edition of DIFF include Ben Wheatley’s highly anticipated HIGH-RISE, starring Tom Hiddleston, Sienna Miller, Elizabeth Moss, Luke Evans, and Jeremy Irons, ONCE’s John Carney’s musical romance SING STREET, Elizabeth Wood’s controversial semi-autobiographical WHITE GIRL., and another fascinating narrative/documentary hybrid, BOOGER RED. Directed by Berndt Mader, BOOGER RED delves into the American legal system, as it examines an investigation of purportedly the largest child sex ring in Texas history--inside of a swinger’s club in Mineola, TX.
Award winners from past festivals also dot the schedule, including recent SXSW winners, like Greg Kwedar’s TRANSPECOS (Narrative Film Audience Award), Keith Maitland’s TOWER (Documentary Grand Jury and Audience Award), and HONKY TONK HEAVEN: LEGEND OF THE BROKEN SPOKE (24 Beats Per Second Audience Award), joining the previously announced selection of Rokhsareh Ghaem Maghami’s SONITA, which was the winner of the Sundance Film Festival’s World Cinema Documentary Grand Jury Prize and Audience Awards. Finally, the celebration of films enjoying anniversaries themselves along with DIFF itself include the 20th Anniversary of Julia Dyer’s delightful lesbian comic romance, LATE BLOOMERS (1996), and Mike Nichols’ acidic relationship parlor game, WHO’S AFRAID OF VIRGINIA WOOLF (1966), celebrating its 50th Anniversary.
Once again, the Dallas Film Society has teamed up with DART for their successful partnership called DART to DIFF. Many DIFF activities and events take place in the heart of Dallas and the partnership with DART will provide quick and convenient transportation for all festival attendees.
Online ticket sales will be available for Dallas Film Society members beginning Monday, March 21 at DallasFilm.org, and will open to the public on Thursday, March 24. The physical Prekindle Box Office at Mockingbird Station will open on Thursday, March 31.
THE 2016 DIFF OFFICIAL SELECTIONS AND DESCRIPTIONS
CENTERPIECE GALA SELECTION
OTHER PEOPLE
Director: Chris Kelly
Country: USA, Running Time: 97min
A struggling New York City comedy writer, fresh from breaking up with his boyfriend, moves to Sacramento to help his sick mother. Living with his conservative father and younger sisters, David feels like a stranger in his childhood home. As his mother worsens, he tries to convince everyone (including himself) he’s “doing okay.” The film stars Molly Shannon and Jesse Plemons.
CENTERPIECE GALA SELECTION
Queen of the South - Pilot
Director: Charlotte Sieling
Country: USA, Running Time: 42min
Based on the global best-selling novel “La Reina Del Sur,” by internationally-acclaimed author Arturo Pérez-Reverte, QUEEN OF THE SOUTH tells the powerful story of Teresa Mendoza (Alice Braga), a woman who is forced to run and seek refuge in America after her drug-dealing boyfriend is unexpectedly murdered in Mexico. In the process, she teams with an unlikely figure from her past to bring down the leader of the very drug trafficking ring that has her on the run.
PREMIERE SERIES
COMPLETE UNKNOWN
Director: Joshua Marston
Country: USA, Running Time: 90min
As a man (Michael Shannon) contemplates moving to a new state with his wife for her graduate program, an old flame (Rachel Weisz) - a woman who often changes identities - reenters his life at a birthday dinner party.
HIGH-RISE
Director: Ben Wheatley
Country: UK, Running Time: 119min
HIGH-RISE stars Tom Hiddleston as Dr. Robert Laing, the newest resident of a luxurious apartment in a high-tech concrete skyscraper whose lofty location places him amongst the upper class. Laing quickly settles into high society life and meets the building’s eccentric tenants: Charlotte (Sienna Miller), his upstairs neighbor and bohemian single mother; Wilder (Luke Evans), a charismatic documentarian who lives with his pregnant wife Helen (Elisabeth Moss); and Mr. Royal (Jeremy Irons), the enigmatic architect who designed the building. Life seems like paradise to the solitude-seeking Laing. But as power outages become more frequent and building flaws emerge, particularly on the lower floors, the regimented social strata begins to crumble and the building becomes a battlefield in a literal class war.
MORRIS FROM AMERICA
Director: Chad Hartigan
Country: USA/Germany, Running Time: 89min
A heartwarming and crowd-pleasing coming-of-age comedy with a unique spin, Morris from America centers on Morris Gentry, a 13-year-old who has just relocated with his single father to Heidelberg, Germany. Morris, who fancies himself the next Notorious B.I.G., is a complete fish-out-of-water—a budding hip-hop star in an EDM world. To complicate matters further, Morris quickly falls hard for his cool, rebellious, 15-year-old classmate Katrin.
SING STREET
Director: John Carney
Country: Ireland/USA/UK, Running Time: 105min
SING STREET tales us back to 1980s Dublin seen through the eyes of a 14-year-old-boy named Conor (Ferdia Walsh-Peelo) who is looking for a break from a home strained by his parents’ relationship and money troubles, while trying to adjust to his new inner-city public school where the kids are rough and the teachers are rougher. He finds a glimmer of hope in the mysterious, über-cool and beautiful Raphina (Lucy Boynton), and with the aim of winning her heart he invites her to star in the band’s music videos. There’s only one problem: he’s not part of a band…yet. She agrees and now Conor must deliver what he’s promised – calling himself “Cosmo” and immersing himself in the vibrant rock trends of the decade, he forms a band with a few lads, and the group pours their heart into writing lyrics and shooting videos.
A TALE OF LOVE AND DARKNESS
Director: Natalie Portman
Country: Israel/USA, Running Time: 98min
Based on Amos Oz's international best-seller, A TALE OF LOVE AND DARKNESS is the story of Oz's youth at the end of the British Mandate for Palestine and the early years of the State of Israel. The film details young Amos' relatinship with his mother and his birth as a writer, looking at what happens when the stories we tell, become the stories we live.
THREE DAYS IN AUGUST – WORLD PREMIERE
Director: Johnathan Brownlee
Country: USA, Running Time: 96min
Starring Barry Bostwick, Meg Foster, and Mariette Hartley, the film is about an Irish American artist who is forced to confront her past when both sets of parents come together over a weekend for her to paint a family portrait.
NARRATIVE FEATURE COMPETITION
ARIANNA
Director: Carlo Lavagna
Country: Italy, Running Time: 84min
At the age of nineteen, Arianna still hasn’t had her first period. The hormones that her gynaecologist has prescribed don't seem to have any effect on her development. In the heat of the silent summer afternoons she spends in the family’s hunting lodge in Tuscany, she starts inquiring about her body and her past, to finally face with the true nature of her sexuality and her true identity.
FIVE NIGHTS IN MAINE
Director: Maris Curran
Country: USA, Running Time: 82min
Sherwin is a good man, flawed like any other, but deeply invested in his family and in love with his wife, Fiona. When she returns from visiting her estranged and ill mother and acts distant, he shows concern. Their conversations lead to fights, the worst in their marriage. Fiona no longer sees herself as a mother; she does not want children. Sherwin is confused and angry. The life they have built begins to break down. And before there can be resolution, Fiona dies, in an auto accident after driving distractedly on the freeway. Sherwin is devastated. All that is dear to him — his wife, his sense of self and his future, vanish. In the middle of his grief, Sherwin receives a phone call from the person he least expects, Fiona’s mother. She invites him to visit her in rural Maine, saying: “it might do us both some good.” Sherwin decides to go to Maine, and embarks on an unlikely journey of healing, compassion and empathy.
HALFWAY
Director: Ben Caird
Country: USA, Running Time: 103min
Starring Quinton Aaron (The Blind Side) and Jeff DeMunn (The Walking Dead), HALFWAY tells the story of a recently released convict who faces the conflict of enduring ties with his old criminal world while struggling to adapt to life on probation as the only black man in a conservative white farm town. Among prisoners released in 30 states in 2005 roughly 68% were rearrested within 3 years with over 75% rearrested within 5 years. Halfway wants to bring to light that there is a serious systematic failure within the American prison system, where a lack of opportunity for those who have transgressed in their past seems to guarantee a future behind bars.
IN VIEW – WORLD PREMIERE
Director: Ciaran Creagh
Country: Ireland, Running Time: 93min
Ruth’s life is one of burgeoning guilt dominated by rage, alcoholism, depression and self-loathing which has its origins in a once-off drunken indiscretion with a work colleague some years previous. Having lost all that was dear to her, Ruth is still trying to seek out help but is coming to realize that there is only one course of action that may placate her soul. To end her life so as her organs can be donated to help others which will, in her mind, be payback for her perceived sins.
MR. PIG
Director: Diego Luna
Country: Mexico, Running Time: 100min
Eubanks (Danny Glover), an old-school pig farmer from California, leaves his foreclosed family farm and sets off on a road trip to Mexico with Howard, his last beloved and very large pig. Ambrose must smuggle Howard across the border to find him a new home. As they embark across Mexico, Eubanks’ drinking and deteriorating health begin to take a toll, derailing their plans. His estranged daughter, Eunice (Maya Rudolph), shows up unexpectedly and joins them on their adventure. Driven by strong convictions and stubbornness in his old ways, Ambrose forges ahead to make sure he finds Howard the home he deserves and potentially mend many of the relationships that mean the most to him.
TRANSPECOS
Director: Greg Kwedar
Country: USA, Running Time: 85min
On a remote desert highway, a makeshift Border Patrol checkpoint is manned by three agents: Flores (Gabriel Luna): with an uncanny ability to track; Davis (Johnny Simmons): joined the Border Patrol with dreams of romancing señoritas and riding on horseback; Hobbs (Clifton Collins Jr): one of the old guard who believes a college degree can’t stop a bullet. It's like most boring days, but soon the contents of one car will change everything. What follows is a journey to uncover the surreal, frightening secrets hidden behind the facade of this lonely outpost. The end of the path may cost them their lives along a border where the line between right and wrong shifts like the desert itself.
WHITE GIRL
Director: Elizabeth Wood
Country: USA, Running Time: 88min
Summer, New York City. A college girl falls hard for a guy she just met. After a night of partying goes wrong, she goes to wild extremes to get him back.
DOCUMENTARY FEATURE COMPETITION
THE BAD KIDS
Directors: Keith Fulton, Lou Pepe
Country: USA, Running Time: 101min
At a remote Mojave Desert high school, extraordinary educators believe that empathy and life skills, more than academics, give at-risk students command of their own futures. This coming-of-age drama watches education combat the crippling effects of poverty in the lives of these so-called "bad kids."
BEST AND MOST BEAUTIFUL THINGS
Director: Garrett Zevgetis
Country: USA, Running Time: 90min
Off a dirt road in rural Maine, a precocious 20-year-old woman named Michelle Smith lives with her mother Julie. Michelle is quirky and charming, legally blind and diagnosed on the autism spectrum, with big dreams and varied passions. Searching for connection, Michelle explores love and empowerment outside the limits of “normal” through a provocative fringe community. Will she take the leap to experience the wide world for herself? Michelle’s joyful story of self-discovery celebrates outcasts everywhere.
FARMER/VETERAN – WORLD PREMIERE
Directors: Alix Blair, Jeremy M. Lange
Country: USA, Running Time: 82min
After three combat tours in Iraq, Alex Sutton attempts a fresh start hatching chickens and raising goats on 43 acres in rural North Carolina. Alex embraces life on the farm with his new love Jessica, but cycles between a state of heightened alert and “feeling zombified” from a cocktail of prescriptions meant to stabilize his injured mind. When Jessica becomes pregnant, the dark past Alex has tried to escape -the loss of his first family, the war he was forced to leave- closes in on him. The farm becomes another battleground. Farmer/Veteran attempts to reconcile the identity of a perfect soldier with the reality of a haunted man determined to hold onto the best chance at peace he has ever known.
HOOLIGAN SPARROW
Director: Nanfu Wang
Country: China, Running time: 84min
Traversing southern China, a group of activists led by Ye Haiyan (AKA Sparrow) protest a scandalous incident where a school principal and a government official allegedly raped six school girls. Sparrow becomes an enemy of the state, but detentions, interrogations, and evictions can’t stop her protest from going viral.
