Showing posts with label Oxford Film Festival. Show all posts
Showing posts with label Oxford Film Festival. Show all posts

Thursday, May 7, 2020

Oxford FF Announces Films and Talks for Weekly Fest #3 (May 8-14) and new Art House Cinema Offerings

Oxford Film Festival Presents 3rd Virtual Film Festival Week (May 8-14)

Films showcased include Steve Collins’ quirky comedy I’VE GOT ISSUES,Garin Hovannisian’s I AM NOT ALONE, panel conversations, and Oxford FF’s “Hello Gorgeous” short films

Also announced are the latest slate of Oxford Film Festival’s Art House Cinema co-presentations
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The Oxford Film Festival’s 3rd Weekly Virtual Film Fest showcases include Steve Collins’ quirky deadpan comedy I’VE GOT ISSUES, which intertwines a handful of stories of people dealing with self-loathing, loneliness, death, discrimination, injustice, oppression, and the atom bomb – essentially trying to survive the pain of living in this cruel world. Garin Hovannisian’s I AM NOT ALONE is a documentary about Armenian politician Nikol Pashinyan and his role in the 2018 Armenian Revolution by walking across the country in protest against the corrupt regime in power at that time. A block of short films with the theme of “Hello Gorgeous” feature women and girls in moments of finding their voice and standing or place in the world and men negotiating a world in which the the male/female dynamic is not what it once was. Oxford Film Festival will also co-present a panel conversation with the University of Mississippi focusing on what’s ahead for film students as they continue to pursue their degrees throughout this pandemic.

“This week’s films as well as the featured panels share a universal idea and experience of dealing with a new situation or in some cases – a new world order,” Executive Director Melanie Addington said. “Sometimes the effort to sort things out can be wryly and darkly funny and sometimes it can surprise us and inspire us to reach goals we never previously thought we could attain. And sometimes, just talking about it and hashing things out can do us a world of good.”

Oxford Film Festival also announced a new slate of Art House Cinema screenings including Matt Wolf’s documentary SPACESHIP EARTH about the Biodome experiment in the 1990s which premiered at Sundance this year, the New York International Children’s Film Festival (NYICFF) Kid Flicks short film blocks, the environmental documentary MOSSVILLE: WHEN GREAT TREES FALL, which recently was an award winner at EarthxFilm, Emily Cohn’s clever and inventive sex comedy CRSHD, which premiered at Tribeca FF last year, as well as being an Opening Night selection at the Women Texas Film Festival, and Jessie Jeffrey Dunn Rovinelli’s LGBTQ+ drama SO PRETTY.

Information on all of the Oxford Film Festival Art House Cinema films can be found at https://oxfordac.eventive.org/welcome.


OXFORD FILM FESTIVAL 2020 3rd WEEKLY VIRTUAL FILM FEST
Films, events and descriptions

I’VE GOT ISSUES
Director: Steve Collins
Country: USA, Running Time: 92 min
I’VE GOT ISSUES is a unique comic world inhabited by sensitive souls trying to survive the pain of living in this cruel world. In a dead-pan, deeply empathetic tone, the film asks the big questions: “What are we supposed to do with all the hurt?” “What’s the point?” The film builds an answer out of intertwining stories of characters swallowed in darkness, yet still finding light.
https://watch.eventive.org/2020oxff/play/5e8f1f580ebd4f00297be173
Live Q&A set for May 8 at 8:00PM central time

I AM NOT ALONE
Director: Garin Hovannisian
Country: Armenia, Running Time: 93 min
On Easter Day 2018, a man put on a backpack and went live on Facebook to announce that he was beginning a walk across Armenia. His mission: to inspire a velvet revolution — and topple the corrupt regime that enjoys absolute power in his post-soviet nation. With total access to all key players, I AM NOT ALONE tells the miraculous true story of what happens in the next 40 days.
https://watch.eventive.org/2020oxff/play/5e9526ac59329500290fcdc9
Live Q&A set for May 14 at 8:00PM central time


Film Festival Strategy Panel
Panel conversation with top film festival programmers and veterans will lend insight into the tips and tricks filmmakers can utilize to have a successful fest run. Filmmakers will have an opportunity to talk to the curators and tastemakers who select films about what goes into the selection process and what they are doing now that the pandemic has shaken things up.

Moderated by film producer and programmer, Don Lewis (HOLY GHOST PEOPLE), participants will include Brian Murion (Montana FF), Kimberly Browning (Hollywood Shorts), Donna Kosloskie (Oxford FF), Lela Meadow Conner (Film Festival Alliance), Katie McCullough and Ian Bignell (Festival Formula), Rachel Morgan (Sidewalk FF), and Brighid Wheeler (Indie Memphis).

Film Festival Strategy Panel
https://watch.eventive.org/2020oxff/play/5ea7729abdd0370029642a03
Live conversation/panel set for May 7 at 12:00PM

Navigating Your Film Degree Through a Pandemic
University of Mississippi faculty and instructors from several departments discuss the challenges and suggest solutions for film students in the midst of pursuing their film degree during this pandemic.
Navigating Your Film Degree Through a Pandemic
https://watch.eventive.org/2020oxff/play/5ea7438e5e9ddf007d74ca44
Live conversation/panel set for May 14 at 4:00PM central time

Narrative Shorts – Hello Gorgeous
TRT: 65 min

BAD ASSISTANT
Director: Kyle Cogan
Country: USA, Running Time: 26 min
Devoted Hollywood assistant, Emilee Rank, is pushed to her limits when her boss, Parker Saint Garrett, requests help moving a dead body

GIRLS GROW UP DRAWING HORSES
Director: Joanie Wind
Country: USA, Running Time: 7 min
A woman explores gender roles, heteronormativity, and the life of her deceased grandmother through horses and other visual metaphors.

LABOR RELATIONS
Director: Karisa Bruin
Country: USA, Running Time: 7 min
In this satire, Emogen goes into labor at work and decides to keep right on working as she delivers a presentation and her baby at the same time.

MY TIME
Director: Giulia Gandini
Country: UK, Running Time: 6 min
A 12-year-old girl has her first period in class. Her skirt is stained red. She is next up to present her final paper in front of all of her peers. Will she find a way out of the “uncomfortable” situation?

SAME TIME NEXT WEEK
Director: Kalah Roberts
Country: USA, Running Time: 8 min
A frenzied first time mom attends a therapy session with her toddler in tow.

STOOD UP
Director: Cjay Boisclair
Country: Canada, Running Time: 5 min
Charming, loyal, and perpetually single Ben is tired of always being the best friend and wing-man. After deciding to shake things up, he agrees to a blind date. But, when things go awry will fate step in and keep him from forever being friend-zoned?

WHITE GUYS SOLVE SEXISM
Director: Christopher Guerrero
Countries: USA, Running Time: 6 min
Because of the Harvey Weinstein scandal, two men realize that all of their favorite movies are now sexist, leading them down a dark path of discovery.

Narrative Shorts – Hello Gorgeous
https://watch.eventive.org/2020oxff/play/5e9536f8109cec0031cdb05b
Live Q&A set for May 9 at 8:00PM central time


ABOUT OXFORD FILM FESTIVAL
The Oxford Film Festival was founded in 2003 to bring exciting, new, and unusual films (and the people who create them) to North Mississippi. The annual five-day festival screens short and feature-length films in both showcase and competition settings. The festival is a 501c3 not-for-profit organization. For more information, visit www.oxfordfilmfest.com.

Wednesday, April 15, 2020

Oxford Film Festival Announces Weekly Virtual Film Festival Series

Oxford Film Festival announces Weekly Virtual Film Festival Series

The first week will feature a salute to Oxford’s Johnny and Susan McPhail and a special presentation of Brandon Colvin’s LGBTQ drama A DIM VALLEY and a celebration of Mississippi produced documentaries

Oxford, MS (April 14, 2020) – The Oxford Film Festival announced plans for a Weekly Virtual Film Festival series showcasing films that were programmed for the 2020 edition of the popular film festival. Beginning with the first week, scheduled for April 24-May 1, the Oxford Film Festival will roll out a different series of films each successive week, with themed presentations, throughout the summer and fall as an initial alternative to film festival that was postponed from March.

Festival programmers, filmmakers, and special guests will moderate Q&As following the screenings which viewers will be able to see and participate in by submitting questions. The festival will also share a revenue split from the ticket sales for the virtual screening with the filmmakers themselves, adding a benefit for those films and filmmakers that is rare in the film festival world.

