A collection of reviews of films from off the beaten path; a travel guide for those who love the cinematic world and want more than the mainstream releases.
Sunday, July 4, 2021
Leslie Melville on ROCK PAPER AND SCISSORS which hits VOD July 6
Rock, Paper, and Scissors is a very ambitious project from Argentina created by filmmakers Martín Blousson and Macarena García Lenzi. One of the films greatest assets is its actors. When the audience is first introduced to Maria and Jose they appear to be harmless. It isn’t until Magdalena’s arrival that we see a change in their behavior. There were a few scenes in this film that caught me off guard. When you are watching an film from Argentina the last thing you expect to see is Dorothy from The Wizard Of Oz. Normally this type of reveal would never work in a film like this but because of the characters bizarre behavior it actually fits the story quite well.
It’s rare that you find a film that has a total of three characters without secondary characters to “beef up” the story line. Rock, Paper, and Scissors was created on a low budget. When you have a family that is going through hardships you need to have a certain type of atmosphere to make that believable. Adding too much of a budget to something like that would lessen the impact. People typically don’t think about how they would react in a crisis. You never know what you would truly be capable of unless you were put in a situation where your morals were tested. For many people, myself included, this is quite a scary realization.
Overall I think this film was pretty enjoyable. Some of the darker scenes reminded me of the Stephen King novel Misery, especially the scenes with Maria and Magdalena. I give Rock, Paper, and Scissors a 7/10. While I do think it had its fair share of problems it was still a great watch. I’d recommend this movie to anyone who is a fan of psychological thrillers and foreign cinema.
ROCK PAPER AND SCISSORS hits VOD July 6
Wednesday, December 30, 2020
Interview with Alex Svenson of Then Comes Silence
In March 2020 I reviewed the album “Machine” by Post Punk heroes, Then Comes Silence. The band hails from Stockholm, Sweden and have had quite the success on the European music charts. I recently had the opportunity to speak with the bands founder, Alex Svenson to discuss life as a musician in 2020. To read my review of their latest album, Go here.
LM: Covid 19 has affected musicians worldwide. Bands have had to improvise and be creative when it comes to releasing new music. How has the pandemic changed you as an artist?
AS: This pandemic affected everyone, every artist with big plans for 2020, small or big. That's the only consolation we had. We're in it together. The band realized during that same week we released 'Machine', that it was going to change most of our plans for this year. It later changed to... "all plans this year". It was when the Summer festivals started to email about postponing til 2021 that we had to accept the fact for good.
Necessity is the mother of invention. We needed to find other ways to reach out, promote the album and keep communicating with our friends, fans and followers. I think it began quite early when we among other artists started to make quarantine versions of songs and post them on social media. This was something new to all of us. In our community, the online events suddenly popped up one by one. Gothicat Festival was one of the first and in my opinion the leading one in these trying times.
The concept of live stream was new. We didn't want to just film a live set in our practice space using a phone with crappy sound. We decided that if we were going to do a live stream it had to be with a professional team. Gear, camera men, a sound engineer and assistants. We put our trust in donations to cover the expenses, and it worked higher than our expectations.
LM: Live stream concerts have become the go to way to connect with fans from all over the world. This approach allows more people to see you play while removing the live concert experience. What is the thing you miss most about performing in front of a live audience?
AS: I miss everything about live shows. Sure, a live stream is better than nothing, but it's hardly the same thing in an empty room with a couple of cameras and wifi. It's stressful and confusing. Totally new to us. Some might say it's just like a live TV performance. I have done a couple of them in my music career and it's not the same at all. A live stream is more fragile. It's self produced and there's no backup if something goes wrong. I miss the noisiness, the sweat, the stage, the preparations backstage, the travelling and meeting new people.
LM: Your latest album "Machine" was released in March 2020 just before the global pandemic. The sixth track "Apocalypse Flare" seems quite fitting during this unprecedented event. Does this song have a different meaning to you now than when you had written it?
AS: No, the meaning of the song is still the same and I don't feel it's any different now when we're living in a time where we will have to face the consequences of ignorance and negligence. That's what the song is about. We all know it's heading somewhere bad. Tomorrow could be worse than today, but we still want to find that nice spot at the beach and enjoy the sun while it's still there.
LM: The soundtrack to any film is quite important. If you had the chance to have your music featured in any film which film would you choose and why?
AS: There was an Italian low budget horror film that asked permission to use a song. That was before the virus took over everything. We haven't heard what happened since then.
I know we'd love to have our music featured in any kind of film actually. Even more so... we'd like to do the whole soundtrack if someone asks us. I have worked with film scores and theatre play music before.
LM: The writing process for each artist is so different. Out of all the music you've written which song did you find the easiest to write, and which was the most difficult?
AS: Some songs were written in a day like, 'Strangers' and 'We Lose The Night'. There are always some songs that require more time. I was saving the riff for ‘Strange Kicks' for some time before it became a song. It didn't fit anywhere until some other chords mixed well together with the rest. That's quite common. You have short little melodies that you save for a better day. 'Kill It' took some time I remember.
