This year’s festival will highlight in-person programming at Film at Lincoln Center and SVA Theatre, featuring over 60 world, international, and North American premieres, with many selections also available virtually to fans of Asian cinema across the country.
New York, NY (July 7, 2021) – On August 6, 2021, the New York Asian Film Foundation and Film at Lincoln Center will kick off the 20th edition of the New York Asian Film Festival (NYAFF), a hybrid event with NYAFF’s largest film lineup to date. The Festival will screen over 60 films, both virtually and in person, to audiences in New York and across the country from August 6 – 22, 2021.
NYAFF’s 2021 lineup will include two world premieres, six international premieres, 29 North American premieres, eight U.S. premieres, and nine New York premieres, showcasing the most exciting action, comedy, drama, thriller, romance, horror, and art-house films from East Asia.
Following an unprecedented year in which COVID-19 and increased violence against the Asian community in the United States presented enormous challenges, NYAFF is more committed than ever to increasing exposure of Asian representation on screen, and to providing opportunities for audiences of all communities to experience the diversity and brilliance of Asian cinema.
Following a fully virtual 19th edition, NYAFF is delighted to present almost half of this year’s 60+ titles in person. To celebrate, as well as to mark its 20th year, the Festival will be co-hosting, with the Hong Kong Economic and Trade Office in New York and Film at Lincoln Center, a free outdoor screening in Damrosch Park of Raymond Lee’s wuxia classic Dragon Inn AKA New Dragon Gate Inn on August 11. The all-star remake of King Hu’s iconic Dragon Inn is one of the wildest and most epic films ever produced by Tsui Hark.
“It’s been tough all over, but after last year’s unprecedented all-virtual edition, we’re thrilled to be back in person,” said Samuel Jamier, Executive Director of NYAFF and President of the New York Asian Film Foundation. “We’re especially excited about all the stars aligning so we can host the outdoor screening of the Hong Kong uber-classic, Dragon Inn AKA New Dragon Gate Inn. This marks the 10th anniversary of the film’s restoration by NYAFF, and the 29th anniversary of the film, which stars two of Hong Kong’s greatest actresses of all time, Maggie Cheung and Brigitte Lin, as well as Donnie Yen in supervillain mode. What better way is there to celebrate the 20th anniversary of the festival?”
NYAFF is also thrilled to host the world premiere of Yu Irie’s Ninja Girl, a pointed political satire that is as sneakily subversive as its old-school superspy namesake. Japanese director Irie (8000 Miles, NYAFF 2010) has crafted a breezy, brave condemnation of racism and willful ignorance that also happens to be hilarious, action-packed, and surprisingly moving.
Among the many other festival highlights is the North American premiere of Tough Out, by veteran social-issues documentarian Xu Hui-jing, who brings a Hoops Dreams–level depth and an admirable lack of sentimentality to this film about underprivileged youngsters in a baseball camp near Beijing. The coaches’ unwavering commitment to the children is a resounding humanist outcry that demands to be heard. NYAFF will also host the North American premiere of Maung San’s Money Has Four Legs, a satire about indie filmmaking set in Myanmar. With the ongoing political crisis in the country, and the film’s producer Ma Aeint currently detained by the military, Money Has Four Legs deserves to be seen now more than ever.
From South Korea comes The Book of Fish, a gorgeously lensed homage to classical black-and-white cinema by Lee Joon-ik (The King and the Clown). Inspired by real events and infused with poetic humanism, it stars Sol Kyung-gu and Byun Yo-han and is set on beautiful Heuksando Island during the Joseon era. In the sweet, sexy, sassy Here and There from the Philippines, Janine Gutierrez (star of NYAFF 2020 Opening Film The Girl and the Gun) and JC Santos are perfectly paired in a meditation on the COVID-19 pandemic, a wonderful blend of romantic escapism and heavier topics of family, health, and distance that have impacted us all.
Also in store for in-person audiences are three premieres from Japan that run the gamut of styles and genres: the indescribable stop-motion masterwork Junk Head, a dystopian sci-fi tale that took seven years to complete and has become one of Guillermo del Toro’s personal favorites; a no-holds-barred send-up of the patriarchy, jigoku-no-hanazono: Office Royale, featuring brawling, bruising “office ladies” who take aim at workplace emancipation with their own fists and flying feet; and Last of the Wolves, Kazuya Shiraishi’s ferocious sequel to The Blood of Wolves (NYAFF 2018). A rousing homage to Kinji Fukasaku’s meanest pictures, it takes no prisoners and knows no bounds.