IN PURSUIT OF SILENCE
Director: Patrick Shen
Country: USA, Running Time 81min
In our race towards modernity, amidst all the technological innovation and the rapid growth of our cities, silence is now quickly passing into legend. Beginning with an ode to John Cage’s seminal silent composition 4’33”, the sights and sounds of this film delicately interweave with silence to create a contemplative and cinematic experience that works its way through frantic minds and into the quiet spaces of hearts. As much a work of devotion as it is a documentary, In Pursuit of Silence is a meditative exploration of our relationship with silence, sound, and the impact of noise on our lives.
THE PEARL
Directors: Jessica Dimmock, Christopher LaMarca
Country: USA, Running Time: 97min
THE PEARL explores the raw emotional and physical experience of being a middle aged to senior transgender woman against the backdrop of post-industrial logging towns in the Pacific Northwest. The film leans into the struggle of those who were reared and successful as men and have reached middle age or later with a burdensome secret they can no longer keep to themselves.
SONITA
Director: Rokhsareh Ghaem Maghami
Country: Germany/Iran/Switzerland, Running Time: 91min
Winner of the World Cinema Documentary Grand Jury Prize and Audience Award at the 2016 Sundance Film Festival, SONITA tells the inspiring story of Sonita Alizadeh, an 18-year-old Afghan refugee in Iran, who thinks of Michael Jackson and Rihanna as her spiritual parents and dreams of becoming a big-name rapper. For the time being, her only fans are the other teenage girls in a Tehran shelter. And her family has a very different future planned for her: as a bride she's worth $9,000. Iranian director Rokhsareh Ghaem Maghami poignantly shifts from observer to participant altering expectations, as Sonita's story unfolds in an intimate and joyful portrait.
TEXAS COMPETITION – SPONSORED BY PANAVISION
BOOGER RED
Director: Berndt Mader
Country: USA, Running Time: 96min
Booger Red is a hybrid narrative/documentary film where fictional journalist, Onur Tukel, investigates the true case of the ‘Mineola Swingers Club’ trials. In 2006, seven people were sentenced to life for purportedly running the largest child sex ring in Texas history--inside of a swingers club in Mineola, Tx. Onur, portraying a veteran reporter, interviews the actual defendants and lawyers involved in the trials. On his journey through the seedy underbelly of east Texas, Onur is forced to confront his own history with abuse while he discovers that the allegations at the root of his investigation might have never happened.
DAYLIGHT’S END – WORLD PREMIERE
Director: William Kaufman
Country: USA, Running Time: 105min
Shot in Dallas and points ranging from East Texas to the West Texas town of Rio (pop. 3) along the famed Route 66, the film is a hard driving action-horror-thriller starring Johnny Strong, Lance Henriksen and Louis Mandylor. It focuses on a rogue drifter who's on a vengeful hunt, years after a mysterious plague has devastated the planet and turned most of humanity into blood-hungry creatures. When he stumbles across a desperate band of survivors in an abandoned police station, the drifter reluctantly puts his own thirst for blood on hold and agrees to help them defend themselves, only to realize that his mission of revenge and theirs may in fact coincide.
HONKY TONK HEAVEN: LEGEND OF THE BROKEN SPOKE
Directors: Brenda Greene Mitchell, Sam Wainwright Douglas
Country: USA, Running Time: 75min
George Strait, Willie Nelson, Ernest Tubb, Bob Wills, George Jones and Roy Acuff have all been regulars on stage at the world famous honky tonk, The Broken Spoke. With fifty years under its belt buckle “the last of the true Texas dance halls” has endured rapid urban growth and skyrocketing rents due to the passion and hard work of its charismatic, tenacious owners. More than a history of who played and when at this landmark venue, the film reveals a universal story about what it takes to maintain a family business in our increasingly corporate-driven society. Interviews include Willie Nelson, Jerry Jeff Walker, Dale Watson, James Hand, Jesse Dayton, the Waco Brothers and Alvin Crow.
OCCUPY, TEXAS – WORLD PREMIERE
Director: Jeff Barry
Country: USA, Running Time: 95min
OCCUPY, TEXAS follows a washed up Occupier (Gene Gallerano) who returns home after the death of his parents to find himself responsible for his two teenage sisters (Lorelei Linklater and Catherine Elvir) and his Texas-sized past. The cast also includes Janine Turner, Nikki Moore, Reed Birney, Paul Benjamin, David Matranga and Peri Gilpin.
SLASH
Director: Clay Liford
Country: USA, Running time 100min
Neil is an introverted, questioning high school freshman. His main social outlet is the steamy erotic fan fiction he writes about Vanguard, the brawny, galaxy-hopping hero of a popular sci-fi franchise. When his stories are exposed in class Neil is mortified, but the fearless, effortlessly cool Julia comes to his defense. An erotic fan fic writer herself, Julia pushes Neil to publish his stories to an online “adult” forum, where they quickly grab the attention of the site moderator, Denis. When Neil is invited to present his work at a comic con live-read event, he has to face the fact that Denis’ interest in him may be more than simply professional… perhaps like his own feelings for Julia.
TOWER
Director: Keith Maitland
Country: USA, Running Time: 96min
On August 1st, 1966, a sniper rode the elevator to the top floor of the University of Texas Tower and opened fire, holding the campus hostage for 96 minutes. When the gunshots were finally silenced, the toll included 16 dead, three dozen wounded, and a shaken nation left trying to understand. Combining archival footage with rotoscopic animation in a dynamic, never-before-seen way, TOWER reveals the action-packed untold stories of the witnesses, heroes and survivors of America’s first mass school shooting, when the worst in one man brought out the best in so many others.
UNTIL PROVEN INNOCENT
Directors: Jenna Jackson, Anthony Jackson
Country: USA, Running Time: 108min
In October 2006 a four-year-old from Corpus Christi named Andrew Burd died mysteriously of salt poisoning. His foster mother, Hannah Overton, was charged with capital murder, vilified from all quarters, and sent to prison for life. But was this churchgoing young woman a vicious child killer? Or had the tragedy claimed its second victim?
DOCUMENTARY SHOWCASE
THE ANTHROPOLOGIST
Directors: Seth Kramer, Daniel A. Miller, Jeremy Newberger
Country: USA, Running Time: 80min
THE ANTHROPOLOGIST considers the fate of the planet through the eyes of an American teenager, whose mother is studying the impact of climate change on indigenous communities. Environmental anthropologist Susie Crate drags her teenage daughter Katie along with her to the farthest reaches of the globe. Featuring commentary from Mary Catherine Bateson, daughter of famed anthropologist Margaret Mead, the film explores how human beings adapt to catastrophic change.
LIFE, ANIMATED
Director: Roger Ross Williams
Country: USA, Running Time: 89min
LIFE, ANIMATED tells the remarkable story of how Owen found in Disney animation a pathway to language and a framework for making sense of the world. By evocatively interweaving classic Disney sequences with verite scenes from Owen’s life, the film explores how identification and empathy with characters like Simba, Jafar, and Ariel forge a conduit for him to understand his feelings and interpret reality. Beautiful, original animations further give form to Owen’s fruitful dialogue with the Disney oeuvre as he imagines himself heroically facing adversity in a tribe of sidekicks. With an arsenal of narratives at his disposal, Owen rises to meet the challenges of adulthood in this moving coming-of-age tale.
LO AND BEHOLD, REVERIES OF THE CONNECTED WORLD
Director: Werner Herzog
Country: USA, Running Time 98min
In LO AND BEHOLD: REVERIES OF THE CONNECTED WORLD, the Oscar-nominated Herzog chronicles the virtual world from its origins to its outermost reaches, exploring the digital landscape with the same curiosity and imagination he previously trained on earthly destinations as disparate as the Amazon, the Sahara, the South Pole and the Australian outback. Herzog leads viewers on a journey through a series of provocative conversations that reveal the ways in which the online world has transformed how virtually everything in the real world works - from business to education, space travel to healthcare, and the very heart of how we conduct our personal relationships.
TONY ROBBINS: I AM NOT YOUR GURU
Director: Joe Berlinger
Country: USA, Running Time: 115min
TONY ROBBINS: I AM NOT YOUR GURU, Joe Berlinger’s twelfth feature documentary, captures internationally renowned life and business strategist and best-selling author, Tony Robbins, in a revelatory cinéma vérité film that goes behind the scenes of his mega once-a-year seminar “Date With Destiny," attended by over 2,500 people, to give an insider look at how one man can affect millions. Granted never before seen access, this film is an emotional tour de force, pulling back the curtain on Tony Robbins and unveiling the inner-workings of this life-altering and controversial event, the zealous participants and the man himself.
WEINER
Directors: Josh Kriegman, Elyse Steinberg
Country: USA, Running Time: 96min
With unrestricted access to Anthony Weiner's New York City mayoral campaign, this film reveals the human story behind the scenes of a high-profile political scandal as it unfolds, and offers an unfiltered look at how much today's politics is driven by an appetite for spectacle.
WORLD CINEMA
DEMIMONDE
Director: Attila Szász
Country: Hungary, Running Time: 88min
The story of three women - a famous prostitute, her housekeeper and their new maid - living in Budapest of 1910s, whose passionate, bizarre and complex relationship can only lead to one thing: murder.
DHEEPAN
Director: Jacques Audiard
Country: France, Running Time: 110min
Three Sri Lankan refugees pose as a family to flee their war-ravaged homeland for France, only to find themselves embroiled in violence in the Parisian suburbs. Winner of the Palme d’Or at the Cannes Film Festival, Jacques Audiard's (A PROPHET) latest is a gripping, human, and timely tale of survival.
DISORDER
Director: Alice Winocour
Country: France, Running Time: 101min
Vincent, a French Special Forces soldier just back from Afghanistan, is suffering from
a post-traumatic stress disorder. He is hired to ensure the security of Jessie, the
wife of a rich businessman at their luxurious villa “Maryland.” As he starts experiencing a strange fascination for the woman he has to protect, Vincent increasingly seems to fall into paranoia. Unless he is right, and the danger is very real indeed…
JOHNNIE TO’S OFFICE
Director: Johnnie To
Country: Hong Kong, Running Time: 120min
Adapted by actress Sylvia Chang from her hit stage play “Design For Living”, the film is a musical set in a corporate high-rise immediately before and after the 2008 financial collapse. The story centers around two assistants starting new jobs at a financial firm. One naively enters the world of high finance with noble intentions, while the other harbors a secret. Chow Yun-fat, Eason Chan and Tang Wei star alongside Chang.
KILL ZONE 2
Director: Cheang Pou-soi
Country: Hong Kong, Running Time: 120min
A undercover cop attempts to find the mastermind of a drug syndicate. When his cover is blown, he winds up in a Thai prison. Surprisingly, he is a bone marrow match for a guard's daughter.
LAST SUMMER
Director: Leonardo Guerra Seràgnoli
Country: Italy, Running Time: 94min
A sailing boat is at anchor in a bay off of a Apulian island. Naomi, a young Japanese woman, after having lost custody of her six year-old son, Ken, will be spending her last four days with him on board the boat of her father-in-law. In a hostile environment, Naomi faces the difficulty of approaching Ken under the controlling glare of the crew. Alex notices Naomi’s attempts to connect with Ken and eases his control, entering into conflict with the rest of the crew. When Naomi’s hopes seem lost Ken starts to take an interest in her, thus reducing the distance between them. The crew, in conflict with the captain, informs the boat’s owner. Alex, disobeying his employer’s wishes, takes Naomi and Ken to a beach where they can be alone and bond for the first time. Back on the boat, a timeless day magnifies the weight of their last goodbye and when Ken falls asleep, Naomi must leave. Watching the boat sail away, Naomi sees Ken for one last time wearing the mask she has made for him as a parting gift – the Japanese god of the sea.