LM: When did you first realize you wanted to be a musician and what was the first song you ever wrote?
AS: I have always known I was going to work with art in some way. I have been drawing and painting since young toddler days. I discovered music quite late. I was about fourteen and one of my influential friends showed me the world of synth and electronic music. I bought a second hand Moog synthesizer and started writing simple Synthpop. I don't remember my first song. It was probably not good.
LM: What inspires you as an artist and are there any hidden meanings behind your songs or albums?
AS: Everything inspires me. Watching, listening to and studying other people. That means some serious eavesdropping of course. Movies are a great influence. I'm a gemini, I don't read books that often. I'm easily distracted. Films, audio and images give me the information more quickly and it definitely works better for me. I envy people that enjoy reading a book. It looks so peaceful. There is always something hidden in music. It's an abstract way of expression and that gives you so many possibilities and so much freedom. That makes music so interesting and powerful. I hide stuff all the time.
LM: Despite the strange events that have occurred this year TCS have managed to gain a lot of new fans. I'm sure this is both exciting and unexpected. Is there anything you would like to say to your fans?
AS: The music community, whether it's mostly Goth, Post-Punk, Metal, Industrial or Darkwave for some of us... it has been one of... if not the most important saviour this year. It feels like I have gained so many new friendships. It feels like I know so many of the faces I see almost everyday on social media. We have been supportive to one another. It probably would been unbearable without the contact of other people online.
Everything was soaked in the pandemic, poisoned in politics and affected by the climate change. Words like "postponed", "cancelled", "quarantine", "racist" and "lockdown" make me want to throw up.
There were some really dark days, sad moments, stressful times with a high level of anxiety, but there were also light, compassion and hope.
I would like to say thank you to everyone and see you for ‘All Tomorrow’s Parties’.
** A big you to Alex for collaborating with me on this interview. If you’re interested in learning more about Then Comes Silence please visit their Facebook page. To purchase merchandise visit their Band Camp merch store. Their music is also available on streaming services such as Spotify and iTunes.
Monday, November 30, 2020
What Lies Below Film Review
A 16 year old returns from camp to discover her mother has welcomed a new man into her life. This unconventional story of love and suspense takes the genre in a fresh, new direction with Braden R. Duemmler’s mystery thriller, “What Lies Below”.
It was strange yet refreshing to see Mina Suvari playing the roll of a mother. I grew up watching her in classic 90’s films from “American Beauty” to “American Pie”. She’s a natural. She’s a great actress at any age and I think this is a testament to her acting style as well as her talent as a performer. The character of Michelle is very relatable in many ways. One of which being her estranged relationship with her deceased father. She wanted to be loved by someone who put the needs of her sibling first. I think this is something a lot of viewers can relate to. I interpreted her need for love as her reasoning for falling for John so quickly. She’s vulnerable and unfortunately she was the perfect prey and an easy target.
Ema Horvath is an up and coming actress who showcased her talent when she portrayed 16 year old Liberty. She’s shy, introverted, and a little awkward. Her relationship with her mother appears to be somewhat strained. Perhaps this is due to her inheritance from Michelle’s father. He left her a cabin in his will which has led her mother to feel as though he loved her child more than his own daughter. The mother / daughter bond is quickly tested when John starts exhibiting strange behavior.
Overall I think “What Lies Below” is a fantastic genre piece. The ending is unique and not what I expected, especially with the tone of the film during the first two acts. The story is aware but doesn’t take itself seriously. The characters aren’t overly simplistic or unintelligent. They’re a family just like you and I. They’re a little broken, a little damaged, and this lead to what unfolds during the third act. Everything flows perfectly with no feelings of forced chemistry or interactions. I suggest watching this film if you’re a fan of suspenseful thrillers. The ending is a complete surprise up until the last shot which I think many of you will enjoy. “What Lies Below” is being released through Vertical Entertainment on Demand and Digital December 4, 2020.
Thursday, November 5, 2020
Leslie Melville on Survival Skills (2020) which hits select theaters tomorrow before hitting VOD 12/4
Friday, October 2, 2020
Leslie Melville on To Your Last Death which hits VOD and home video on October 6
To Your Last Death artist Carl Frank (Magic: The Gathering) uses an impressive combination of both comic book art and 2-D animation which are meant to create a graphic novel appearance. The visuals are spectacular, with the artwork being similar to what you’d find in the adult animated series Archer.
The choice of having William Shatner lend his voice to this project as The Overseer was a brilliant choice that really ties the entire film together. I found myself being enthralled with this story. Although the characters are animated there’s a human type quality to them that makes them relatable.
Gamemaster and Miriam are my favorite characters. They each create a unique balance between good and evil. The action sequences and high powered gore scenes work so well within this medium. If this were a live action film I don’t think the quick paced atmosphere would work nearly as well.
I love a story that keeps you on your toes and this one certainly does. Within the first 25 minutes of the film there are so many surprising twists that I wasn’t prepared for. If you aren’t a fan of slow burn films, and you want something that grabs your attention immediately, this film should definitely be on the top of your must watch list.