This year’s Hong Kong Panorama—presented with the support of the Hong Kong Economic and Trade Office in New York, the Festival’s longest-standing partner and sponsor organization—includes 12 diverse and exciting titles, many of them by emerging directors, sending a positive message of hope for the future of cinema in Hong Kong. Among the remarkable debuts are: Shadows, Time, Zero to Hero (produced by and starring Sandra Ng, a NYAFF guest in 2014), and the documentary Keep Rolling. The lineup also includes exceptional new work by masters, such as Soi Cheang’s electrifying Limbo, a brutal thriller about the hunt for a serial killer starring Gordon Lam Ka Tung. And on a lighter note, there are Breakout Brothers, a prison escape dramedy, and All U Need is Love, an infectious (pun intended) response to the pandemic initiated by prolific superstar Louis Koo.
Along with the Uncaged Award for Best Feature Film competition, the Festival has established exciting new sections for its 20th edition. Films will now be grouped thematically, in the following sections: Beyond Borders, Crowd Pleasers, Frontlines, Genre Masters, Next/Now, Standouts, and Vanguards (see descriptions below).
While the festival is showcasing an unusually high number of feature debuts with this edition, it is also highlighting improved gender parity in the film industry. Commented NYAFF Associate Director Claire Marty, “After our special focus on women in front of and behind the camera at the 2020 NYAFF, we’re honored to continue championing female-forward films this year. The festival has some great films by women directors, including Taiwan’s The Silent Forest, based on harrowing true events, and Japan’s Hold Me Back, a vibrant female-driven dramedy.” Another of the highlights is Barbarian Invasion, by Tan Chui Mui, a pioneer of the Malaysian New Wave, who returns after a decade’s break to star in and direct a self-described cross between Korean art-house auteur Hong Sangsoo and the Jason Bourne action franchise.
Following our successful virtual screenings last year, NYAFF screenings will again be available nationwide in 2021, giving Asian cinema fans who aren’t living in New York the opportunity to watch films that don’t come to their local multiplex. From the deadly serious to the gleefully absurd, from the disquieting to the freaky, NYAFF continues to celebrate the most vibrant and provocative cinema out of Asia today.
The New York Asian Film Festival is co-presented by the New York Asian Film Foundation and Film at Lincoln Center, and takes place from August 6 – 22, 2021 at FLC’s Walter Reade Theater (165 West 65th Street) and in the FLC Virtual Cinema, and from August 9 – 22 at SVA Theatre (333 West 23rd Street). It is curated by Executive Director Samuel Jamier, Associate Director Claire Marty, and programmers David Wilentz, Karen Severns, and Koichi Mori.
LINEUP (60+ films) — look for more titles to be announced next week
(Please note the program is still subject to change.)
SPECIAL 20TH ANNIVERSARY CLASSIC SCREENING IN DAMROSCH PARK
Dragon Inn AKA New Dragon Gate Inn | dir. Raymond Lee, Hong Hong 1992 | In-person Only
Films with broad appeal and titles accessible to all tastes
- All U Need is Love | dir. Vincent Kok, Hong Kong 2021 | North American Premiere. Virtual Only
- Breakout Brothers | dir. Mak Ho Pong, Hong Kong 2020 | North American Premiere. Virtual Only
- The Con-Heartist | dir. Mez Tharatorn, Thailand 2020 | North American Premiere. Virtual Only
- From Today, It's My Turn!! | dir. Yuichi Fukuda, Japan 2020 | U.S. Premiere. Virtual Only
- Hold Me Back | dir. Akiko Ohku, Japan 2020 | U.S. Premiere. Virtual Only
- jigoku-no-hanazono: Office Royale | dir. Kazuaki Seki, Japan 2021 | North American Premiere. In-person Only
- My Missing Valentine | dir. Chen Yu-hsun, Taiwan 2020 | New York Premiere. Virtual Only
- One Second Champion | dir. Chiu Sin-Hang, Hong Kong 2020 | New York Premiere. Virtual Only
- Tonkatsu DJ Agetaro | dir. Ken Ninomiya, Japan 2020 | North American Premiere. Virtual Only
- Zero to Hero | dir. Wan Chi-Man, Hong Kong 2021 | North American Premiere. In-person Only
Innovative new work that tweaks and twists genre conventions
- The Fable: The Killer Who Doesn't Kill | dir. Kan Eguchi, Japan 2021 | North American Premiere. In-person Only
- Last of The Wolves | dir. Kazuya Shiraishi, Japan 2021 | North American Premiere. In-person Only
- Limbo | dir. Soi Cheang, Hong Kong, 2021 | North American Premiere. In-person Only
- Midnight | dir. Kwon Oh-seung, South Korea 2021 | International Premiere. Virtual Only
- Sweetie, You Won’t Believe It | dir. Yernar Nurgaliyev, Kazakhstan 2020 | North American Premiere. Virtual Only
Highlighting emerging voices and promising works by up-and-coming directors
- Here And There | dir. JP Habac, Philippines 2021 | North American Premiere. In-person & Virtual
- Keep Rolling | dir. Man Lim Chung, Hong Kong 2020 | New York Premiere. Virtual Only
- Money Has Four Legs | Maung Sun, Myanmar 2020 | North American Premiere. Virtual Only
- The Old Town Girls | dir. Shen Yu, China 2020 | North American Premiere. Virtual Only
- Shadows | dir. Glenn Chan, Hong Kong 2020 | North American Premiere. Virtual Only
- Time | dir. Ricky Ko, Hong Kong 2021 | North American Premiere. Virtual Only.