MA MA
Director: Julio Medem
Country: Spain/France, Running Time: 111min
Academy Award®-winning actress and producer Penélope Cruz delivers an extraordinarily emotional performance in ma ma, the newest film from acclaimed director Julio Medem (SEX AND LUCÍA). Honoring the high melodrama of Pedro Almodóvar and Douglas Sirk, ma ma follows Magda (Cruz) as she experiences tragedies and miracles alike. Just as Magda is diagnosed with breast cancer, she meets Arturo (Luis Tosar), a devoted husband and father in the midst of unspeakable loss. Their chance encounter leads both down a path of strength, grace, love, and rebirth.
RIVER
Director: Jamie M. Dagg
Country: Canada, Running Time: 88min
In the south of Laos, an American doctor (Rossif Sutherland) becomes a fugitive after he intervenes in the sexual assault of a young woman. When the assailant's body is pulled from the Mekong River, things quickly spiral out of control.
TAKIM (THE TEAM) – U.S. PREMIERE
Director: Emre Şahin
Country: Turkey, Running Time: 102min
Takim tells the tale of street soccer players from all walks of life in Istanbul who come together to save their favorite soccer pitch from ruthless developers. The story is loosely based on the very real urban phenomenon happening in Turkey today as corrupt construction giants bully the poor to move out and build immense buildings in their wake. Turgay and Tufan are up against the wall when they are threatened by a construction company to sell their family land, which also happens to be an hourly rental soccer field. Facing eviction from the bank on a loan gone bad, and with no options left, the two turn to the only thing they know: Soccer. Now they must build a strong team and try to win a famous tournament for the prize money for the sake of both their family and their land, all in a matter of weeks.
VIVA
Director: Paddy Breathnach
Country: Ireland/Cuba, Running Time: 100min
Jesus is a hairdresser for a troupe of drag performers in Havana, but dreams of being a performer. When he finally gets his chance to be on stage, a stranger emerges from the crowd and punches him in the face. The stranger is his father Angel, a former boxer, who has been absent from his life for 15 years. As father and son clash over their opposing expectations of each other, Viva becomes a love story as the men struggle to understand one another and become a family again.
LATINO SHOWCASE
ALL THE COLORS OF THE NIGHT
Director: Pedro Severien
Country: Brazil, Running Time: 71min
Iris lives alone in a spacious apartment by the sea. The green horizon seems to distance it from the city in comfortable isolation. At nightfall, the place hosts known and unknown in a frantic party flow. Iris is the main attraction. But on a hung over morning, she finds a corpse in the living room. As in the distorted reflection of a crooked mirror, Iris feels repeating steps of her childhood friend, Tiara, a medical student involved in an accident that resulted in death in the past. Tiara plunges into a spiral of self-pity, sentimental emptying and violence. The case is well known in town and Iris does not want to become another ghost in this dark repertoire of stories. In ALL THE COLORS OF THE NIGHT, reality works as a dimension of imagination, memory and madness.
I PROMISE YOU ANARCHY
Director: Julio Hernández Cordón
Country: Mexico, Running Time: 88min
I PROMISE YOU ANARCHY follows two teenage lovers in Mexico City who become embroiled in the city’s illegal, narco-run blood trade. Newcomers Diego Calva and Eduardo Martínez Peña, non-actors the director found on Facebook, give outstandingly honest and committed performances as young lovers Miguel and Johnny. They skate with their friends through the chaotic neighborhoods of Mexico City, they revel in their blissful sexuality, and they make a bit of cash in the illegal blood trade. A contact hooks them up with some narcos—drug traffickers who need black-market blood, since they can’t go to hospitals—and it seems like a perfect way to make a lot of money. But the scheme goes off the rails, and Miguel and Johnny are in over their heads, their eyes opened too late to the truly disturbing underground network of clinics servicing those injured in the drug wars.
MAGALLANES
Director: Salvador del Solar
Country: Peru/Colombia/Argentina/Spain, Running Time: 109min
Taxi driver Magallanes (Damián Alcázar) supplements his meager earnings with a job taking an old man (Federico Luppi) out on daily excursions. This old man is now senile and frail, but he was once a much-feared colonel in the Peruvian military during its bloodiest years of conflict with the Shining Path insurgency. Magallanes was his subordinate. One day a woman enters Magallanes' cab. Celina (Magaly Solier) doesn't recognize Magallanes, but he remembers her very well. Many years ago, Celina was a sexual plaything for the Colonel, who kidnapped the young indigenous girl and held her captive in a hotel room for an entire year. Magallanes has a photograph to prove this — a photo he can use to blackmail the Colonel's affluent son (Christian Meier). But can this aging cabbie suddenly transform himself into an extortionist? Or is Magallanes, still in love with Celina after all these years, in over his head?
ROMANCING APRIL
Director: Joel Núñez
Country: Mexico, Running Time: 90min
A romantic comedy in which a male writer who writes under a female pseudonym falls for
a female journalist who writes under a male pseudonym. When love comes almost always takes us by surprise and nobody can object.
FAMILY FRIENDLY – SPONSORED BY WHOLE FOODS
LABYRINTH (1986)
Director: Jim Henson
Country: USA, Running Time: 101min
Teenage Sarah (Jennifer Connelly) journeys through a maze to recover her baby brother (Toby Froud) from a goblin king (David Bowie).
ODDBALL
Director: Stuart McDonald
Country: Australia, Running Time: 95min
The true story about an eccentric chicken farmer (Shane Jacobson) who, with the help of his granddaughter, trains his mischievous dog Oddball to protect a wild penguin sanctuary from fox attacks and in the process tries to reunite his family and save their seaside town.
DEEP ELLUM SOUNDS
A FAT WRECK – WORLD PREMIERE
Director: Shaun M. Colón
Country: USA, Running Time: 85min
A FAT WRECK tells the story of founders Fat Mike (of the legendary punk band NOFX) and his ex-wife Erin Kelly-Burkett, spanning the birth, growth, struggles, and survival of the Fat Wreck Chords label. Half inspirational story of chosen family and community, half debauchery and occasionally involuntary drug use, the film blazes exciting new ground in the cinematic genre of puppet-driven punk rock music documentary filmmaking. Arguably the best film in the history of American cinema featuring a dominatrix spanking a puppet.
MISS SHARON JONES!
Director: Barbara Kopple
Country: USA, Running Time: 93min
Dreams never expire, but sometimes they are deferred. MISS SHARON JONES! tracks the talented and gregarious soul singer of the Grammy-nominated R&B band Sharon Jones & the Dap Kings during the most challenging year of her life. Confronting a cancer diagnosis and her own self doubts, she works to again find her voice and salvage the career that once eluded her for 50 years.
PRESENTING PRINCESS SHAW
Director: Ido Haar
Country: Israel, Running Time: 80min
The true story of the incredible Princess Shaw and the enigmatic composer Kutiman, who discovers her from the other side of the world. By day, Samantha Montgomery cares for the elderly in one of New Orleans’s toughest neighborhoods. By night, she writes and sings her own songs as Princess Shaw on her confessional YouTube channel. Raw and vulnerable, her voice is a diamond in the rough. Across the globe, Ophir Kutiel creates video mash ups of amateur Youtube performers. Known as Kutiman, he is a composer, a musician, and a pioneering video artist embraced by the world of fine art. Kutiman “transforms sampling into a multimedia art”, whether at his home on a kibbutz in Israel or at a live performance at the Guggenheim in New York. Two strangers, almost 7,000 miles apart, begin to build a song. The film unfolds as Kutiman pairs Princess Shaw’s emotional performances in a beautiful expression of generosity and compassion, revealing the bonafide star underneath and her fight to never give up on her dreams.
A SONG FOR YOU: THE AUSTIN CITY LIMITS STORY
Director: Keith Maitland
Country: USA, Running Time: 97min
Packed wall to wall with the greatest music from Texas and beyond, with performances from Willie Nelson, Stevie Ray Vaughan, Ray Charles, Beck, Alabama Shakes, and Radiohead, A SONG FOR YOU: THE AUSTIN CITY LIMITS STORY is music to the ears of fans everywhere. This film highlights the PBS series’ evolution, proving that after 40 years, ACL is more relevant now than ever before. Featuring interviews with dozens of artists and fans, and untold insights from long-time producer Terry Lickona, A SONG FOR YOU transcends the TV show and gives audiences a front-row seat and backstage pass to the greatest performances of the longest running music show in television history.
MAVERICK
COLLECTIVE: UNCONSCIOUS
Directors: Lily Baldwin, Frances Bodomo, Daniel Patrick Carbone, Josephine Decker, Lauren Wolkstein
Concept by: Dan Schoenbrun
Country: USA, Running Time: 81min
Five of independent film’s most adventurous filmmakers adapt each other's dreams for the screen. A man and his grandmother hide out from an ominous broadcast. The Grim Reaper hosts a TV show. The formerly incarcerated recount and reinterpret their first days of freedom. A suburban mom's life is upturned by the beast growing inside of her. And a high school gym teacher runs drills from inside a volcano.
HOTEL DALLAS – U.S. PREMIERE
Directors: Livia Ungur, Sherng-Lee Huang
Country: USA/Romania, Running Time: 74min
Playfully mixing fiction and documentary, HOTEL DALLAS is a surreal parable of capitalism, communism, and the power of art. In the 80s, in the twilight of communist Romania, “Dallas” is the only American show allowed on TV. Its vision of wealth and glamour captures the imagination of millions. Among them are Ilie and his daughter Livia. He is a small-time criminal and aspiring capitalist; she is in love with the show’s leading man, Patrick Duffy. After communism falls, Ilie builds the Hotel Dallas, a life-size copy of the “Dallas” mansion. Livia immigrates to America, becomes an artist, and directs a film starring Patrick Duffy, as a soap opera character who dies in Texas and wakes up in Romania, in a hotel that looks just like home.
ORION – U.S. PREMIERE
Director: Asiel Norton
Country: USA, Running Time: 110min
In a future dark age, after civilization has collapsed, there are rumors and prophecies of a savior to come. A hunter fights to save a maiden from a cannibal shaman and searches for the world's last city. The film stars David Arquette and Lily Cole
SPECIAL PRESENTATION
E.T. THE EXTRA TERRESTRIAL (1982)
Director: Steven Spielberg
Country: USA, Running Time: 115min
A troubled child summons the courage to help a friendly alien escape Earth and return to his home-world.
Defrost – second episode
Director: Randal Kleiser
Country: USA, Running Time: 10min
After being cryogenically frozen for 30 years, Joan Garrison awakens to meet her aged family. The VR series stars Tanna Frederick, Bruce Davison, Harry Hamlin, Christopher Atkins, and Carl Weathers.
FAR FROM HEAVEN (2002)
Director: Todd Haynes
Country: USA, Running Time: 108min
The story - which crosses both sexual and racial lines - revolves around a privileged suburban family whose lives are filled with daily family etiquette, social events at the club, and an overall desire to keep up with the Joneses. The family is turned upside down when both husband and wife are faced with choices that not only create a gossip mill for the entire community but also change their entire lives forever.
LATE BLOOMERS (1996)
Director: Julia Dyer
Country: USA, Running Time: 107min
Who would’ve thought a little one-on-one could get a girl in so much trouble? When high school basketball coach Dinah Groshardt falls for school secretary Carly Lumpkin, the uproar reverberates from classroom to locker room, from the principal’s office to the PTA. A film about true love, tolerance, and naked basketball, LATE BLOOMERS redefines family values. A movie for everyone who believes it’s never too late to fall in love.
THE LIBERATORS
Director: Cassie Bryant
Country: USA, Running Time: 75min
Medieval art treasures seized by the Nazis go missing at the end of World War II. Were they destroyed in the chaos of the final battles? Or were these thousand-year-old masterpieces stolen by advancing American troops? For over forty years, the mystery remained unsolved. A true detective story, THE LIBERATORS follows a dogged German art detective through the New York art world and military archives to the unlikeliest of destinations: a small town on the Texas prairie. The film raises intriguing questions as to the motivations of the art thief and the whereabouts of the items that, to this day, remain waiting to be discovered.