Executive Director Melanie Addington, said, “The Oxford Film Festival has become a vital showcase for independent film and filmmakers for close to two decades now, so rather than reducing the number of the films that routinely receive the benefits of having that platform, we decided to create these weekly presentations in lieu of a one-week online virtual film festival. We’re excited by the idea that we can give each film that much more of a focus. It is important for festival organizers to adapt in this pandemic to do what is best for their filmmakers as they are our partners and the only reason our industry exists. Coming up with a way to help our filmmakers during an uncertain time financially by sharing the proceeds from those screenings will add another key benefit that is critical at this moment. As we introduce this idea to help our filmmakers, we actively request that our industry also look to do what is best for the filmmakers as well.”

The festival signed the Seed&Spark 2020 Film Festival Survival Pledge to support filmmakers during this time with various waiving of usual festival rules. More on this can be seen here: https://try.seedandspark.com/film-festival-pledge/ and will be continued for the 2021 film festival.

The first week of films will be highlighted by the McPhail Block, a group of films featuring and celebrating Johnny and Susan McPhail, the prolific and beloved actors who call Oxford their home when they aren’t on a film set – which is rare. The films include; Thad Lee’s ALL THAT YOU LOVE WILL BE CARRIED AWAY, which is based on a Stephen King short story; the world premiere of Brian Whisenant’s Oxford community film, THE GOLDEN YEARS; Lorraine Caffery’s THE ROUGAROU; and Robb Rokk’s TRUTH LIES UPSTREAM, which was a finalist at last year’s Memphis Film Prize. Johnny and Susan McPhail and the directors of the films will participate in a Q&A moderated by Oxford FF’s Melanie Addington on Saturday, April 24. Lee will be donating his portion of the ticket sales back to the film festival as part of his agreement with Stephen King’s Dollar Baby arrangement.

On Saturday, April 25, Brandon Colvin’s A DIM VALLEY, part of the Oxford Film Festival’s LGBTQ Narrative Feature selections will screen as a one-day only exclusive for audiences in the United States. The film follows a curmudgeonly biologist and his slacker graduate assistants as they work through a summer research project deep in the Appalachian woods. However, while immersed in the project, they meet a trio of mystical backpackers who change their each of their lives in mysterious ways. Following the screening, filmmaker and Oxford FF programmer Brian Whisenant will lead a Q&A with Colvin and additional members of the film’s cast and crew.

Other presentations include MS Docs, featuring a pair of documentaries (GETTING TO THE ROOT and 70 YEARS OF BLACKNESS) exploring a myriad of issues regarding being black surrounded by whiteness, which will include a Q&A with the filmmakers on Saturday, April 25, which will be moderated by filmmaker and former Oxford FF award-winner Victoria Negri.
Passion Projects: Doc Shorts, is a largely international collection of films, including a pair of films from India as well as films from Australia, the UK, which will also feature a Q&A with the filmmakers on Sunday, April 26, which will be moderated by Oxford FF Executive Director Melanie Addington.

“We are very excited to be working with our ticketing partner Eventive who has been working night and day to create this exciting platform that is DRM protected, geoblock capable and safe and secure for our filmmakers,” Addington said. “But just as importantly, also visually pleasing and easy to use on any size screen.”

Tickets for each presentation (features or film blocks) are priced at $10.00 which includes a 24-hour rental period and exclusive access to the filmmaker Q&A. Various viewing packages are also available for the Virtual Film Festival series extending from now through the end of the year. Oxford Film festival is also working with sponsors and previous ticket purchase holders to extend their benefits to the virtual film festival.

Please go to: https://watch.eventive.org/2020oxff or see oxfordfilmfest.com for weekly updates along with social media.


OXFORD FILM FESTIVAL VIRTUAL SCREENINGS – APRIL 24-MAY 1

Oxford Film Festival Exclusive LGBTQ Presentation - April 25 only for USA audiences
A DIM VALLEY
Director: Brandon Colvin
Country: USA, Running Time: 92 min
A curmudgeonly biologist and his slacker graduate assistants muddle their way through a summer research project. Deep in the Appalachian woods, they encounter a trio of mystical backpackers who change their lives in mysterious ways.


McPhail Block – Available April 24-May 1 Globally
ALL THAT YOU LOVE WILL BE CARRIED AWAY
Director: Thad Lee
Country: USA, Running Time: 29:57 min
Based on a Stephen King short story, the film follows a salesman, whose love of bathroom graffiti may save his life on a cold, dark Nebraskan night.

THE GOLDEN YEARS World Premiere
Director: Brian Whisenant
Country: USA, Running Time: 15 min
Mabel and Norman have been together so long they know everything there is to know about each other. Or do they?

THE ROUGAROU
Director: Lorraine Caffery
Country: USA, Running Time: 13:08 min
A father tells his daughter a cautionary tale to keep her out of trouble.

TRUTH LIES UPSTREAM
Director: Robb Rokk
Country: USA, Running Time: 14:54
Two fishing buddies: One searching for long lost answers and the other – bent on revenge.


MS Docs – Available April 24-May 1 Globally
GETTING TO THE ROOT
Director: Je'Monda Roy
Country: USA, Running Time: 23:50 min
Our hairstyles reflect our daily experiences and choices. Whether our afros, curls, sew-ins, dreads, and box braids are accepted in this white society or not, it reflects our identity as black women. It’s more than just hair. Our hairstyles tell stories – stories of resistance and struggle as we navigate through this society and everyday we’re getting to the root of it.

70 YEARS OF BLACKNESS World Premiere
Director: Christopher Windfield
Country: USA, Running Time: 29:51 min
Verda Byrd has lived her entire life as a black woman. Then, at the age of 70, Verda made a shocking discovery. She was adopted and her biological parents were actually white.


Passion Projects: Doc Shorts – Available April 24-May 1 Globally
LES World Premiere
Director: Olivia Bernhardt Brogan
Country: UK, Running Time: 5:21 min
A hand-built bird shed at the end of a garden reveals a lifetime of devotion and sacrifice.

THE LOOP U.S. Premiere
Directors: Johanis Lyons-Reid, Lorcan Hopper
Country: Australia, Running Time: 19:22 min
An absurd journey into disability, authorship, and representation.

SINGING OUT
Director: Mary Stanton Knight
Country: USA, Running Time: 8:44 min
Oxford-based musicians Morgan Pennington of And the Echo and Mattie Thrasher are living life in the spotlight. In this film, they both share what it’s like to be openly gay in a small Mississippi town.

THE TIMEKEEPER
Director: Sohil Vaidya
Country: India, Running Time: 5:15 min
A man desperately seeks to preserve his life long passion for creating analog clocks in an era of digital totality.

TUNGRUS
Director: Rishi Chandna
Country: India, Running Time: 12:54 min
In a cramped apartment in Mumbai, a meat-eating family considers eating their hell-raising pet rooster, so that they can reclaim their normal lives.


ABOUT OXFORD FILM FESTIVAL
The Oxford Film Festival was founded in 2003 to bring exciting, new, and unusual films (and the people who create them) to North Mississippi. The annual five-day festival screens short and feature-length films in both showcase and competition settings. The festival is a 501c3 not-for-profit organization. For more information, visit www.oxfordfilmfest.com.

Wednesday, December 7, 2016

THE 2017 OXFORD FILM FESTIVAL ANNOUNCES FULL SCHEDULE FOR THE 14TH EDITION OF THE FILM FESTIVAL (FEBRUARY 15-19)

Earlier this year a good friend put the Oxford Film Festival on my radar with the result I had one of the best times I've ever had interacting with a festival in the seven years of doing Unseen Films. I had such a blast that I tried to book flights to the festival this year but couldn't get the flights to line up so I could keep my day job.  I'm working on trying to get off for the 2017 edition... we'll see.

In any case earlier today the festival formally announced their whole slate. The schedule has been up but at last they put it all into a press release that was easily digestible.

(If you are reading this on the front page of Unseen click on the read more link to see the full list of films)



KATHERINE DIECKMANN'S “STRANGE WEATHER” ANNOUNCED AS OPENING NIGHT SELECTION, WITH JEFF GRACE'S “FOLK HERO & FUNNY GUY” SCREENING ON CLOSING NIGHT

KEIR BURROW'S "ANTI MATTER" MAKES NORTH AMERICAN PREMIERE; WORLD PREMIERES INCLUDE MICHAEL WILLIAMS'S “THE ATONING,” MEAGAN HARKINS’S “JOEL BLASS,” AND MARK NEWTON’S “KUDZU ZOMBIES”

Oxford, MS (December 7, 2016) – The 2017 Oxford Film Festival (February 15-19) has announced the full schedule of films for next year’s edition of the popular film festival. Katherine Dieckmann’s drama STRANGE WEATHER, starring Holly Hunter, Is the Opening Night Selection while Jeff Grace’s festival hit, FOLK HERO & FUNNY GUY, serves as the Closing Night selection.