I’d recommend To Your Last Death to anyone who is a fan of horror and animation. This is such a strong and unique story that I think it deserves a 10/10 rating. The amount work that went into creating this movie is incredible. There was so much drive and determination by everyone involved. Writers Jim Cirile, Tanya C. Klein and Director Jason Axinn did a fantastic job and I look forwarding to seeing more from them.
Saturday, August 22, 2020
Dinner in America - Fantasia International Film Festival
Tuesday, August 18, 2020
Survival Skills - Fantasia International Film Festival
Sunday, July 12, 2020
Relic Film Review
Kay (Emily Mortimer; Mary Poppins Returns, Shutter Island) and her daughter Sam (Bella Heathcote; Pride and Prejudice and Zombies, Dark Shadows) travel to visit Kay’s mother, Edna (Robyn Nevin; The Matrix Reloaded, Gods of Egypt) after she mysteriously vanishes from her home. While in the process of taking care of her grandmother, Sam starts to notice strange happenings in the house that seem rather harmless at first glance. Over time the duo discovers that something seems a little off about Edna and she seems to have returned a shell of her former self.
Relic is one of the most unique genre films I have seen in a long time. It encompasses both family and horror in the same realm without trying too hard to win over its audience. It flows beautifully and tells the tale of a daughter struggling to come to terms with her mothers dementia. The choice to use the house as a metaphor for the disease was a brilliant choice and adds to the dark atmosphere of the film. The lack of jump scares and cheap thrills is a welcomed change in modern cinema, especially ones of this caliber. I thought the darkness tone of the film matched beautifully with the haunting music and the artistic videography. They all worked so well together to create a cohesive film that is both memorable and enjoyable.
I first discovered Emily Mortimer when she played Chloe in the 2005 Woody Allen film Match Point opposite Jonathan Rhys Meyers and Scarlett Johansson. After watching the trailer for Relic I could already see her character coming to life. She has this gift you rarely see in films these days. She pulls genuine emotion from her audience and makes them feel like the character she’s playing is a real person. Even though I didn’t know Kay very well as a character I identified with her as a woman and as a daughter.
Bella Heathcote is known for her portrayal of Victoria Winters in Tim Burton’s interpretation of Dark Shadows. It was great to see Bella in a more controlled environment. Her skills as an actress really shined here. Sam is a young woman who is struggling to figure out what it is she wants to do with her life and incorporating that into this story makes her someone people of all ages can relate to.
Robyn Nevin did a superb job playing Edna. I believed that she was someone’s loved one who is going through a big change in the later years of her life. I really cared about what happened to her. The way Robyn portrayed Edna’s disconnect from reality was both convincing and heartbreaking. I would definitely recommend watching her other films.
I would suggest Relic to fans who enjoy a little drama and realism in their horror films. If you’re looking for some thing that is both Erie and relatable I think this is the film for you. The entire cast is phenomenal. They bring this story to life and I really enjoyed it. I give Relic a 9/10. I wish we had gotten to know Edna before her disappearance in order to really get a good glimpse at how shocking her transformation really was. Aside from that I thought it was brilliant. Relic was praised during its opening at Sundance Film Festival in 2019. The film opens on July 10 In Theaters and also available On Demand / Digital Rental.
Friday, February 14, 2020
Camp Cold Brook Film Review Starring Danielle Harris and Chad Michael Murray
Saturday, February 8, 2020
Tingle Monsters Short Film Review - Final Girls Film Festival
Video platforms such as YouTube and Twitch make it easy to connect with people from all over the world. As humans we have become fascinated with the lives of strangers. Tingle Monsters gives us a look into a fictional world where this lifestyle can become extremely dangerous. This short may be fictional but the subject matter certainly isn’t.
Writer and Director Alexandra Serio has a unique vision with this piece and I think it works. Her knowledge of the ASMR culture makes the story feel more authentic. Her portrayal of Dee was quite impressive especially with the time given. The difference between a short film and a full length feature is that a short film does not have the luxury of time. Instead of being able to stretch out a plot over the entirety of the film it’s condensed and when this happens it can feel very forced and unnatural. I was happy to see that this was not the case here. I felt like I was watching a real ASMR video.
I encourage all of you to give this film a watch. It’s fun, creative, and attention grabbing. Tingle Monsters is being shown at the 2020 Final Girls Film Festival in Berlin, Germany.
Thursday, February 6, 2020
Swallow Film Review - Final Girls Film Festival
Swallow is a great example of a film that concentrates on the darker side of marriage. It explains in detail what can happen when you marry someone and you spend that entire relationship not being yourself but trying to be someone else for the one you love. It’s a great way to look into a relationship without rose tinted glasses. Few films are able to do this in a way that is truly relatable.
Haley Bennett’s portrayal of Hunter is fantastic. She is able to make her character seem both relatable and detached all at the same time. It’s almost as if she’s playing two separate characters that merge together seamlessly and I applaud her for her abilities. After seeing this film I cannot imagine anyone else playing the role of Hunter.









