SIGNS OF HUMANITY – WORLD PREMIERE
Directors: Willie Baronet, Tim Chumley
Country: USA, Running Time: 90min
Signs of Humanity is a documentary film that explores the inter-related themes of home, homelessness, compassion and humanity. Artist and professor Willie Baronet has purchased more than 1,000 homeless signs over the past 22 years, and he uses this collection to create installations to raise awareness about homelessness. During the month of July, 2014, Willie and three companions drove across the country, connecting with more than 100 people on the streets and purchasing more than 275 signs. Signs of Humanity is a film about that trip.
WHO’S AFRAID OF VIRGINIA WOOLF (1966)
Director: Mike Nichols
Country: USA, Running Time: 131min
History professor George (Richard Burton) and his boozy wife, Martha (Elizabeth Taylor), return late one Saturday night from a cocktail party at the home of the college president, Martha's father. Martha announces that she invited another couple, newly appointed instructor Nick (George Segal) and his timid wife, Honey (Sandy Dennis), over for a nightcap. When the younger couple arrive, the night erupts into a no-holds-barred torrent of marital angst and verbal tirades.
MIDNIGHT
ANTIBIRTH
Director: Danny Perez
Country: USA/Canada, Running Time: 94min
In a desolate community full of drug-addled marines and rumors of kidnapping, a wild-eyed stoner named Lou wakes up after a crazy night of partying with symptoms of a strange illness and recurring visions. Without being able to remember anything from the night before, she struggles to get a grip on the reality of her situation as unusual conspiracy theories begin to arise.
For more information and tickets go to the festival website here.
In all seriousness the festival looks awesome based on the dozen or so films we've seen already. Its so awesome that I'm trying to figure out how to get access to a large double handful of films. I don't think it will happen but I'm hoping it does.
Right now I'm giving you the press release they sent out listing all the films-shortened to remove all the shorts. I've done this because if I don't you'll be reading until next Tuesday. I will follow this up with a curtain raiser linking to all our previous reviews and giving you word on the films that over lap with Tribeca
This is a festival you want to go to- you just don't realize it yet.
PRESS RELEASE
The Dallas Film Society announces the full schedule for the
10th edition of the Dallas International
Film Festival (April 14-24)
Academy Award-nominated DP Ed Lachman will receive the Dallas Star Award,
and legendary director Monte Hellman will receive
the first L.M. “Kit” Carson Maverick Award
USA Network’s Queen of the South debuts first episode
on the big screen as Centerpiece presentation
Nine world premieres include Shaun M. Colón’s A FAT WRECK,
Alix Blair and Jeremy M. Lange’s FARMER/VETERAN,
Ben Caird’s HALFWAY, Ciaran Creagh’s IN VIEW,
Jeff Barry’s OCCUPY, TEXAS, Willie Baronet and
Tim Chumley’s SIGNS OF HUMANITY, Jenna Jackson and Anthony Jackson’s
UNTIL PROVEN INNOCENT, and the next episode in
Randal Kleiser’s VR series, Defrost
Dallas, TX (March 21, 2016) – The Dallas Film Society today announced the full schedule of film selections for the 10th edition of the Dallas International Film Festival. The list of titles and events are led by an Opening Weekend Celebration at the Dallas City Performance Hall (2520 Flora Street), Presented by One Arts Plaza on April 14-17. Centerpiece Gala presentations include the first episode for the USA Network’s locally shot new television series, Queen of the South, and the previously announced selection of Chris Kelly’s OTHER PEOPLE. The famed Dallas Star Award will be presented to Academy Award-nominated cinematographer, Ed Lachman, and the inaugural presentation of the L.M. Kit Carson Maverick Filmmaker Award to director Monte Hellman. The Opening Weekend Celebration will serve as one of the anchor events for Dallas Arts Week (April 10-17) as DIFF continues to put film on the arts pedestal in the City of Dallas.
Among the 113 films (63 features, 50 shorts), representing 31 countries, are nine films making their world premieres, including Shaun M. Colón’s A FAT WRECK, Alix Blair and Jeremy M. Lange’s FARMER/VETERAN, Ben Caird’s HALFWAY, Ciaran Creagh’s IN VIEW, Jeff Barrry’s OCCUPY, TEXAS, Willie Baronet and Tim Chumley’s SIGNS OF HUMANITY, and Jenna Jackson and Anthony Jackson’s UNTIL PROVEN INNOCENT joining the previously announced THREE DAYS IN AUGUST (directed by Johnathan Brownlee) and DAYLIGHT’S END (directed by William Kaufman), as well as the world premiere of the next episode in Randal Kleiser’s groundbreaking VR series, Defrost. U.S Premieres include Livia Ungur and Sherng-Lee Huang’s HOTEL DALLAS, and Emre Şahin’s TAKIM (THE TEAM), as well as the previously announced ORION (directed by Asiel Norton).
Films in the Narrative Competition are: Carlo Lavagna’s ARIANNA, Maris Curran’s FIVE NIGHTS IN MAINE, Ben Caird’s HALFWAY, Creagh’s IN VIEW, Diego Luna’s MR. PIG, Greg Kwedar’s TRANSPECOS, and Elizabeth Wood’s WHITE GIRL
Films in the Documentary Feature Competition are: Keith Fulton and Lou Pepe’s THE BAD KIDS, Garrett Zevgetis’s BEST AND MOST BEAUTIFUL THINGS, Blair and Lange’s FARMER/VETERAN, Nanfu Wang’s HOOLIGAN SPARROW, Patrick Shen’s IN PURSUIT OF SILENCE, Jessica Dimmock and Christopher LaMarca’s THE PEARL, and Rokhsareh Ghaem Maghami’s SONITA.
The recipients of the 2016 DIFF awards will receive MOVIE MAGIC Budgeting and Scheduling software bundles from Entertainment Partners.
Films in the Texas Competition (with the winner receiving a camera rental package valued at $30,000 courtesy of Panavision) are: Berndt Mader’s BOOGER RED, Kaufman’s DAYLIGHT’S END, Brenda Greene Mitchell and Sam Wainwright Douglas’s HONKY TONK HEAVEN: LEGEND OF THE BROKEN SPOKE, Jeff Barry’s OCCUPY, TEXAS, Clay Liford’s SLASH, Keith Maitland‘s TOWER, and Jenna Jackson and Anthony Jackson’s UNTIL PROVEN INNOCENT.
Films eligible for the Silver Heart Award (Presented by the Embrey Family Foundation and bestowed on an individual or film for their dedication to fighting injustices and/or creating social change for the improvement of humanity. The Silver Heart Award winner receives a $10,000 cash prize courtesy of the Embrey Family Foundation) include: Seth Kramer, Daniel A. Miller, and Jeremy Newberger’s THE ANTHROPOLOGIST, Fulton and Pepe’s THE BAD KIDS, Blair and Lange’s FARMER/VETERAN, Wang’s HOOLIGAN SPARROW, Dimmock and LaMarca’s THE PEARL, Maghami’s SONITA, and Jackson and Jackson’s UNTIL PROVEN INNOCENT.
The Arthur E. Benjamin Foundation Audience Awards will be presented to: Best Narrative Feature, Best Documentary Feature, and Best Short Film.
“This year’s 10th anniversary edition of the Dallas International Film Festival appropriately does what we do best: present films from around the world, independently produced, and locally shot productions, that are entertaining, exciting, surprising, and challenging for Dallas audiences to see for the first and possibly the only time,” said James Faust, Artistic Director of the Dallas Film Society. “In our 10th year, we will once again bring to Dallas our favorite films from the festival circuit, as well as new discoveries, we’ll celebrate the work of film legends and amazing artists behind the camera, and we’ll add some brand new, fun wrinkles to our programming – like the debut of a locally shot television series. and the next episode of a new VR series, as well.”
As a nod to the vibrant film and television production hub that the city of Dallas has been over the past decade, DIFF will debut the first episode of the USA Network’s new series, Queen of the South as its Centerpiece presentation on Saturday, April 16 at the Dallas City Performance Hall. Based on the global best-selling novel “La Reina Del Sur,” by internationally-acclaimed author Arturo Pérez-Reverte, Queen of the South is a thrilling drama following the journey and exploits of a woman (played by Alice Braga) who is forced to run and seek refuge in America after her boyfriend, a drug-dealer, is murdered in Mexico. As she faces new challenges and dangers, she teams with an unlikely figure from her past to bring down the leader of the very drug trafficking ring that has her on the run.
On Friday, April 15, DIFF will also make a special presentation of the world premiere of Willie Baronet and Tim Chumley’s documentary, SIGNS OF HUMANITY at the Dallas City Performance Hall. The film documents artist and professor Willie Baronet’s cross-country trip from Seattle to New York City as part of his ongoing campaign to purchase more than 1,000 homeless signs over the past 22 years, then use them to create installations to raise awareness about homelessness. Since the film festival’s inception, the Dallas Film Society has made a dedicated effort toward working with and contributing to local Dallas-based charities and non-profits, and once again, putting their “film festival” where their heart is, DIFF and The Bridge Homeless Recovery Center will utilize the screening of the film as a fundraiser to aid Dallas’ homeless community and those in need.
Three world premieres promise to be major events in Dallas, with the likelihood of more than a few emotional moments on screen and in-person. Caird’s HALFWAY looks at the systemic failure of the American prison system via a drama starring THE BLIND SIDE’s Quinton Aaron, and a supporting cast including Jeffrey DeMunn (The Walking Dead), Amy Pietz (Caroline in the City), and Gillian Zinser (90210), with several expected to be in attendance. Barry’s OCCUPY, TEXAS is a locally produced drama that follows a washed up Occupier who returns home after the death of his parents to find himself responsible for his two teenage sisters and his Texas-sized past. The film’s cast includes Gene Gallerano, Lorelei Linklater, Catherine Elvir, Janine Turner, Nikki Moore, Reed Birney, Paul Benjamin, David Matranga and Peri Gilpin with some expected to be on hand at the screening. Jackson and Jackson’s UNTIL PROVEN INNOCENT, about a 2006 case where a four-year-old died mysteriously of salt poisoning and his foster mother was charged with capital murder, and sent to prison for life is almost certain to inspire an emotional response from the Dallas audiences.
A heartfelt drama, Ciaran Creagh’s IN VIEW, and a stirring documentary, Alix Blair and Jeremy M. Lange’s FARMER/VETERAN will also make their world premieres at DIFF. IN VIEW follows a woman’s extreme attempt to right a wrong, make peace with a past drunken indiscretion and placate her soul, while FARMER/VETERAN deals with an Iraq war veteran’s struggles to acclimate himself to life on the farm, as he is haunted by, and actually missing somewhat, the experience of war. Another documentary making its world premiere is Shaun M. Colón’s A FAT WRECK, which tells the story of founders Fat Mike (of the legendary punk band NOFX) and his ex-wife Erin Kelly-Burkett, spanning the birth, growth, struggles, and survival of the Fat Wreck Chords label.
Randal Kleiser’s VR series, Defrost, stars Tanna Frederick (who also produces), Harry Hamlin, Bruce Davison, Christopher Atkins and Carl Weathers, in a virtual reality experience of a woman who has been awakened after being cryogenically frozen for 30 years. She immediately finds her family has aged while she has not, and in some cases have become strangers to her now. The debut episode made a splash at Sundance, and this would be the first opportunity for the public to experience the next episode in the series – which places the viewer in the newly revived woman’s shoes and allows them to see the world as she sees it and her family and friends, as they interact with her. Kleiser, Frederick and one of the other stars from the project will be in attendance and participate in a special panel on storytelling in the VR world.
A hallmark of the Dallas International Film Festival has been presentation of the Dallas Star Award. Joining the illustrious group of legends and notable film artists that have received the award, will be cinematographer Ed Lachman. Nominated for an Academy Award this year for his sublime work on Todd Haynes’ masterpiece CAROL, and known for his masterful and influential work on films like DESPERATELY SEEKING SUSAN, TRUE STORIES, LIGHT SLEEPER, THE VIRGIN SUICIDES, ERIN BROCKOVICH, and LIFE DURING WARTIME, Lachman will receive his award during the DFS Honors Presented by the Arthur E. Benjamin Foundation event at The Highland Dallas (5300 E. Mockingbird Lane) on Friday, April 22, as well as participate in a special Q&A following the screening of another of his classic collaborations with Haynes, FAR FROM HEAVEN, for which he received his first Oscar nomination.