A total of 151 films (34 features, 117 shorts, music videos, new media, and virtual reality projects), including 15 world premieres and 4 U.S. premieres, were selected for the film festival taking place February 15-19, 2017, in Oxford, Mississippi. Along with the films in competition, the festival will be highlighted by three new sections: New Media, a virtual reality (VR) slate of programming, and both features and shorts sections featuring LGBTQ films.

Narrative feature films in competition this year include: Josh and Miles Miller’s ALL THE BIRDS HAVE FLOWN SOUTH; the North American premiere of Keir Burrows’s ANTI MATTER; Victoria Negri’s GOLD STAR; Ian MacAllister-McDonald’s SOME FREAKS; and Erica Fae’s TO KEEP THE LIGHT.

Documentary features in competition include: Stephen Apkon and Andrew Young’s DISTURBING THE PEACE; Andrea Kalin’s FIRST LADY OF THE REVOLUTION; Nicholas Edwards’s SEA GYPSIES: THE FAR SIDE OF THE WORLD; and Lara Stolman’s SWIM TEAM.

The presentation of the Oxford Film Festival’s Hoka Awards will take place on Saturday, February 19 at the Powerhouse (413 South 14th Street)

Oxford Film Festival Executive Director Melanie Addington said, “The Oxford Film Festival is always looking to continue to build and grow based on past successes, the new interests of our audiences, and as a reaction to the changing world around us. This year’s programming – with the expansion of our virtual reality and new media sections, as well as the addition of the LGBTQ features and short film sections – demonstrate that. Those sections, combined with very strong competition films and another strong showing from our local Mississippi filmmakers, have us counting the days until February.”

Dieckmann’s STRANGE WEATHER, filmed in Mississippi, stars Holly Hunter as a mother who, in an effort to deal with the grief over the death of her son, enlists her friend to help her find some answers regarding his death by traveling the back roads of the deep south. Jeff Grace’s comedy, FOLK HERO & FUNNY GUY, stars Wyatt Russell and Alex Karpovsky in the title roles about a popular singer (Russell) who convinces his comedian friend (Karpovsky) to go on tour with him in an effort to break him out of his depressed rut.

Additional highlights include a competitive virtual reality section featuring two world premieres – Jianbo Gao’s BACK TO THE SUMMER, where the viewer experiences an old man’s recollection of a special summer in his past spent with his now deceased wife; and Oliver Chen and Lubomir Kobomir Kocka’s SAY IT WITH MUSIC, where the viewer gets an immersive experience of being in the middle of a restaurant brought out of its monotony through the power of music. The new media competition is led by two U.S. premieres – the 3rd Episode (“Crossing Over”) of Ant Horasanli’s action series PETROL, about the exploits of a group of getaway drivers; and Kaihei’s WELCOME TO THE THEATER COMPANY, which follows the chaos that transpires when someone shows up to a meeting of new members of a theater group that has no actual interest in the theater.

The brand new LGBTQ sections (features and shorts) are led by Tom Gould and John Serpe’s THE HAPPYS, starring Janeane Garaofalo, where a young woman attempts to negotiate a dubious deal with her new boyfriend after catching him with a man; Michael McIntee’s documentary HOW LOVE WON: THE FIGHT FOR MARRIAGE EQUALITY, which follows the battle for same-sex marriage.in the state of Minnesota; and Julie Sokolow’s WOMAN ON FIRE, about the difficulties that ensue as a third-generation firefighter transitions from male to female in her father’s workplace.

The Mississippi Films Competition includes the world premiere of Michael Williams’s THE ATONING, about a family dealing with personal demons as they encounter a haunting by ghosts; Navid Sanati’s drama DON’T COME AROUND HERE, about a young man who returns to the home he ran away from years ago to confront a devastating secret he has been hiding since he left; and Wolfgang Pfoser-Almer and Stefan Wolner’s LATE BLOSSOM BLUES, about an old Blues and Gospel singer who teams with a Gulf War veteran management rookie to take the Blues world by storm.

Special Screenings and Presentations are highlighted by the world premiere of Meagan Harkins’s JOEL BLASS, about the army captain, attorney, Mississippi legislator, and Mississippi Supreme Court Justice; Raoul Peck’s Spirit Award nominated documentary I AM NOT YOUR NEGRO, about writer James Baldwin’s unfinished novel, Remember This House; Maisie Crow’s award-winning documentary on the abortion issue, JACKSON; the screening of the harrowing classic drama, MIDNIGHT EXPRESS, along with Sally Sussman’s documentary, MIDNIGHT RETURN: THE STORY OF BILLY HAYES AND TURKEY, with Billy Hayes in attendance; as well as the previously announced 20th Anniversary screening of Kevin Smith’s indie hit CHASING AMY, with the film’s star, Joey Lauren Adams, and other special guests in attendance; Malcolm Ingram’s landmark LGBTQ documentary SMALL TOWN GAY BAR; and the world premiere of Mark Newton’s locally shot horror/comedy KUDZU ZOMBIES, with several of the cast and crew on hand.

Festival passes and tickets can be purchased at: https://www.eventbrite.com/e/2017-oxford-film-festival-tickets-28731287053.



Sunday, February 21, 2016

Missing Girl (2015) Oxford Film Festival 2016

I'm not quite sure what to make of this film.  Going in there was a great deal of buzz from friends and colleagues raving about how great the film was. Its a film that I had to make an effort to see after my initial attempts were met with misfortune. And now that I've seen it I'm kind of at a loss to know why everyone was falling all over themselves about the film.

The plot of the film has to do with late bloomer Mort who owns a comic shop in a small town. He works with Ellen whom he hired three weeks before.  Ellen is an aspiring artist who seems kind of sweet on Mort, who doesn't know what to do, since its clear he is interested in her as well.

Rambling attempt at a slice of life at a comic shop kind of just lays there. The characters are sort of there but what they are given to do doesn't amount to a great deal. Things ramble around in exactly the way things don't in real life. Its not bad, actually some of the exchanges are pretty witty, but none of it is real. The easiest way to explain it is that the film plays like some one connected up a whole bunch of  small inde comic chapbooks. Its separate pieces not a whole story.

Actually the central setting of  the film, the comic book shop never feels real. Its as if the film the director wanted to make an off beat romance and set it in a comics shop to achieve that.The problem is that its written by someone who really hasn't spent any time in a comics shop. I saw this with Eden, who writes on comics and even helps run the SPX comic convention and she was completely apoplectic with how wrong it was  She walked out about half  way in  never to return.

In discussing the film afterward I had said to Eden that I liked the character of Ellen but that she seems to have been lifted from another film. Eden pointed out that the reason I liked her was that she embodied the wish fulfillment of most comic geeks, she is the ideal woman that most male comic fans wanted as their girl friend, smart, loves comics, and sexy enough to have been a stripper. She was dead right.  Ellen is a great character, or would be in another film, but here she simply plays like something that is too much too perfect to be real and probably written by a guy who doesn't really know women.

This isn't a bad film, its just not a great one. its an okay one.

One of the very few disappointing films at the Oxford Film Festival

Spaghetti Man (2015) Oxford Film festival

SPAGHETTI MAN would have been a great sketch on SNL or some other comedy show, but as a feature film it is pushing it. Actually it would have been a better film had the main character been a less of a douchebag slacker jerk, but that’s not my call.

The most basic of plots has our hero fumbling to find a job. He’s fired from a pizza job because he eats the pizza on the way, he can’t get a job because his resume is written on torn out page of a spiral notebook in bright blue marker. When he eats a bowl of spaghetti that was microwaved oddly he is suddenly able to throw spaghetti from his hands like Spiderman flings webs. (He also pees spaghetti but that’s a stupid joke that dies on the vine.) After a trip to the doctors prove useless he stumbles upon the idea of becoming a masked crime fighter for hire.

And that’s about it. We get some variations on the theme and there are some plot twists but it never really rises above that level. I just watched the film and stared at the screen for an hour and occasionally doodled in my notebook. I say I watched it for an hour because an hour in the screener I was given stopped working. After failing to get it to work I started to email about getting a new screener---and then I realized two things: first I didn’t have it in me to watch the film over again from the beginning but secondly and more importantly I really care what happened in the remaining half hour. As it was I was only watching the film out of reviewers obligation, Had I been doing it on my own time I would have shut it off fifteen minutes in and never mentioned it.