This year will also mark the first presentation of the L.M. Kit Carson Maverick Filmmaker Award. Named after the iconic and influential Texas film artist (PARIS, TEXAS) who was a true friend of the film festival and frequent attendee, and designed to honor filmmakers that exemplify the unique visionary work that Carson was known for, the Maverick Award will first go to director Monte Hellman. In a career spanning six decades, Hellman has personified cutting edge filmmaking across multiple genres, working within budgets from high-to-low, and cast from stars to unknowns. Two films in particular, THE SHOOTING (1966), and TWO-LANE BLACKTOP (1971) are examples of Hellman’s rare ability to take two vastly different genres - the western and the road movie, and deconstruct, strip them down, and make them into singular entries in what is a remarkably diverse filmography.
Hellman began working with legendary producer Roger Corman, debuting with BEAST FROM HAUNTED CAVE (1959), and later delivered another of his more notable films, RIDE THE WHIRLWIND (1966) for Corman, further cementing his reputation among critics, fellow filmmakers, and cinephiles, as a director with a singular and influential style. After an unusually long hiatus (more than 20 years), Hellman came back to the big screen with a vengeance with the visionary neo noir, ROAD TO NOWHERE (2010).
The Maverick section will include Ungur and Huang’s HOTEL DALLAS, which mixes fiction and documentary in a story set in the 80s, in the twilight of communist Romania, where Dallas is the only American show allowed on TV. The show inspires a man to build the Hotel Dallas, a life-size copy of the “Dallas” mansion, while his daughter immigrates to America, becomes an artist, and directs a film starring Patrick Duffy, as a soap opera character who dies in Texas and wakes up in Romania, in a hotel that looks just like home. And to continue the meta-theme, Duffy is expected to attend the screening. Norton’s gritty ORION stars David Arquette and Lily Cole in a sci-fi film set in a future dark age, after civilization has collapsed, where rumors and prophecies of a savior has survivors on edge. Meanwhile, a hunter fights to save a maiden from a cannibal shaman and searches for the world's last city. Arquette is also expected to attend the screening.
Previously announced, is a special concert and screening celebrating the career of award-winning composer John Williams at the Dallas City Performance Hall on Saturday, April 16. The Dallas Winds, also honoring a significant anniversary – their 30th, begin the afternoon with a performance of some of Williams’s signature works. A Q&A with Dallas Winds Artistic Director and Conductor, Jerry Junkin, will follow as the Hall is prepared for a special screening of Steven Spielberg’s family classic, E.T. – THE EXTRA TERRESTRIAL, which will also include a special Q&A with the film’s star, Henry Thomas.
Additional highlights among the feature film selections in this year’s edition of DIFF include Ben Wheatley’s highly anticipated HIGH-RISE, starring Tom Hiddleston, Sienna Miller, Elizabeth Moss, Luke Evans, and Jeremy Irons, ONCE’s John Carney’s musical romance SING STREET, Elizabeth Wood’s controversial semi-autobiographical WHITE GIRL., and another fascinating narrative/documentary hybrid, BOOGER RED. Directed by Berndt Mader, BOOGER RED delves into the American legal system, as it examines an investigation of purportedly the largest child sex ring in Texas history--inside of a swinger’s club in Mineola, TX.
Award winners from past festivals also dot the schedule, including recent SXSW winners, like Greg Kwedar’s TRANSPECOS (Narrative Film Audience Award), Keith Maitland’s TOWER (Documentary Grand Jury and Audience Award), and HONKY TONK HEAVEN: LEGEND OF THE BROKEN SPOKE (24 Beats Per Second Audience Award), joining the previously announced selection of Rokhsareh Ghaem Maghami’s SONITA, which was the winner of the Sundance Film Festival’s World Cinema Documentary Grand Jury Prize and Audience Awards. Finally, the celebration of films enjoying anniversaries themselves along with DIFF itself include the 20th Anniversary of Julia Dyer’s delightful lesbian comic romance, LATE BLOOMERS (1996), and Mike Nichols’ acidic relationship parlor game, WHO’S AFRAID OF VIRGINIA WOOLF (1966), celebrating its 50th Anniversary.
Once again, the Dallas Film Society has teamed up with DART for their successful partnership called DART to DIFF. Many DIFF activities and events take place in the heart of Dallas and the partnership with DART will provide quick and convenient transportation for all festival attendees.
Online ticket sales will be available for Dallas Film Society members beginning Monday, March 21 at DallasFilm.org, and will open to the public on Thursday, March 24. The physical Prekindle Box Office at Mockingbird Station will open on Thursday, March 31.
THE 2016 DIFF OFFICIAL SELECTIONS AND DESCRIPTIONS
CENTERPIECE GALA SELECTION
OTHER PEOPLE
Director: Chris Kelly
Country: USA, Running Time: 97min
A struggling New York City comedy writer, fresh from breaking up with his boyfriend, moves to Sacramento to help his sick mother. Living with his conservative father and younger sisters, David feels like a stranger in his childhood home. As his mother worsens, he tries to convince everyone (including himself) he’s “doing okay.” The film stars Molly Shannon and Jesse Plemons.
CENTERPIECE GALA SELECTION
Queen of the South - Pilot
Director: Charlotte Sieling
Country: USA, Running Time: 42min
Based on the global best-selling novel “La Reina Del Sur,” by internationally-acclaimed author Arturo Pérez-Reverte, QUEEN OF THE SOUTH tells the powerful story of Teresa Mendoza (Alice Braga), a woman who is forced to run and seek refuge in America after her drug-dealing boyfriend is unexpectedly murdered in Mexico. In the process, she teams with an unlikely figure from her past to bring down the leader of the very drug trafficking ring that has her on the run.
PREMIERE SERIES
COMPLETE UNKNOWN
Director: Joshua Marston
Country: USA, Running Time: 90min
As a man (Michael Shannon) contemplates moving to a new state with his wife for her graduate program, an old flame (Rachel Weisz) - a woman who often changes identities - reenters his life at a birthday dinner party.
HIGH-RISE
Director: Ben Wheatley
Country: UK, Running Time: 119min
HIGH-RISE stars Tom Hiddleston as Dr. Robert Laing, the newest resident of a luxurious apartment in a high-tech concrete skyscraper whose lofty location places him amongst the upper class. Laing quickly settles into high society life and meets the building’s eccentric tenants: Charlotte (Sienna Miller), his upstairs neighbor and bohemian single mother; Wilder (Luke Evans), a charismatic documentarian who lives with his pregnant wife Helen (Elisabeth Moss); and Mr. Royal (Jeremy Irons), the enigmatic architect who designed the building. Life seems like paradise to the solitude-seeking Laing. But as power outages become more frequent and building flaws emerge, particularly on the lower floors, the regimented social strata begins to crumble and the building becomes a battlefield in a literal class war.
MORRIS FROM AMERICA
Director: Chad Hartigan
Country: USA/Germany, Running Time: 89min
A heartwarming and crowd-pleasing coming-of-age comedy with a unique spin, Morris from America centers on Morris Gentry, a 13-year-old who has just relocated with his single father to Heidelberg, Germany. Morris, who fancies himself the next Notorious B.I.G., is a complete fish-out-of-water—a budding hip-hop star in an EDM world. To complicate matters further, Morris quickly falls hard for his cool, rebellious, 15-year-old classmate Katrin.
SING STREET
Director: John Carney
Country: Ireland/USA/UK, Running Time: 105min
SING STREET tales us back to 1980s Dublin seen through the eyes of a 14-year-old-boy named Conor (Ferdia Walsh-Peelo) who is looking for a break from a home strained by his parents’ relationship and money troubles, while trying to adjust to his new inner-city public school where the kids are rough and the teachers are rougher. He finds a glimmer of hope in the mysterious, über-cool and beautiful Raphina (Lucy Boynton), and with the aim of winning her heart he invites her to star in the band’s music videos. There’s only one problem: he’s not part of a band…yet. She agrees and now Conor must deliver what he’s promised – calling himself “Cosmo” and immersing himself in the vibrant rock trends of the decade, he forms a band with a few lads, and the group pours their heart into writing lyrics and shooting videos.
A TALE OF LOVE AND DARKNESS
Director: Natalie Portman
Country: Israel/USA, Running Time: 98min
Based on Amos Oz's international best-seller, A TALE OF LOVE AND DARKNESS is the story of Oz's youth at the end of the British Mandate for Palestine and the early years of the State of Israel. The film details young Amos' relatinship with his mother and his birth as a writer, looking at what happens when the stories we tell, become the stories we live.
THREE DAYS IN AUGUST – WORLD PREMIERE
Director: Johnathan Brownlee
Country: USA, Running Time: 96min
Starring Barry Bostwick, Meg Foster, and Mariette Hartley, the film is about an Irish American artist who is forced to confront her past when both sets of parents come together over a weekend for her to paint a family portrait.
NARRATIVE FEATURE COMPETITION
ARIANNA
Director: Carlo Lavagna
Country: Italy, Running Time: 84min
At the age of nineteen, Arianna still hasn’t had her first period. The hormones that her gynaecologist has prescribed don't seem to have any effect on her development. In the heat of the silent summer afternoons she spends in the family’s hunting lodge in Tuscany, she starts inquiring about her body and her past, to finally face with the true nature of her sexuality and her true identity.
FIVE NIGHTS IN MAINE
Director: Maris Curran
Country: USA, Running Time: 82min
Sherwin is a good man, flawed like any other, but deeply invested in his family and in love with his wife, Fiona. When she returns from visiting her estranged and ill mother and acts distant, he shows concern. Their conversations lead to fights, the worst in their marriage. Fiona no longer sees herself as a mother; she does not want children. Sherwin is confused and angry. The life they have built begins to break down. And before there can be resolution, Fiona dies, in an auto accident after driving distractedly on the freeway. Sherwin is devastated. All that is dear to him — his wife, his sense of self and his future, vanish. In the middle of his grief, Sherwin receives a phone call from the person he least expects, Fiona’s mother. She invites him to visit her in rural Maine, saying: “it might do us both some good.” Sherwin decides to go to Maine, and embarks on an unlikely journey of healing, compassion and empathy.
HALFWAY
Director: Ben Caird
Country: USA, Running Time: 103min
Starring Quinton Aaron (The Blind Side) and Jeff DeMunn (The Walking Dead), HALFWAY tells the story of a recently released convict who faces the conflict of enduring ties with his old criminal world while struggling to adapt to life on probation as the only black man in a conservative white farm town. Among prisoners released in 30 states in 2005 roughly 68% were rearrested within 3 years with over 75% rearrested within 5 years. Halfway wants to bring to light that there is a serious systematic failure within the American prison system, where a lack of opportunity for those who have transgressed in their past seems to guarantee a future behind bars.
IN VIEW – WORLD PREMIERE
Director: Ciaran Creagh
Country: Ireland, Running Time: 93min
Ruth’s life is one of burgeoning guilt dominated by rage, alcoholism, depression and self-loathing which has its origins in a once-off drunken indiscretion with a work colleague some years previous. Having lost all that was dear to her, Ruth is still trying to seek out help but is coming to realize that there is only one course of action that may placate her soul. To end her life so as her organs can be donated to help others which will, in her mind, be payback for her perceived sins.
MR. PIG
Director: Diego Luna
Country: Mexico, Running Time: 100min
Eubanks (Danny Glover), an old-school pig farmer from California, leaves his foreclosed family farm and sets off on a road trip to Mexico with Howard, his last beloved and very large pig. Ambrose must smuggle Howard across the border to find him a new home. As they embark across Mexico, Eubanks’ drinking and deteriorating health begin to take a toll, derailing their plans. His estranged daughter, Eunice (Maya Rudolph), shows up unexpectedly and joins them on their adventure. Driven by strong convictions and stubbornness in his old ways, Ambrose forges ahead to make sure he finds Howard the home he deserves and potentially mend many of the relationships that mean the most to him.