I know it sounds like I hate the film, I don’t. Its reasonably well made, it has some good performances. It has some good stuff in it- but over all it’s just meh. This is the sort of film that you’d watch on a night where there was nothing you’d want to watch and you’d begrudging watch it until to you found something else to watch and never come back to it.

Now that I’ve reviewed it I never have to come back to it

For tickets and more information go here

Saturday, February 20, 2016

FORCED MOVE (2016) Oxford Film Festival 2016

FORCED MOVE is being billed as a thriller where a man on a jog finds evidence that killers are moving through his neighborhood and is going to be soon targeting his family. The trouble is that the advertised part of the plot is really part of the second half of the film. Before that we have a slog through a family drama as our hero tries to repair his marriage.

How do I talk about this film? I'm not sure.

Frankly I am at sixes and sevens about this film. There are some really good performances here and there are some really good scenes but I'm not sure that the film completely hangs together. The film is trying to do too much with essentially three story lines coming together at the end, the collapsing marriage, the bad guys and the cop hunting for them, Its a great deal to be juggling in a film that runs around 75 minutes.

This is not a bad film, it is actually a good little film, the problem is plays very much like many other tiny budgeted films. There is nothing here that really makes it stand out. (Though I would love to see a longer cut)

For tickets and more information go here

Friday, February 19, 2016

Oxford Shorts go experimental

A collection of short films with an experimental bend. Most of these need to be seen on a big screen in the dark for maximum effect.  If you want you mind bent, these films will do it

RIVER MOON BLACK BIRDS (2016)
Avant Garde documentary combing images from hurricane land falls over five years around the country. Its a hypnotic little film that would be perfect for the New York Film Festival Avant Garde/Experimental side bar.

PHANTOM LIMBS (2015)
Absolutely awesome-in the truest sense of the word- music video involving created by manipulating MRI scans to make impressionistic landscape.

THE PLASTIC BAG (2016)
Two people have an encounter with a plastic bag. Its a minute and I can't say more than that

A PLACE WITHIN A PLACE (2015)
A very trippy and hypnotic collection of cicada exit holes edited together to form something you could probably use to hypnotize someone with.

cyberGenesis (2015)
Crowd sourced animated creation myth for the current age has some really cool visuals but kind of runs out of steam about half way in. I'm not sure it does what it sets out to do and much of the imagery kind of feels flat, as if its for the screen of a monitor instead of creating a real place or space.

EL PORTAL (2015)
Portrait of a motor lodge outside of Yosemite national park combining current footage with video shot when the director was ten. And it will either thrill you or strike you as an odd home movie or both.

ANATOMICAL GIFTS (2016)
Odd silent film made up of medical images from the director, her mother and grandmother. All I'll say is the brain is disturbing

SWALLOWED WHOLE (2015)
Impressionistic portrayal of an injury and the aftermath of isolation. An interesting experimental film with some striking imagery. I greatly like the feeling of isolation the film creates.

ON SURGERY (2015)
Experimental film created by scratching off the emulsion of raw film. Its supposed to be a representation of bone surgery via film but I'm not sure I see it. On the other hand as a trippy little film that takes you somewhere else forcibly its pretty cool.

For more information on the films and tickets go here

Oxford Film Festival Shorts Get Animated

This is a collection of animated shorts that really rocks. The visuals of pretty much all of them are breathtaking and the story telling is first rate. It also has one of thr greatest animated robots in film history in HUM. At the same  IRAQI SUPERMAN is one of the most crushing films of the last decade.

A must see collection.

THE SEAFARER AND THE MOONLIGHT (2015)
A viking fights a sea monster in a wickedly cool animated film that appears to have been created using paper cutouts. The imagery really impresses. I suspect it was all done digitally (there is a digital studio logo at the end) but even so effort that went into making this film is just incredible.

HUM (2015)
A dish washing robot longs to get outside to the world. Add this little guy to the list of great movie robots. This film will move you- and make you wish it went on just a bit longer....Guaranteed to be on my year end best of 2016 list

ARAINGEE (2016)
Two spider's compete at making webs.  Its very cute with a denouncement that is just a tad ghoulish.

OLILO (2015)
Introverted girl trapped in her own space finds the transforming power of love. A sweet little film

GOLDEN SHOT (2015)
Robots living in small houses and powered by light dream of going to fly to the sun. Its got a truly unique look but the ending...kind of deflated my feelings for the film

THE CRAWL AMONGST US! (2015)
Animated documentary told from the vermin of New York City. Think of CREATURE COMFORTS in a New York Style

IRAQI SUPERMAN (2016)
A bullied young boy invents a jet pack so he can go rescue his father from Abu Ghraib. Beyond heartbreaking. I don't want to talk about it.(That's a rave by the way)

For ticket and more information go here

Thursday, February 18, 2016

The Keepers (2015) Oxford Film Festival


THE KEEPERS is a really good look at the keepers at the Memphis Zoo. It’s an up close and personal look at the women and men who spend their days care for the various animals.

I loved this film a great deal. I really don’t have much to say beyond that. Some films are just that good. Why do I love it so? Because it does what many great docs do which is show us great things, have us meet great people and tell us things we didn’t know. I love the images of the animals, in particular the up close and personal shots of the giraffes. I’m not a huge fan of giraffes, but seeing them in this film was just damn cool. I loved the one zoo keeper who talked about winning a debate for evolution despite being a creationist because she did research. There is this wonderful moment where she simply says you can’t just say because the Bible says so, even though that’s what she believes. I also loved her later honest remark that because she gives so much time to the animals she has very little time for learning how to act around people.

This is a great little film and if you love animals you must see it.

For tickets and more information go here.

Archie's Betty (2015) — Oxford Film Festival 2016

Gerald Peary's look at Archie comics and in particular an exploration of whether the comics are based in reality and if the comics have real world counterparts. The film is an expansion and re-investigation of a 1988 article that Peary had put together.

The not so much spoiler reveal is that the film does find that the comic does have real world counterparts. The people and places in the film come from original artist Bob Montana's life. The characters are, for the most part people from Haverhill High in Massachussetts. Montana moved around a great deal for most of his childhood and but he found a home at Haverhill and it stuck with him once he started drawing comics.

The official story of where the comic came from different than what is presented here. The publisher of Archie Comics says that the comics was created by John Goldwater, but what this film reveals is something much more complex. Archie in many ways has many fathers. On the other hand Bob Montana's friends and home town formed the framework over which it was all hung.

What makes the film stand out is more than simply trying to work out who Archie's Betty really was, Peary's original research as to who that was is found to be incomplete. Rather the film's strength is that the film investigates why the Archie comics have been kicking around for over 70 years. The reason for it appears to be a combination of humor and a portrait of America that many people could latch on to. As several people said the comic helped them assimilate into society, both Americans who felt as though they were outsiders but also for people coming to America.

This is a really good little film. Its a wonderful look at a cultural institution that shows little sign of slowing.

For tickets and more information go here

Oxford Shorts: Stockholm, Night of the Slasher,Zero,A King's Betrayal and Red Thunder

A mostly good collection of shorts has one weakness, the big budgeted Ridley Scott produced ZERO which makes no sense what so ever even on its own terms. The rest are sly little comedies that will leave you smiling.

STOCKHOLM (2014)
A kid gives a school report about his father's occupation which is rather disturbing (the job not the report) because we see what the kid is referring to via flashbacks. A wicked little film that manages to remain funny from start to finish even when you know what the punch line is. Its the sort of film where its fine as is but at the same time you want to know more about the boy and his dad- which would obviously unbalance the film's logic, but at the same time this could go somewhere.

NIGHT OF THE SLASHER (2015)
Shot in one take horror comedy has a girl intentionally committing horror movie sins so a mad slasher will appear. Very funny send up of slasher film conventions is going to play best if you know the conventions going in. A perfectly timed film it stretches its premise as far as it will go and ends on a chuckle or two and makes you hope it they never try to make this into a feature film because its perfection would be ruined. As for the one take way of shooting, its clever but it adds nothing to the proceedings and isn't even noticeable until it's pointed out.

ZERO
As a gravity begins to shut down, a young boy goes in search of answers concerning his dead mother. Meanwhile his father tries to locate him.

This makes no sense what so ever. It would be okay if the film worked on it's own terms but it doesn't. Its a film that's all about making some point except that we aren't lead to it rather we are forced to go there in a dopey way.

A KINGS BETRAYAL (2015)
The life of a pinata from the pinata's POV.
Its as funny and as Twisted as the synopsis makes it out to be. Its really wrong-REALLY wrong, but damn it's funny

RED THUNDER (2015)
Sarah needs her moms car to go on a date, but her mom won't let her use it...so she takes the car and soon finds out her mother's secret. Amusing fluff piece covers well worn comics ground and is rather entertaining but the technical ability behind the camera really needs a better script next time.

For tickets and more information go here

Wednesday, February 17, 2016

Embers(2015) Oxford Film Festival 2016

The apocalypse has come and gone, the trouble is that most people don't remember it.

After some sort of neurological catastrophe most people's short term memory is gone.  The result is that people replay their lives over and over again. A young boy runs about in the ruins, a scientist tries to piece together his notes and what he knows,  and a pair of lovers wake up every morning not sure who the other is. Meanwhile a girl lives in a bunker locked away with her father, both of which still have their memories.

Thought provoking science fiction film is one of the hidden treasures of the Oxford Film Festival. Why isn't this film getting more notice? Why hasn't this film gone on to more people's radar?

This is a kick in the ass film that will get you talking and thinking and feeling. Its the sort of film  that you'll want to see a second time right after the first because you'll want to reconnect with the characters and with the ideas floating around. I want to see it again simply because I want to know how knowing the film's arc will affect my feelings at the start.

For me this is a great examination of isolation and being an outsider.Not having a memory means always trying to fit into a world that doesn't wholly make sense. How to we make the world make sense and find our place in it and what if we can't?

We also are faced with the intriguing question of what is love and destiny. Watching the semi-doomed romance play out over and over again forces one to ponder if we are indeed fated for some one or is it pure chance.

I haven't worked it all out yet and I won't until I see this a couple more times.

While I am in awe of this film and it's stunning reclamation of science fiction as a genre of ideas as opposed to space ships, ray guns and aliens, the film has a couple of problems, one minor, one a tad more serious. The least of the problems comes in a line about Miranda and her father being locked away for over nine years. That hardly seems possible owning to the state of the world outside. While I was fine with things being in ruins for an unspecified period of time, the inclusion of a date. All of the talk of time doesn't really work, but as I said it's incredibly minor.

The other problem is that the fragmentary nature of the narrative, the film is less one story than five or so inter related stories is kind of too much for things to feel completely smooth. Yes, the stories work, but the fact that they aren't one story makes things a bit bumpy.

Of course I shouldn't be complaining, especially when you have a a film that is otherwise a wonder of story telling and mind expansion. It is a film that quibbles or not is a masterpiece of genre and one of the best films you'll see all year.

One of my early favorites of 2016.

For ticket and more information go here

Oxford Shorts: The Cut, Living with HIV, Fiddler's Green, Bookin, Mo' Bout Joe

A mixed collection of shorts includes one of the best of the fest, THE CUT, with some others that have their moments.

THE CUT (2016)
Truly great portrait of a hairdresser named Rodrigo who tells us his philosophy of life, of cutting hair and human nature.One the truly great films of the year. A perfect blending of image, music and dialog. I would love the film to be longer but I have no idea how it would ever work because Rodrigo says his piece and gets off and we are so much better as human beings for having seen it.

LIVING WITH HIV (2014)
Television documentary about the AIDS crisis in the deep south and Mississippi in particular where 80% of new cases involve people of color.  A good informational film but much too clinical and official to be truly compelling. For me other similar films such as WILHEMINA'S WAR which premiered last year at DOC NYC or DEEP SOUTH which played Human Rights Watch Film Festival in 2013 are much better looks at the problem and may actually move you to do something.

FIDDLER'S GREEN
A music video for Cary Hudson's song Fiddler's Green which concerns the place you go when you're not goo enough for heavan nor bad enough for hell. Its a lovely song and the visuals are largely Hudson performing it with a fiddler.

BOOKIN (2015)
Two ballet dancers meet two jookers and talk about the differences in their dance styles. Then they dance together at a juke joint. I'm of two minds concerning the film. The opening discussions and explanation of the dancing and the music is very good but running about 13 of the films 18 minutes it's too much. The dance piece, when it finally comes together is stunning though much too short. I really wish the film had either been just the dancing or had instead had an equal amount of just dance.

MO BOUT JOE
Portrait of outsider artist Joe Wren. Its a look at  how his art documents the events of not only his life but also of the community in Mississippi in which he lives. Its an excellent look at a man and his art as well a really good introduction to what outsider art is and it's importance not only artistically but culturally as well.

For tickets and more information go here

Tuesday, February 16, 2016

Dude Bro Party Massacre 3 (2015) Oxford Film Festival 2016

If you grew up on bad horror films from the 1980's this film will make you nostalgic as you doubled over in hysterical laughter.

The film is set up as a home video recording of a film allegedly lost to time. The film was supposedly banned by order of President Reagan, but saved because some one recorded a late night TV showing. The film follows what happens when the twin brother of one of the characters in the earlier films (which don't exist) switches colleges and pledges at his brothers old fraternity in the hopes of catching his brother's killer- a deadly woman known as Motherface. Motherface wiped out two previous groups of frat boys partying in the woods.

This is a send up of every slasher film and pretty much every horror cliche you can think of.that came out of the 1980's. Having suffered through way too many of the films its sending up I spent a good amount of time doubled over in laughter as I watched the mayhem unfold. They got it note perfect.

To be honest when the film started and the films retro shot on home video look came on to the screen I was groaning because I suspected that this was going to be one of those films that thought it was clever, but wasn't. I figured it was going to use degraded video imagery to cover up all sorts of flaws. I thought it would be rife with errors and attempts at making things seem old, Instead the film started to get all of the the little things right. The film looks and feels like an 80's film filtered through a modern lens. Other than the an occasional out of place line, the film is dead on, including a joke about not saying Fuck (which is a riff on a joke in a 1981 film called STUDENT BODIES). Yes there is a silliness to the performances, but if you've seen what they are sending up they aren't that far off. (and hell they even bring in some stars (Patton Oswalt, Nina Hartley and Larry King) for fleeting cameos)

The film is a a bloody delight. Blood and body parts flow copiously, always to laughable effect. People don't bleed they shoot geysers of blood. And no one dies normally, they die in ridiculous manners.

This is one of the funniest horror comedies in years.

If the film has any flaw it's that 102 minutes the film kind of runs out of steam.

Absolutely a must see for horror fans and for those who love to laugh and don't mind gore.

The film plays Saturday night at the Oxford film Festival. For tickets and more information go here.

It also can be purchased at the films website

Oxford Shorts: Vancouver Zoetrope, Til Death, Spearhunter, Life is SuperGr8

A seeming odd mix of shorts come together to give us much to think about and ponder on subjects we probably never considered before.

Vancouver Zoetrope (2016)
Absolutely beautiful short about the Burrard Bridge which when crossed at speed creates the illusion of the hand rails disappearing. An absolute must see on a big screen

Til Death (2016)
On a dark and stormy night a prospective groom brings home his fiance who was killed out side of the church just before their wedding. Its a ghoulish little confection that doesn't go as expected- which makes it worth watching and incredibly memorable. And hats off to the sound guys who give us some truly creepy sound effects.

Spearhunter (2015)
Portrait of Gene Morris who had the law changed in Alabama so he could spear hunt (bow and rifle hunting bored him). He was an egotist and set up a museum to himself. The film amused the hell out of me, even if it doesn't really seem to have a point.

Life is Super Gr8
Portrait of the SUper Gr8 film festival which invites filmmakers to use Super 8 cameras to make films. A great portrait of a festival and the artists who choose to push the boundries and use a seemingly out dated format to try and make something wonderful. It's the kind of film that makes me want to run and dig out my own super 8 camera and start making movies again

For tickets and more information go here

Monday, February 15, 2016

Searching for Hell (2015) Oxford Film Festival 2016

Hypnotic and visually overpowering film about Hell in various forms is an absolute must see on a big screen. I know the film is being billed as a virtual reality documentary but at the same time seeing this so big that you feel you can fall into it is a trip.

The film is a five part film, essentially made up of five short films by five directors which are connected by the idea of Hell as a place:

A HOLE TO HELL concerns a Soviet boring project in Siberia. They were trying to bore deeper than anyone had ever done before for geological reasons, however the town is named Hell and many believe he devil lived under their town.

POSCARD FROM HELL is about Hell Michigan. We watch as the residents deal with tourists. We also get to know the mayor who relates his near death experiences in Vietnam.