TRANSPECOS
Director: Greg Kwedar
Country: USA, Running Time: 85min
On a remote desert highway, a makeshift Border Patrol checkpoint is manned by three agents: Flores (Gabriel Luna): with an uncanny ability to track; Davis (Johnny Simmons): joined the Border Patrol with dreams of romancing señoritas and riding on horseback; Hobbs (Clifton Collins Jr): one of the old guard who believes a college degree can’t stop a bullet. It's like most boring days, but soon the contents of one car will change everything. What follows is a journey to uncover the surreal, frightening secrets hidden behind the facade of this lonely outpost. The end of the path may cost them their lives along a border where the line between right and wrong shifts like the desert itself.
WHITE GIRL
Director: Elizabeth Wood
Country: USA, Running Time: 88min
Summer, New York City. A college girl falls hard for a guy she just met. After a night of partying goes wrong, she goes to wild extremes to get him back.
DOCUMENTARY FEATURE COMPETITION
THE BAD KIDS
Directors: Keith Fulton, Lou Pepe
Country: USA, Running Time: 101min
At a remote Mojave Desert high school, extraordinary educators believe that empathy and life skills, more than academics, give at-risk students command of their own futures. This coming-of-age drama watches education combat the crippling effects of poverty in the lives of these so-called "bad kids."
BEST AND MOST BEAUTIFUL THINGS
Director: Garrett Zevgetis
Country: USA, Running Time: 90min
Off a dirt road in rural Maine, a precocious 20-year-old woman named Michelle Smith lives with her mother Julie. Michelle is quirky and charming, legally blind and diagnosed on the autism spectrum, with big dreams and varied passions. Searching for connection, Michelle explores love and empowerment outside the limits of “normal” through a provocative fringe community. Will she take the leap to experience the wide world for herself? Michelle’s joyful story of self-discovery celebrates outcasts everywhere.
FARMER/VETERAN – WORLD PREMIERE
Directors: Alix Blair, Jeremy M. Lange
Country: USA, Running Time: 82min
After three combat tours in Iraq, Alex Sutton attempts a fresh start hatching chickens and raising goats on 43 acres in rural North Carolina. Alex embraces life on the farm with his new love Jessica, but cycles between a state of heightened alert and “feeling zombified” from a cocktail of prescriptions meant to stabilize his injured mind. When Jessica becomes pregnant, the dark past Alex has tried to escape -the loss of his first family, the war he was forced to leave- closes in on him. The farm becomes another battleground. Farmer/Veteran attempts to reconcile the identity of a perfect soldier with the reality of a haunted man determined to hold onto the best chance at peace he has ever known.
HOOLIGAN SPARROW
Director: Nanfu Wang
Country: China, Running time: 84min
Traversing southern China, a group of activists led by Ye Haiyan (AKA Sparrow) protest a scandalous incident where a school principal and a government official allegedly raped six school girls. Sparrow becomes an enemy of the state, but detentions, interrogations, and evictions can’t stop her protest from going viral.
IN PURSUIT OF SILENCE
Director: Patrick Shen
Country: USA, Running Time 81min
In our race towards modernity, amidst all the technological innovation and the rapid growth of our cities, silence is now quickly passing into legend. Beginning with an ode to John Cage’s seminal silent composition 4’33”, the sights and sounds of this film delicately interweave with silence to create a contemplative and cinematic experience that works its way through frantic minds and into the quiet spaces of hearts. As much a work of devotion as it is a documentary, In Pursuit of Silence is a meditative exploration of our relationship with silence, sound, and the impact of noise on our lives.
THE PEARL
Directors: Jessica Dimmock, Christopher LaMarca
Country: USA, Running Time: 97min
THE PEARL explores the raw emotional and physical experience of being a middle aged to senior transgender woman against the backdrop of post-industrial logging towns in the Pacific Northwest. The film leans into the struggle of those who were reared and successful as men and have reached middle age or later with a burdensome secret they can no longer keep to themselves.
SONITA
Director: Rokhsareh Ghaem Maghami
Country: Germany/Iran/Switzerland, Running Time: 91min
Winner of the World Cinema Documentary Grand Jury Prize and Audience Award at the 2016 Sundance Film Festival, SONITA tells the inspiring story of Sonita Alizadeh, an 18-year-old Afghan refugee in Iran, who thinks of Michael Jackson and Rihanna as her spiritual parents and dreams of becoming a big-name rapper. For the time being, her only fans are the other teenage girls in a Tehran shelter. And her family has a very different future planned for her: as a bride she's worth $9,000. Iranian director Rokhsareh Ghaem Maghami poignantly shifts from observer to participant altering expectations, as Sonita's story unfolds in an intimate and joyful portrait.
TEXAS COMPETITION – SPONSORED BY PANAVISION
BOOGER RED
Director: Berndt Mader
Country: USA, Running Time: 96min
Booger Red is a hybrid narrative/documentary film where fictional journalist, Onur Tukel, investigates the true case of the ‘Mineola Swingers Club’ trials. In 2006, seven people were sentenced to life for purportedly running the largest child sex ring in Texas history--inside of a swingers club in Mineola, Tx. Onur, portraying a veteran reporter, interviews the actual defendants and lawyers involved in the trials. On his journey through the seedy underbelly of east Texas, Onur is forced to confront his own history with abuse while he discovers that the allegations at the root of his investigation might have never happened.
DAYLIGHT’S END – WORLD PREMIERE
Director: William Kaufman
Country: USA, Running Time: 105min
Shot in Dallas and points ranging from East Texas to the West Texas town of Rio (pop. 3) along the famed Route 66, the film is a hard driving action-horror-thriller starring Johnny Strong, Lance Henriksen and Louis Mandylor. It focuses on a rogue drifter who's on a vengeful hunt, years after a mysterious plague has devastated the planet and turned most of humanity into blood-hungry creatures. When he stumbles across a desperate band of survivors in an abandoned police station, the drifter reluctantly puts his own thirst for blood on hold and agrees to help them defend themselves, only to realize that his mission of revenge and theirs may in fact coincide.
HONKY TONK HEAVEN: LEGEND OF THE BROKEN SPOKE
Directors: Brenda Greene Mitchell, Sam Wainwright Douglas
Country: USA, Running Time: 75min
George Strait, Willie Nelson, Ernest Tubb, Bob Wills, George Jones and Roy Acuff have all been regulars on stage at the world famous honky tonk, The Broken Spoke. With fifty years under its belt buckle “the last of the true Texas dance halls” has endured rapid urban growth and skyrocketing rents due to the passion and hard work of its charismatic, tenacious owners. More than a history of who played and when at this landmark venue, the film reveals a universal story about what it takes to maintain a family business in our increasingly corporate-driven society. Interviews include Willie Nelson, Jerry Jeff Walker, Dale Watson, James Hand, Jesse Dayton, the Waco Brothers and Alvin Crow.
OCCUPY, TEXAS – WORLD PREMIERE
Director: Jeff Barry
Country: USA, Running Time: 95min
OCCUPY, TEXAS follows a washed up Occupier (Gene Gallerano) who returns home after the death of his parents to find himself responsible for his two teenage sisters (Lorelei Linklater and Catherine Elvir) and his Texas-sized past. The cast also includes Janine Turner, Nikki Moore, Reed Birney, Paul Benjamin, David Matranga and Peri Gilpin.
SLASH
Director: Clay Liford
Country: USA, Running time 100min
Neil is an introverted, questioning high school freshman. His main social outlet is the steamy erotic fan fiction he writes about Vanguard, the brawny, galaxy-hopping hero of a popular sci-fi franchise. When his stories are exposed in class Neil is mortified, but the fearless, effortlessly cool Julia comes to his defense. An erotic fan fic writer herself, Julia pushes Neil to publish his stories to an online “adult” forum, where they quickly grab the attention of the site moderator, Denis. When Neil is invited to present his work at a comic con live-read event, he has to face the fact that Denis’ interest in him may be more than simply professional… perhaps like his own feelings for Julia.
TOWER
Director: Keith Maitland
Country: USA, Running Time: 96min
On August 1st, 1966, a sniper rode the elevator to the top floor of the University of Texas Tower and opened fire, holding the campus hostage for 96 minutes. When the gunshots were finally silenced, the toll included 16 dead, three dozen wounded, and a shaken nation left trying to understand. Combining archival footage with rotoscopic animation in a dynamic, never-before-seen way, TOWER reveals the action-packed untold stories of the witnesses, heroes and survivors of America’s first mass school shooting, when the worst in one man brought out the best in so many others.
UNTIL PROVEN INNOCENT
Directors: Jenna Jackson, Anthony Jackson
Country: USA, Running Time: 108min
In October 2006 a four-year-old from Corpus Christi named Andrew Burd died mysteriously of salt poisoning. His foster mother, Hannah Overton, was charged with capital murder, vilified from all quarters, and sent to prison for life. But was this churchgoing young woman a vicious child killer? Or had the tragedy claimed its second victim?
DOCUMENTARY SHOWCASE
THE ANTHROPOLOGIST
Directors: Seth Kramer, Daniel A. Miller, Jeremy Newberger
Country: USA, Running Time: 80min
THE ANTHROPOLOGIST considers the fate of the planet through the eyes of an American teenager, whose mother is studying the impact of climate change on indigenous communities. Environmental anthropologist Susie Crate drags her teenage daughter Katie along with her to the farthest reaches of the globe. Featuring commentary from Mary Catherine Bateson, daughter of famed anthropologist Margaret Mead, the film explores how human beings adapt to catastrophic change.
LIFE, ANIMATED
Director: Roger Ross Williams
Country: USA, Running Time: 89min
LIFE, ANIMATED tells the remarkable story of how Owen found in Disney animation a pathway to language and a framework for making sense of the world. By evocatively interweaving classic Disney sequences with verite scenes from Owen’s life, the film explores how identification and empathy with characters like Simba, Jafar, and Ariel forge a conduit for him to understand his feelings and interpret reality. Beautiful, original animations further give form to Owen’s fruitful dialogue with the Disney oeuvre as he imagines himself heroically facing adversity in a tribe of sidekicks. With an arsenal of narratives at his disposal, Owen rises to meet the challenges of adulthood in this moving coming-of-age tale.
LO AND BEHOLD, REVERIES OF THE CONNECTED WORLD
Director: Werner Herzog
Country: USA, Running Time 98min
In LO AND BEHOLD: REVERIES OF THE CONNECTED WORLD, the Oscar-nominated Herzog chronicles the virtual world from its origins to its outermost reaches, exploring the digital landscape with the same curiosity and imagination he previously trained on earthly destinations as disparate as the Amazon, the Sahara, the South Pole and the Australian outback. Herzog leads viewers on a journey through a series of provocative conversations that reveal the ways in which the online world has transformed how virtually everything in the real world works - from business to education, space travel to healthcare, and the very heart of how we conduct our personal relationships.
TONY ROBBINS: I AM NOT YOUR GURU
Director: Joe Berlinger
Country: USA, Running Time: 115min
TONY ROBBINS: I AM NOT YOUR GURU, Joe Berlinger’s twelfth feature documentary, captures internationally renowned life and business strategist and best-selling author, Tony Robbins, in a revelatory cinéma vérité film that goes behind the scenes of his mega once-a-year seminar “Date With Destiny," attended by over 2,500 people, to give an insider look at how one man can affect millions. Granted never before seen access, this film is an emotional tour de force, pulling back the curtain on Tony Robbins and unveiling the inner-workings of this life-altering and controversial event, the zealous participants and the man himself.
WEINER
Directors: Josh Kriegman, Elyse Steinberg
Country: USA, Running Time: 96min
With unrestricted access to Anthony Weiner's New York City mayoral campaign, this film reveals the human story behind the scenes of a high-profile political scandal as it unfolds, and offers an unfiltered look at how much today's politics is driven by an appetite for spectacle.
WORLD CINEMA
DEMIMONDE
Director: Attila Szász
Country: Hungary, Running Time: 88min
The story of three women - a famous prostitute, her housekeeper and their new maid - living in Budapest of 1910s, whose passionate, bizarre and complex relationship can only lead to one thing: murder.