HOUSE OF THE DEMON is about a museum/shrine in Japan which was started after the founders near death experience caused him to try to do something to keep people on the straight and narrow. Its full of horrifying paintings and sculptures based on a 1000 year old Buddhist manuscript.

WELCOME TO KAWAH IJEN in Thailand. Here we watch as miners mine sulfur in a real world setting that looks very much like a scene from Dante’s Inferno

Lastly, FROM OUR NEST, and we are in the Congo and we watch, largely via still images and titles, the hell of real life for children in the real world. We watch as one child tries to locate his mother after being declares a sorcerer and then exploited by the adults around him.

This is a heady trip. There is a great deal to consider and after I was done watching it I wanted to start it all over again so I could really connect everything up in my head. I also wanted to see each part as a standalone film to see how the parts play on their own. Is the effect of each piece as forceful as when they are connected up as part of this modern day Inferno? I don't know and perhaps I don't want to know.

This movie blew me away. It wasn’t what I expected at any point. The start of each piece had me thinking it was going “oh this bit will be X”. And it was, for a bit but then each film flipped into something else and became something greater- which tied into the next bit which did the same thing. I love that the film completely changed and changed again over and over becoming something deeper and more thought provoking and more moving.

If you want to know what sort of film this is the best thing I can say is if you see this at the Oxford Film Festival don’t have anything scheduled after it because odds are you are going to want to talk about it for a long time afterward. It’s a film that will haunt you for a long time after you see it, coloring your world and your thoughts.

An gem of a film

For tickets and more information on the multiple Oxford Film Festival screenings go here

Dixie (2015) Oxford Film Festival 2016

Must see documentary on the history of the song "Dixie Land" aka "Dixie".

This is as complete a history of the song and it's impact as we are likely to see. The film's spine is the story of Daniel Emmett, the man who supposedly wrote the song, though as the film he may have simply been the one to bring it to prominence, since in  a grave yard close to whre Emmett is buried is a tombstone for Ben and Lou Snowden who are said to have taught Emmett the song. Off of the spine is hung the history of American music, the history of American entertainment and the influence of minstrel shows, the Civil War, American race relations and the efforts of  some performers to claim the song from the racists.  The film also ponders what exactly is Dixie anyway. The answer to that is not as simple as it seems.

This is a truly great documentary. Its film that operates on any number of levels from social history, to musical history to an examination of how we think about the people around us. Best of all its a film that you'll want to see a second or third time simply because you'll want to catch everything that the film is throwing at you.

One of the things I love about the film is it's exploration of  how the song is being reclaimed by performers today. I love how people like the Carolina Chocolate Drops are taking the song back from the racists, because as they say the song itself isn't racist it's only the connection to the Confederate South and the Klan that's the problem. How the film is being rehabilitated though reinvention makes for some wonderful musical moments.

You really should see this film. No, that's not right you really need to see this. You need to see this because in country struggling with who we are as a country and how we got here this film will give you a really big clue as to how we got here and help you to know where we should try to go next.

This film is a masterpiece of documentary filmmaking. It is also hands down one of the best films I've seen  or am likely to see in 2016 (or any year)

For your tickets and more information go here

Oxford Film Festival opens with some Food Short Films

Vish
Wednesday night the Oxford FIlm Festival starts with some food and films. The films have to do with food.

Why can't the Food Network do films like this?

OXFORD CANTEEN
Ford porn for people in Oxford.
Food porn period
Absolutely wonderful portrait of an eatery created out of a storage closet in the Lyric Theater.  Where food is served out a window and can be eaten on tables or taken home. It's largely owner/chef/creator Corbin Evans talking about his food.
Proof that simple storytelling is the best way to go sometimes.

CUT/CHOP/COOK
Portrait of Rodney Scott of Scott's B-B-Q in Hemingway South Carolina. Its available only a couple of days a week because Scott cuts the wood he uses as cook the meat. We watch as he goes through his process from start to finish and the love that goes into each step. The love and attention to detail is so worthwhile that he had to put up a sign to try and stop people from trying to get into his place before the 930am opening.
Awesome hunger inducing film .

HELEN'S BAR-B-QUE (HELEN TURNER PIT MASTER)
Portrait of Helen Turner of Brownsville Tennessee who runs her place largely all alone. Its a lovely portrait of a a woman who loves what she does and does some wonderful bar-b-que. Where other films in this series look at the cook and what they do this is more about the person, who is cooking as she talks.

VISH
A look at chef Vishwesh Bhatt of Snackbar in Oxford Mississippi. A short simple portrait of Vish and how he cooks. Less food porn then a statement of why and how he cooks,

For tickets and more information go here.

Sunday, February 14, 2016

The Oxford Film Festival starts this week

The Oxford Film Festival starts this week and it kicks serious ass.

And that's Oxford Mississippi, not England. I say this because until I was sent information on the festival I had never heard of it. But now I have and I'm seriously considering a trip for next year's festival (Actually I almost had a trip booked for this year but the planes didn't line up right on the flight home)

WHat has made me want to leave the New York area and travel toOxford Mississippi when place like Sundance, Cannes, SXSW or Toronto beckon? Simply put this is one of the best programmed festivals I’ve run across. The selections are first rate and while there are a few films I wasn’t thrilled with, I loved most of them and there are a couple which I’ve already put into my notes for end of year honors. Seriously they are that good---and best of all everyone I've talked with is incredibly nice and I want to hang out with them in person (That's both festival organizers and filmmakers)

To be honest I haven’t seen everything. There are too many films and I didn’t have time., however I think I’ve seen about a third of films and I would glad see the rest if there was time- but there isn't.

What should you see besides everything?  Well these are my picks:

John Wildman’s glorious throwback horror film LADIES OF THE HOUSE is a must see. One of last year’s bumper crop of great horror films it’s a masterpiece that demands to be seen, especially on the big screen with a lot of people. I reviewed the film back in May of last year (the review is here) and I did massive interview with John and his partner in crime and other things Justina Walford that covered not only the film but horror and independent film production and tons more. The first part can be found here and it’s a must read.

John is also doing a panel on how to get word out on your film. That may sound like a specialized thing but knowing John for several years and having interviewed him I’d bet the farm it’s going to be interesting for anyone and everyone, with lots of stories (Ask him about all of the famous people he’s worked with and then sit back and listen)

Let me say something that almost never happens at a festival and let you know that  pretty much all of the shorts are worth seeing. One big budget film aside, all of the short that are screening are worth trying and even if one is a clunker they are all playing with such good films around them you can't go wrong.

Feature film wise my top picks of what I've seen are:

DIXIE is one of the best films of 2016 for me. Its a look at the song and its influence on culture and history

DUDE BRO MASSACRE is another great film I've seen in 2016. Its a wicked send up of 1980's slasher films (and TV) that gets everything right- and is very funny and another film I will be talking about at years end- and all the months before that as well.

EMBERS is a science fiction masterpiece about an apocalypse that involves everyone  the world losing their memory. This is the very definition of intelligent science fiction and a must see.

There is more but that should get you started.

The Festival starts Wednesday. Because there are so many shorts being reviewed our coverage starts at midnight. If you want more information on the festival and tickets go here.

Thursday, January 7, 2016

The Oxford Film Festival is coming February 17 to 21. Get your tickets now.

Here's word on the Oxford Film Festival that is happening in Oxford Mississippi February 17 to the 21st. Oxford is not a place you'd think of as a film Mecca, hell, when I got the information on the festival I thought it was in England (Sorry guys and girls)., however if you look at the films they are running you'll realize pretty quickly there is something special here. 

Two films jump out the great ARMOR OF LIGHT about gun violence  and John Wildman's awesome LADIES OF THE HOUSE. That last one is a really big deal since the chance to see LADIES on the big screen is just really cool.(You need to see it big and with people-trust me). There are other films of course - a good number I'm hoping to see if the film gods smile on me, but those two should get you started.

As things stand right now I'm planning on doing some sort of coverage of the festival once it starts- but that's five weeks away and right now you need to have the information so you can buy up the tickets and make this festival a sell out for every show. To help you along I've posted the press release for the festival below. This spells everything out and lists the feature films they are running- I do have to say that I removed the list of short films they are screening for the sake of space- I printed out the press release out so I could make notes and found that the shorts alone filled 15 solid pages. My apologies to the shorts directors, but it was too much. (A full list can be found at the festival website)

You'll forgive me if I cut it short but I have 18 pages of films to go through to see what I'm going to see.  If you want more information beyond what's below or if you want to buy tickets the website can be found here.

And keep reading Unseen for reports from the festival.


THE 2016 OXFORD FILM FESTIVAL (FEBRUARY 17-21)
ANNOUNCES FULL SCHEDULE


TONY BLOODWORTH’s “FORCED MOVE”, REX JONES’ LONGLEAF:
THE HEART OF PINE, AND MARK POTTS’ “SPAGHETTI MAN”
WILL MAKE WORLD PREMIERES

21 SHORT FILMS ALSO SET TO DEBUT FOR THE FIRST TIME
AND 80 FILMMAKERS WILL ATTEND THE FEST REPRESENTING THEIR FILMS



Oxford, MS (January 5, 2016) – The 2016 Oxford Film Festival announced the full schedule and complete slate of films for this year’s edition. A record breaking 144 films (25 features, 119 shorts and music videos) representing 14 countries were selected for the film festival taking place February 17-21 in Oxford, Mississippi. A series of special filmmaker panels including a talk with film and television star Joey Lawrence will be offered for Mississippi filmgoers to attend, 21 short films will screen for the first time anywhere, and 21 alumni filmmakers will see their latest work screen at Oxford with as many as 80 filmmakers planning to attend the popular film festival.

Narrative feature films in competition this year include; Claire Carré’s
EMBERS; A.D. Calvo’s THE MISSING GIRL; Kostadin Bonev’s THE SINKING OF SOZOPOL; John W. Mann and Jon Gunn’s THE WEEK; and Rupert Glasson’s WHAT LOLA WANTS. Documentary features in competition are; Gerald Peary’s ARCHIE’S BETTY; Nick Brandestini’s CHILDREN OF THE ATTIC; Ryan Kelley’s DIXIE; Neal Broffman’s HELP US FIND SUNIL TRIPATHI; and Sara Kaye Larson and Joann Self Selvidge’s THE KEEPERS. The presentation of the Oxford Film Festival’s Hoka Awards will take place on Saturday, February 20 at The Lyric (1006 Van Buren Avenue).

Oxford Film Festival Executive Director Melanie Addington said, “The Oxford Film Festival continues to grow and this year’s selections – both in subject matter, representation from around the world, and the sheer number of films chosen – reflects that. As always, we are celebrating our ‘home grown’ filmmakers and their work, but we are also screening films with provocative subjects, from different cultures and a myriad of genres in our effort to deliver a broad spectrum of experiences in the theater to our eager Mississippi film fans. We also are thrilled at the idea of having so many filmmakers attend the festival this year to be here in-person, see their work screened, and be available to talk to the public about their movies.”

Highlights among the feature film selections include “can’t-miss” documentaries like; Amy Berg’s devastating documentary AN OPEN SECRET about the sexual abuse of minors in Hollywood; Les Blank’s A POEM IS A NAKED PERSON, his long-awaited profile of musician Leon Russell; Abigail Disney’s THE ARMOR OF LIGHT, which takes a look at an evangelical preacher’s efforts to discuss gun control; the world premiere of local filmmaker Rex Jones’ LONGLEAF: THE HEAR OF PINE, which traces the history and current status of the South’s primeval forest; and Joanne Grant’s Fundi: The Story of Ella Baker, which looks at the life of the civil rights figure.

On the narrative front, standouts include; Tony Bloodworth’s thriller FORCED MOVE and Mark Potts’ superhero comedy SPAGHETTI MAN which will both make their world premieres; 5-Second Films’ 80’s slasher films parody DUDE BRO PARTY MASSACRE III which is sure to be a crowd pleaser; Johnny Remo’s SAVED BY GRACE stars Joey Lawrence as a bitter ex-cop trying to come to terms with a tragic past with the help of a new relationship which brings some grace into his life; Max Myers’ SLIP, TUMBLE, AND SLIDE features Scott Wilson and Katherine Ross in a story about overcoming addiction through faith, music and love; an encore screening of John Stuart Wildman’s critically acclaimed grindhouse genre film THE LADIES OF THE HOUSE starring Anime voice talent Brina Palencia and former adult film star Michelle ‘Belladonna’ Sinclair; and a special presentation of the restored JONATHAN DEMME PRESENTS MADE IN TEXAS short film compilation about the punk rock scene of the 70s and early 80s, originally screened in 1981.

The series of panels offered are headed by a “Conversation with…Joey Lawrence” where he will discuss his career including his experiences being a teen idol and his new faith-based film SAVED BY GRACE, and include additional compelling panel subjects subjects such as “Casting Character Actors”, “Producing Films in Mississippi”, “Casting Child Actors”, “Dissecting Hollywood’s Diversity Problem”, “How to Get Film Critics to review Your Film”, and “Independent Black Film Collective”.

World premieres and star wattage dot the ambitious slate of short films screening at Oxford this year. Among the 21 world premieres are; Michaela O’Brien’s Anatomical Gifts; Jeremy Jensen’s Araignee; George Gross’ BOOKER WRIGHT’S MASHUP; Damein Wash’s Bottle of Sunshine; G.B. Shannon’s Broke Dick Dog; Kimberly Burleigh’s CANNOT PREDICT NOW; Eileen Myers’ THE FAVOR; Thad Lee’s FIDDLER’S GREEN; Jordan Liebwitz’s Hit & RUN; Sajad Abbas’ THE IRAQI SUPERMAN; Tate Moore’s Kudzu Kings 20th Anniversary; Michael Jackson Chaney’s LITTLE STICKER; Tim O'Grady’s MO’ BOUT JOE; James Martin’s THE NEW ORLEANS SAZERAC; Nancy Maria Balach and Katie McLaughlin’s Ole Miss Rebel Blues; Alice Walker’s Once A Month; Jason Rochelle’s One Star Delta Night; Calum Macdiarmid’s PREACHERMAN; Gloria Chung’s River Moon Black Birds; Roberta Munroe’s THE SIBLING CODE; and Gloria Chung’s Take the Bus on a Hot Summer Day.

Recognizable faces popping up among the short film selections include; Alex Karpovsky in Michael Tyburski’s Actor Seeks Role; Alvaro Ron’s THE RED THUNDER features the trio of television stars Allie Grant (“Weeds”), Miles Heizer (“Parenthood”), and Karen Strassman (“Silicon Valley”); Jeff Tan’s MOTHER’S DAY stars Academy Award-winner Melissa Leo; and Ridley Scott and Michael Fassbender are producers of David Victori’s ZERO.

2016 will mark a banner year for Oxford filmmaking alumni. Among the seemingly countless local filmmakers seeing their work screen at the festival for the second or third, etc. time are; ARCHIE’S BETTY director Gerald Peary Archie’s Betty (FOR THE LOVE OF MOVIES/2010); BROKE DICK DOG director G.B. Shannon (FRESH SKWEEZED/2012, PRETTY MONSTERS/2012, SONGS IN THE KEY OF DEATH/2013 and more); (Down Down Down director Coop Cooper (The Best Day/2012); Fallen Star AJC & The Envelope Pushers director Clay Hardwick; Fiddler’s Green director Thad Lee (Bill Lilly Builds a Greenhouse/2011); Fitting the Description in North Portland director Jarratt Taylor (THE NEW DEBUTANTES/2012); The Happy Song director Coop Cooper (The Best Day/2012); Hit & Run director Jordan Liebowitz (BINGO NIGHT/2015); THE HOUSE IS INNOCENT director: Nicholas Coles (TOWN PLANNER/2005); INTERSECTION director Brendan Beachman (STASIS/2009); Life is Super Gr8 director: Wade Vanover (REPEATER/2015); LIVING WITH H.I.V. director Kathryn A. Rodenmeyer (UPROOTED/2005); Nirvana: A Short Film About Lung Cancer director J. Michael Hicks (PICTURE SHOW/2014); River Moon Black Birds and TAKE THE BUS ON A HOT SUMMER DAY director Gloria Chung (TAKE 5 WITH MEMORY V/2015); Rock Me Slow director Edward Valibus (Songs in the Key of Death/2014); Snow Day director: Drew Smith (BOOK OF NOAH/2008 and BEING AWESOME/2014); STAGRASSLE PARANORMAL director Glenn Payne (A HORROR MOVIE/2015); and ’Til Death director Matthew Graves (Dummy/2007, The Show Must Go On/2012, Barry/2015).

Tickets and passes are available for purchase to attend the 2016 Oxford Film Festival. For more information go to http://www.oxfordfilmfest.com.