DHEEPAN
Director: Jacques Audiard
Country: France, Running Time: 110min
Three Sri Lankan refugees pose as a family to flee their war-ravaged homeland for France, only to find themselves embroiled in violence in the Parisian suburbs. Winner of the Palme d’Or at the Cannes Film Festival, Jacques Audiard's (A PROPHET) latest is a gripping, human, and timely tale of survival.
DISORDER
Director: Alice Winocour
Country: France, Running Time: 101min
Vincent, a French Special Forces soldier just back from Afghanistan, is suffering from
a post-traumatic stress disorder. He is hired to ensure the security of Jessie, the
wife of a rich businessman at their luxurious villa “Maryland.” As he starts experiencing a strange fascination for the woman he has to protect, Vincent increasingly seems to fall into paranoia. Unless he is right, and the danger is very real indeed…
JOHNNIE TO’S OFFICE
Director: Johnnie To
Country: Hong Kong, Running Time: 120min
Adapted by actress Sylvia Chang from her hit stage play “Design For Living”, the film is a musical set in a corporate high-rise immediately before and after the 2008 financial collapse. The story centers around two assistants starting new jobs at a financial firm. One naively enters the world of high finance with noble intentions, while the other harbors a secret. Chow Yun-fat, Eason Chan and Tang Wei star alongside Chang.
KILL ZONE 2
Director: Cheang Pou-soi
Country: Hong Kong, Running Time: 120min
A undercover cop attempts to find the mastermind of a drug syndicate. When his cover is blown, he winds up in a Thai prison. Surprisingly, he is a bone marrow match for a guard's daughter.
LAST SUMMER
Director: Leonardo Guerra Seràgnoli
Country: Italy, Running Time: 94min
A sailing boat is at anchor in a bay off of a Apulian island. Naomi, a young Japanese woman, after having lost custody of her six year-old son, Ken, will be spending her last four days with him on board the boat of her father-in-law. In a hostile environment, Naomi faces the difficulty of approaching Ken under the controlling glare of the crew. Alex notices Naomi’s attempts to connect with Ken and eases his control, entering into conflict with the rest of the crew. When Naomi’s hopes seem lost Ken starts to take an interest in her, thus reducing the distance between them. The crew, in conflict with the captain, informs the boat’s owner. Alex, disobeying his employer’s wishes, takes Naomi and Ken to a beach where they can be alone and bond for the first time. Back on the boat, a timeless day magnifies the weight of their last goodbye and when Ken falls asleep, Naomi must leave. Watching the boat sail away, Naomi sees Ken for one last time wearing the mask she has made for him as a parting gift – the Japanese god of the sea.
MA MA
Director: Julio Medem
Country: Spain/France, Running Time: 111min
Academy Award®-winning actress and producer Penélope Cruz delivers an extraordinarily emotional performance in ma ma, the newest film from acclaimed director Julio Medem (SEX AND LUCÍA). Honoring the high melodrama of Pedro Almodóvar and Douglas Sirk, ma ma follows Magda (Cruz) as she experiences tragedies and miracles alike. Just as Magda is diagnosed with breast cancer, she meets Arturo (Luis Tosar), a devoted husband and father in the midst of unspeakable loss. Their chance encounter leads both down a path of strength, grace, love, and rebirth.
RIVER
Director: Jamie M. Dagg
Country: Canada, Running Time: 88min
In the south of Laos, an American doctor (Rossif Sutherland) becomes a fugitive after he intervenes in the sexual assault of a young woman. When the assailant's body is pulled from the Mekong River, things quickly spiral out of control.
TAKIM (THE TEAM) – U.S. PREMIERE
Director: Emre Şahin
Country: Turkey, Running Time: 102min
Takim tells the tale of street soccer players from all walks of life in Istanbul who come together to save their favorite soccer pitch from ruthless developers. The story is loosely based on the very real urban phenomenon happening in Turkey today as corrupt construction giants bully the poor to move out and build immense buildings in their wake. Turgay and Tufan are up against the wall when they are threatened by a construction company to sell their family land, which also happens to be an hourly rental soccer field. Facing eviction from the bank on a loan gone bad, and with no options left, the two turn to the only thing they know: Soccer. Now they must build a strong team and try to win a famous tournament for the prize money for the sake of both their family and their land, all in a matter of weeks.
VIVA
Director: Paddy Breathnach
Country: Ireland/Cuba, Running Time: 100min
Jesus is a hairdresser for a troupe of drag performers in Havana, but dreams of being a performer. When he finally gets his chance to be on stage, a stranger emerges from the crowd and punches him in the face. The stranger is his father Angel, a former boxer, who has been absent from his life for 15 years. As father and son clash over their opposing expectations of each other, Viva becomes a love story as the men struggle to understand one another and become a family again.
LATINO SHOWCASE
ALL THE COLORS OF THE NIGHT
Director: Pedro Severien
Country: Brazil, Running Time: 71min
Iris lives alone in a spacious apartment by the sea. The green horizon seems to distance it from the city in comfortable isolation. At nightfall, the place hosts known and unknown in a frantic party flow. Iris is the main attraction. But on a hung over morning, she finds a corpse in the living room. As in the distorted reflection of a crooked mirror, Iris feels repeating steps of her childhood friend, Tiara, a medical student involved in an accident that resulted in death in the past. Tiara plunges into a spiral of self-pity, sentimental emptying and violence. The case is well known in town and Iris does not want to become another ghost in this dark repertoire of stories. In ALL THE COLORS OF THE NIGHT, reality works as a dimension of imagination, memory and madness.
I PROMISE YOU ANARCHY
Director: Julio Hernández Cordón
Country: Mexico, Running Time: 88min
I PROMISE YOU ANARCHY follows two teenage lovers in Mexico City who become embroiled in the city’s illegal, narco-run blood trade. Newcomers Diego Calva and Eduardo Martínez Peña, non-actors the director found on Facebook, give outstandingly honest and committed performances as young lovers Miguel and Johnny. They skate with their friends through the chaotic neighborhoods of Mexico City, they revel in their blissful sexuality, and they make a bit of cash in the illegal blood trade. A contact hooks them up with some narcos—drug traffickers who need black-market blood, since they can’t go to hospitals—and it seems like a perfect way to make a lot of money. But the scheme goes off the rails, and Miguel and Johnny are in over their heads, their eyes opened too late to the truly disturbing underground network of clinics servicing those injured in the drug wars.
MAGALLANES
Director: Salvador del Solar
Country: Peru/Colombia/Argentina/Spain, Running Time: 109min
Taxi driver Magallanes (Damián Alcázar) supplements his meager earnings with a job taking an old man (Federico Luppi) out on daily excursions. This old man is now senile and frail, but he was once a much-feared colonel in the Peruvian military during its bloodiest years of conflict with the Shining Path insurgency. Magallanes was his subordinate. One day a woman enters Magallanes' cab. Celina (Magaly Solier) doesn't recognize Magallanes, but he remembers her very well. Many years ago, Celina was a sexual plaything for the Colonel, who kidnapped the young indigenous girl and held her captive in a hotel room for an entire year. Magallanes has a photograph to prove this — a photo he can use to blackmail the Colonel's affluent son (Christian Meier). But can this aging cabbie suddenly transform himself into an extortionist? Or is Magallanes, still in love with Celina after all these years, in over his head?
ROMANCING APRIL
Director: Joel Núñez
Country: Mexico, Running Time: 90min
A romantic comedy in which a male writer who writes under a female pseudonym falls for
a female journalist who writes under a male pseudonym. When love comes almost always takes us by surprise and nobody can object.
FAMILY FRIENDLY – SPONSORED BY WHOLE FOODS
LABYRINTH (1986)
Director: Jim Henson
Country: USA, Running Time: 101min
Teenage Sarah (Jennifer Connelly) journeys through a maze to recover her baby brother (Toby Froud) from a goblin king (David Bowie).
ODDBALL
Director: Stuart McDonald
Country: Australia, Running Time: 95min
The true story about an eccentric chicken farmer (Shane Jacobson) who, with the help of his granddaughter, trains his mischievous dog Oddball to protect a wild penguin sanctuary from fox attacks and in the process tries to reunite his family and save their seaside town.
DEEP ELLUM SOUNDS
A FAT WRECK – WORLD PREMIERE
Director: Shaun M. Colón
Country: USA, Running Time: 85min
A FAT WRECK tells the story of founders Fat Mike (of the legendary punk band NOFX) and his ex-wife Erin Kelly-Burkett, spanning the birth, growth, struggles, and survival of the Fat Wreck Chords label. Half inspirational story of chosen family and community, half debauchery and occasionally involuntary drug use, the film blazes exciting new ground in the cinematic genre of puppet-driven punk rock music documentary filmmaking. Arguably the best film in the history of American cinema featuring a dominatrix spanking a puppet.
MISS SHARON JONES!
Director: Barbara Kopple
Country: USA, Running Time: 93min
Dreams never expire, but sometimes they are deferred. MISS SHARON JONES! tracks the talented and gregarious soul singer of the Grammy-nominated R&B band Sharon Jones & the Dap Kings during the most challenging year of her life. Confronting a cancer diagnosis and her own self doubts, she works to again find her voice and salvage the career that once eluded her for 50 years.
PRESENTING PRINCESS SHAW
Director: Ido Haar
Country: Israel, Running Time: 80min
The true story of the incredible Princess Shaw and the enigmatic composer Kutiman, who discovers her from the other side of the world. By day, Samantha Montgomery cares for the elderly in one of New Orleans’s toughest neighborhoods. By night, she writes and sings her own songs as Princess Shaw on her confessional YouTube channel. Raw and vulnerable, her voice is a diamond in the rough. Across the globe, Ophir Kutiel creates video mash ups of amateur Youtube performers. Known as Kutiman, he is a composer, a musician, and a pioneering video artist embraced by the world of fine art. Kutiman “transforms sampling into a multimedia art”, whether at his home on a kibbutz in Israel or at a live performance at the Guggenheim in New York. Two strangers, almost 7,000 miles apart, begin to build a song. The film unfolds as Kutiman pairs Princess Shaw’s emotional performances in a beautiful expression of generosity and compassion, revealing the bonafide star underneath and her fight to never give up on her dreams.
A SONG FOR YOU: THE AUSTIN CITY LIMITS STORY
Director: Keith Maitland
Country: USA, Running Time: 97min
Packed wall to wall with the greatest music from Texas and beyond, with performances from Willie Nelson, Stevie Ray Vaughan, Ray Charles, Beck, Alabama Shakes, and Radiohead, A SONG FOR YOU: THE AUSTIN CITY LIMITS STORY is music to the ears of fans everywhere. This film highlights the PBS series’ evolution, proving that after 40 years, ACL is more relevant now than ever before. Featuring interviews with dozens of artists and fans, and untold insights from long-time producer Terry Lickona, A SONG FOR YOU transcends the TV show and gives audiences a front-row seat and backstage pass to the greatest performances of the longest running music show in television history.
MAVERICK
COLLECTIVE: UNCONSCIOUS
Directors: Lily Baldwin, Frances Bodomo, Daniel Patrick Carbone, Josephine Decker, Lauren Wolkstein
Concept by: Dan Schoenbrun
Country: USA, Running Time: 81min
Five of independent film’s most adventurous filmmakers adapt each other's dreams for the screen. A man and his grandmother hide out from an ominous broadcast. The Grim Reaper hosts a TV show. The formerly incarcerated recount and reinterpret their first days of freedom. A suburban mom's life is upturned by the beast growing inside of her. And a high school gym teacher runs drills from inside a volcano.
HOTEL DALLAS – U.S. PREMIERE
Directors: Livia Ungur, Sherng-Lee Huang
Country: USA/Romania, Running Time: 74min
Playfully mixing fiction and documentary, HOTEL DALLAS is a surreal parable of capitalism, communism, and the power of art. In the 80s, in the twilight of communist Romania, “Dallas” is the only American show allowed on TV. Its vision of wealth and glamour captures the imagination of millions. Among them are Ilie and his daughter Livia. He is a small-time criminal and aspiring capitalist; she is in love with the show’s leading man, Patrick Duffy. After communism falls, Ilie builds the Hotel Dallas, a life-size copy of the “Dallas” mansion. Livia immigrates to America, becomes an artist, and directs a film starring Patrick Duffy, as a soap opera character who dies in Texas and wakes up in Romania, in a hotel that looks just like home.