FILMS AND DESCRIPTIONS

Feature Films

A Poem is a Naked Person (2015)
Director: Les Blank
Country: USA, Running Time: 90 min
An ineffable mix of unbridled joy and vérité realism, A Poem Is a Naked Person presents the beloved singer-songwriter and Rock and Roll Hall of Famer Leon Russell as filmed by documentarian Les Blank between 1972 and 1974. This singular film about an artist and his community never got an official theatrical release and has attained legendary status. Now, after more than forty years, it can finally be seen and heard in all its rough beauty.

An Open Secret (2015)
Director: Amy J. Berg
Country: USA, Running Time: 98 min
An Open Secret is an expose of the systemic and ongoing sexual abuse of minors in Hollywood and the investigation into the now infamous Digital Entertainment Network (DEN).

Archie’s Betty (2015)
Director: Gerald Peary
Country: USA, Running Time: 79 min
An independent documentary search for the real-life characters behind Archie comics.

THE ARMOR OF LIGHT (2015)
Director: Abigail Disney
Country: USA, Running Time: 88 min
What price conscience? Abigail Disney's directorial debut, The Armor of Light, follows the journey of an Evangelical minister trying to find the courage to preach about the growing toll of gun violence in America.

Babysitter (2015)
Director: Morgan Krantz
Country: USA, Running Time: 80 min
A dysfunctional L.A. family hires a mysterious babysitter who changes their lives.

Children of the Arctic (2015)
Director: Nick Brandestini
Country: Switzerland, Running Time: 93 min
Children of the Arctic is a portrait of Native Alaskan teenagers coming of age at America's northernmost edge. As their climate and culture undergo profound changes, they strive to be both modern American kids and the inheritors of an ancient whaling culture.

Dixie (2015)
Director: Ryan Kelley
Country: USA, Running Time: 93 min
The song “Dixie” has haunted the United States for over 150 years. Written in 1859 by a blackface minstrel, the song became the national anthem for the confederacy during the American Civil War. Modern musicians, both black and white, have reinterpreted the song and offered new insights into what it means to be an American, and what the future holds for America's most dangerous song.

Dude Bro Party Massacre III (2015)
Directors: Tomm Jacobsen, Michael Rousselet, Jon Salmon
Country: USA, Running Time: 102 min
Behold comedy troupe 5-Second Films’ hysterical twist on 1980’s slasher flicks. In the wake of two back-to-back mass murders on Chico’s frat row, loner Brent Chirino must infiltrate the ranks of a popular fraternity to investigate his twin brother's murder at the hands of the serial killer known as Motherface.

Embers (2015)
Director: Claire Carré
Country: USA, Running Time: 85 min
After a global neurological epidemic, those who remain search for meaning and connection in a world without memory. Five interwoven stories explore how we might learn, love and communicate in a future that has no past.

FORCED MOVE (2016) - World Premiere
Director: Tony Bloodworth
Country: USA, Running Time: 79 min
A man discovers a series of brutal murders while on his daily jog. Realizing his home is next in the path of the killers, he races against time to save his family.

Fundi: The Story of Ella Baker (2015)
Director: Joanne Grant
Country: USA; Running Time: 63 min
Documentary reveals the instrumental role that Ella Baker, a friend and advisor to Martin Luther King, played in shaping the American civil rights movement. By looking at the 1960s from the perspective of Baker, the "godmother of the Student Nonviolent Coordinating Committee," Fundi adds an essential understanding of the U.S. civil rights movement.

Help Us Find Sunil Tripathi (2015)
Director: Neal Broffman
Country: USA; Running Time: 75 min
A family's search for their missing son and the hunt for suspects in a terror attack tragically converge in Help Us Find Sunil Tripathi, a film about truth and community in the age of social media.

Jonathan Demme Presents Made in Texas (2015)
Country: USA; Running Time: 103 min
The film presentation is a series of six restored short films from Austin, Texas made during the high energy, punk rock ‘70s and ‘80s. Demme originally curated this program in 1981 and the films have been restored and presented as they were from the original screening.

THE KEEPERS (2015)
Directors: Sara Kaye Larson, Joann Self Selvidge
Country: USA, Running Time: 70 min
The Keepers is a portrait of the personalities and work of zookeepers shot with unprecedented behind-the-scenes access at the Memphis Zoo. A bittersweet, nonjudgmental look at what it means to find a place for yourself, working a job that you love.

Ladies of the House (2015)
Director: John Wildman
Country: USA; Running Time: 93 min
Film follows the events surrounding a birthday outing with two brothers and a friend which turns into a horrific fight for survival after they become trapped in a house with a "family" of malevolent women who enjoy a pin-up lifestyle and a special diet.

LongLeaf: The Heart of Pine (2015) – World Premiere
Director: Rex Jones
Country: USA; Running Time: 54 min
A cultural and natural history of the South's ancient primeval forest. Towering stands of old-growth longleaf pine (pinus palustris) once covered over 90 million acres while stretching from southern Virginia to eastern Texas. Today, the total acreage is about two million, with only about two thousand of that considered old growth.

THE MISSING GIRL (2015)
Director: A.D. Calvo
Country: USA, Running Time: 89 min
The Missing Girl tells the story of Mort, the lonely and disillusioned owner of a comic book shop, and Ellen, the emotionally disruptive, aspiring graphic novelist he's hired. The story involves the search for a girl who isn’t missing and the discovery that it's never too late for late bloomers.

Saved by Grace (2015)
Director: Johnny Remo
Country: USA, Running Time: 82 min
A retired police officer (Joey Lawrence), despondent over the loss of his family, contemplates a dramatic decision which will change his life forever, until he meets a mysterious woman who, through her personal stories, gives him a reason to re-examine what is most important to him.

Searching for Hell (2015)
Directors: Pawel Nazaruk, Tomasz Adamski, Darek Barecki, Yuki Nakamura, Gloria Kurnik, James Kenney
Country: USA, Running Time: 77 min
Hell exists. It’s just not what you think it is. The world’s first full-length documentary film in virtual reality cinema.

THE SINKING OF SOZOPOL (2015)
Director: Kostadin Bonev
Country: Bulgaria, Running Time: 100 min
An aging man goes back to Sozopol and brings along his memories and ten bottles of vodka. It is clear that when the vodka is over, something must happen. Something that will change his life forever. Because when hope is gone, a miracle is the last resort.

Slip, Tumble and Slide (2015)
Director: Max Myers
Country: USA; Running Time: 96 min
A family struggles to help the father (Scott Wilson) stop drinking and regain the close ties he once had to his sons and to his wife (Katherine Ross). With love, faith and music the come together as a family.

Spaghetti Man (2015) - World Premiere
Director: Mark Potts
Country: USA, Running Time: 88 min
Clark doesn't care about you. He doesn't care about the world. He barely cares about himself. But after an incident with an old bowl of spaghetti and a malfunctioning microwave, he becomes a superhero that can fight crime with the power of spaghetti. However, you have to pay him.

Texas Heart (2015)
Director: Mark David
Country: USA, Running Time: 100 min
Film tells the story of Peter Franklin, a crooked lawyer who's caught up in a loveless existence, loses a critical case for the mob, and runs off to hide out in a backwoods Texas town. There he encounters a compelling story involving a mentally-challenged young man who is accused of killing a beautiful girl. Frank soon faces an agonizing choice: ignore the case in order to remain anonymous and far from the prying eyes of the mob or reach out and try to save the young man.

THE WEEK (2015)
Directors: John W. Mann, Jon Gunn
Country: USA, Running Time: 97 min
Dick Romans is a washed up TV host whose wife leaves him the day before their ten-year anniversary celebration. Alone with his thoughts, his dog, and a ton of booze, Dick decides to go through with the week-long party... by himself. The seven event-filled days become his reluctant vision quest, filled with odd characters, awkward romance, and some long-overdue self-examination.

WHAT LOLA WANTS (2015)
Director: Rupert Glasson
Country: USA, Running Time: 81 min
17-year old Lola Franklin runs away from home but allows the world to believe she has been kidnapped. Intent on making her way across country, she meets a boy her age in a New Mexico diner. They fall instantly in love. But when Marlo learns of the reward for Lola's safe return, he must confront his own past and decide whether to take Lola back home to collect the reward or help her continue her mysterious journey.


ABOUT OXFORD FILM FESTIVAL
The Oxford Film Festival was founded in 2003 to bring exciting, new and unusual films (and the people who create them) to North Mississippi. The annual four-day festival screens short and feature-length films in both showcase and competition settings, including narrative and documentary features and shorts; Mississippi narratives, documentaries and music videos, and narrative, documentary, animated and experimental shorts. The festival is a 501c3 not-for-profit organization.

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