ORION – U.S. PREMIERE
Director: Asiel Norton
Country: USA, Running Time: 110min
In a future dark age, after civilization has collapsed, there are rumors and prophecies of a savior to come. A hunter fights to save a maiden from a cannibal shaman and searches for the world's last city. The film stars David Arquette and Lily Cole
SPECIAL PRESENTATION
E.T. THE EXTRA TERRESTRIAL (1982)
Director: Steven Spielberg
Country: USA, Running Time: 115min
A troubled child summons the courage to help a friendly alien escape Earth and return to his home-world.
Defrost – second episode
Director: Randal Kleiser
Country: USA, Running Time: 10min
After being cryogenically frozen for 30 years, Joan Garrison awakens to meet her aged family. The VR series stars Tanna Frederick, Bruce Davison, Harry Hamlin, Christopher Atkins, and Carl Weathers.
FAR FROM HEAVEN (2002)
Director: Todd Haynes
Country: USA, Running Time: 108min
The story - which crosses both sexual and racial lines - revolves around a privileged suburban family whose lives are filled with daily family etiquette, social events at the club, and an overall desire to keep up with the Joneses. The family is turned upside down when both husband and wife are faced with choices that not only create a gossip mill for the entire community but also change their entire lives forever.
LATE BLOOMERS (1996)
Director: Julia Dyer
Country: USA, Running Time: 107min
Who would’ve thought a little one-on-one could get a girl in so much trouble? When high school basketball coach Dinah Groshardt falls for school secretary Carly Lumpkin, the uproar reverberates from classroom to locker room, from the principal’s office to the PTA. A film about true love, tolerance, and naked basketball, LATE BLOOMERS redefines family values. A movie for everyone who believes it’s never too late to fall in love.
THE LIBERATORS
Director: Cassie Bryant
Country: USA, Running Time: 75min
Medieval art treasures seized by the Nazis go missing at the end of World War II. Were they destroyed in the chaos of the final battles? Or were these thousand-year-old masterpieces stolen by advancing American troops? For over forty years, the mystery remained unsolved. A true detective story, THE LIBERATORS follows a dogged German art detective through the New York art world and military archives to the unlikeliest of destinations: a small town on the Texas prairie. The film raises intriguing questions as to the motivations of the art thief and the whereabouts of the items that, to this day, remain waiting to be discovered.
SIGNS OF HUMANITY – WORLD PREMIERE
Directors: Willie Baronet, Tim Chumley
Country: USA, Running Time: 90min
Signs of Humanity is a documentary film that explores the inter-related themes of home, homelessness, compassion and humanity. Artist and professor Willie Baronet has purchased more than 1,000 homeless signs over the past 22 years, and he uses this collection to create installations to raise awareness about homelessness. During the month of July, 2014, Willie and three companions drove across the country, connecting with more than 100 people on the streets and purchasing more than 275 signs. Signs of Humanity is a film about that trip.
WHO’S AFRAID OF VIRGINIA WOOLF (1966)
Director: Mike Nichols
Country: USA, Running Time: 131min
History professor George (Richard Burton) and his boozy wife, Martha (Elizabeth Taylor), return late one Saturday night from a cocktail party at the home of the college president, Martha's father. Martha announces that she invited another couple, newly appointed instructor Nick (George Segal) and his timid wife, Honey (Sandy Dennis), over for a nightcap. When the younger couple arrive, the night erupts into a no-holds-barred torrent of marital angst and verbal tirades.
MIDNIGHT
ANTIBIRTH
Director: Danny Perez
Country: USA/Canada, Running Time: 94min
In a desolate community full of drug-addled marines and rumors of kidnapping, a wild-eyed stoner named Lou wakes up after a crazy night of partying with symptoms of a strange illness and recurring visions. Without being able to remember anything from the night before, she struggles to get a grip on the reality of her situation as unusual conspiracy theories begin to arise.
For more information and tickets go to the festival website here.
Sunday, March 6, 2016
Nightcap: Spring Festival Season is about to take over the world-literally plus Randi's links
The Spring Film Festival season is getting ready to bloom. No matter where you are there are fests to delight you and tickets are going on sale…
The Dallas Film Festival runs April 14 to 24th and it has a super line up including Johnnie To's OFFICE and WEINER on the disgraced politician Online ticket sales will be available for Dallas Film Society members beginning Monday, March 21 at DallasFilm.org, and will open to the public on Thursday, March 24. The physical Prekindle Box Office at Mockingbird Station will open on Thursday, March 31
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Tasmania’s Stranger With My Face International Film Festival will return for its fourth edition from April 14-17, 2016. All the information on this genre festival can be found here.
-
New Directors New Films starts March 16th. This annual retrospective films from New Directors is the place to see what maybe the next big thing. I'll have a ton of coverage starting next weekend (I've seen about 15 films already). I just want to say tickets are on sale so go buy some tickets. Information can be found here.
-
Tribeca has announced its first round of films and it looks great with new stuff from Sion Sono and Ben Wheatley among others. More is due to be announced Tuesday. There is no schedule announced but keep watching their site (and this one for more details). Individual tickets aren’t on sale yet but there are ticket packages.
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Kino is one of the best festivals in New York. It is also probably one of the most over looked. The over looked part is something even we at Unseen are guilty of despite covering it over the last three years.
Kino is quite simply the best place to see great films from Germany. Actually just great films period. I say that because I cannot I all honesty remember a single film that wasn’t good. That’s an amazing thing. The festival has bounced around the calendar the last couple of years but it seems to have landed right in April for good.
As of right now I’m not sure how much coverage we’re going to provide, it overlaps with the run up for Tribeca, but in all honesty you don’t need me to tell you what to see with Kino, it’s all good (No really sight unseen I’m telling you it is) so go see a film or six.
Tickets and more details are here.
-
Lincoln Center is running every film that Sam Peckinpah ever directed.The series is called Bring me the Head of Sam Peckinpah Its all here from first to last. If you’re fan of the man who is best known for reinventing on screen violence with THE WILD BUNCH or if you don’ know the man’s work its time to go and see his films on the big screen. Actually this is the perfect time to cleanse your palate of the idea of Sam and violence. He had more going on than blood. Actually if you’ve never seen his smaller films (ie not WILD BUNCH or STRAW DOGS) see any or all of the others because the effect of seeing them will alter what you think of him.
The series runs the end of the month and early April and tickets can be had here.
-
The annual look at documentary films that are something more than just documentaries, THE ART OF THE REAL is coming in April to Lincoln Center. They announced all the titles on Friday and all of the information is here. I have a long stack of films in the pile to watch so expect lots of coverage.
-
For those in Australia MONSTER FEST is coming in November. Yes I know thats a long way off but we are looking to cover it. Right now submissions are being accepted. For details go here
Can't make the fests? Keep reading because with luck we'll make you feel like you are there even if you're not.
-
And this week Rendez-Vous With French Cinema continues at Lincoln Center and we'll finally start dropping reviews
---
I’ve been asked by a friend to mention that the Cynthia Nixon headed JAMES WHITE is hitting DVD and home video on March 22
I have not seen the film but I’ve heard that Nixon’s performance makes the film a must see. Look for a review closer to time.
---
As this posts I may have seen my last film for the New York International Children’s Film Festival. I have a ticket for LITTLE DOOR GODS for next weekend but conflicts are rising up so that may not happen. I hope to pick up more films the last weekend (the 19th and 20th) if my schedule remains clear, so there maybe more coming…
…But if not I have to say this has been the best year so far. They really kicked ass. –If you’re free the next two weeks go see something.
---
And now Randi’s links
The most influential surf film ever
WHy doesn't Hollywood like Mexican films?
The Meaning of THE SCREAM
The quest to solve You Tubes strangest mysteries
Shackleton's reading list
Predator vs Marines 360
Deadpool marketing
on SPOTLIGHT
Pete Docter on INSIDE OUT
Lil Bub interviewed
21 JUMPSTREET meets MEN IN BLACK
The Dallas Film Festival runs April 14 to 24th and it has a super line up including Johnnie To's OFFICE and WEINER on the disgraced politician Online ticket sales will be available for Dallas Film Society members beginning Monday, March 21 at DallasFilm.org, and will open to the public on Thursday, March 24. The physical Prekindle Box Office at Mockingbird Station will open on Thursday, March 31
-
Tasmania’s Stranger With My Face International Film Festival will return for its fourth edition from April 14-17, 2016. All the information on this genre festival can be found here.
-
New Directors New Films starts March 16th. This annual retrospective films from New Directors is the place to see what maybe the next big thing. I'll have a ton of coverage starting next weekend (I've seen about 15 films already). I just want to say tickets are on sale so go buy some tickets. Information can be found here.
-
Tribeca has announced its first round of films and it looks great with new stuff from Sion Sono and Ben Wheatley among others. More is due to be announced Tuesday. There is no schedule announced but keep watching their site (and this one for more details). Individual tickets aren’t on sale yet but there are ticket packages.
-
Kino is one of the best festivals in New York. It is also probably one of the most over looked. The over looked part is something even we at Unseen are guilty of despite covering it over the last three years.
Kino is quite simply the best place to see great films from Germany. Actually just great films period. I say that because I cannot I all honesty remember a single film that wasn’t good. That’s an amazing thing. The festival has bounced around the calendar the last couple of years but it seems to have landed right in April for good.
As of right now I’m not sure how much coverage we’re going to provide, it overlaps with the run up for Tribeca, but in all honesty you don’t need me to tell you what to see with Kino, it’s all good (No really sight unseen I’m telling you it is) so go see a film or six.
Tickets and more details are here.
-
Lincoln Center is running every film that Sam Peckinpah ever directed.The series is called Bring me the Head of Sam Peckinpah Its all here from first to last. If you’re fan of the man who is best known for reinventing on screen violence with THE WILD BUNCH or if you don’ know the man’s work its time to go and see his films on the big screen. Actually this is the perfect time to cleanse your palate of the idea of Sam and violence. He had more going on than blood. Actually if you’ve never seen his smaller films (ie not WILD BUNCH or STRAW DOGS) see any or all of the others because the effect of seeing them will alter what you think of him.
The series runs the end of the month and early April and tickets can be had here.
-
The annual look at documentary films that are something more than just documentaries, THE ART OF THE REAL is coming in April to Lincoln Center. They announced all the titles on Friday and all of the information is here. I have a long stack of films in the pile to watch so expect lots of coverage.
-
For those in Australia MONSTER FEST is coming in November. Yes I know thats a long way off but we are looking to cover it. Right now submissions are being accepted. For details go here
Can't make the fests? Keep reading because with luck we'll make you feel like you are there even if you're not.
-
And this week Rendez-Vous With French Cinema continues at Lincoln Center and we'll finally start dropping reviews
---
I’ve been asked by a friend to mention that the Cynthia Nixon headed JAMES WHITE is hitting DVD and home video on March 22
I have not seen the film but I’ve heard that Nixon’s performance makes the film a must see. Look for a review closer to time.
---
As this posts I may have seen my last film for the New York International Children’s Film Festival. I have a ticket for LITTLE DOOR GODS for next weekend but conflicts are rising up so that may not happen. I hope to pick up more films the last weekend (the 19th and 20th) if my schedule remains clear, so there maybe more coming…
…But if not I have to say this has been the best year so far. They really kicked ass. –If you’re free the next two weeks go see something.
---
And now Randi’s links
The most influential surf film ever
WHy doesn't Hollywood like Mexican films?
The Meaning of THE SCREAM
The quest to solve You Tubes strangest mysteries
Shackleton's reading list
Predator vs Marines 360
Deadpool marketing
on SPOTLIGHT
Pete Docter on INSIDE OUT
Lil Bub interviewed
21 JUMPSTREET meets MEN IN BLACK
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