Films that tell stories about characters confronting different cultures
- The Asian Angel | dir. Yuya Ishii, Japan 2021 | North American Premiere. In-person Only
- Fighter | dir. Jéro Yun, South Korea 2020 | North American Premiere. Virtual Only
- Nasi Lemak 1.0 | dir. Namewee, Malaysia 2021 | International Premiere. TBD
- A Song for You | dir. Dukar Tserang, China 2020 | North American Premiere. In-person Only
Films grounded in the lives of those in marginalized communities, with narratives that examine pressing issues
- Babi | dir. Namewee, Malaysia 2020 | North American Premiere. TBD
- A Balance | dir. Yujiro Harumoto, Japan 2020 | North American Premiere. In-person Only
- I Don't Fire Myself | dir. Lee Tae-Gyeom, South Korea 2020 | North American Premiere. Virtual Only
- Ninja Girl | dir. Yu Irie, Japan 2021 | World Premiere. In-person Only
- The Silent Forest | dir. Ko Chen-nien, Taiwan 2020 | New York Premiere. Virtual Only
- Three Sisters | dir. Lee Seung-won, South Korea 2020 | North American Premiere. Virtual Only
- Tough Out | dir. Xu Hui-jing, China 2020 | North American Premiere. Virtual Only
- The Way We Keep Dancing | dir. Adam Wong, Hong Kong 2020 | New York Premiere. Virtual Only
Exceptional films, regardless of their premiere status
- Blue | dir. Keisuke Yoshida, Japan 2021 | U.S. Premiere. Virtual Only
- The Book of Fish | dir. Lee Joon-ik, South Korea 2021 | International Premiere. In-person Only
- Samjin Company English Class | dir. Lee Jong-pil, South Korea 2020 | New York Premiere. In-person & Virtual
- Under the Open Sky | dir. Miwa Nishikawa, Japan 2020 | New York Premiere. In-person Only
Original films that break away from formalistic and/or narrative conventions
- As We Like It | dir. Muni Wei, Chen Hung-i, Taiwan 2021 | East Coast Premiere. Virtual Only
- Barbarian Invasion | dir. Tan Chui Mui, Malaysia 2021 | North American Premiere. In-person Only
- Junk Head | dir. Takahide Hori, Japan 2021 | U.S. Premiere. In-person Only
- Over the Town | dir. Rikiya Imaizumi, Japan 2021 | U.S. Premiere. Virtual Only
- Zokki | dir. Naoto Takenaka, Takayuki Yamada, Takumi Saitoh, Japan 2021 | North American Premiere. Virtual Only
NOTES TO EDITOR:
A second wave of announcements will be made next week containing the Opening and Closing films, the Uncaged competition films and jury members, and the recipients of the following NYAFF awards: Variety Lifetime Achievement, Variety Star Asia, Rising Star Asia, and Daniel A. Craft Award for Excellence in Action Cinema.
NYAFF TICKET PRICING AND INFO:
Tickets for the 20th New York Asian Film Festival go on sale Friday, July 23 at noon. Virtual programs are $12 each with a discounted FLC All-Access Pass available for $150 for access to over 30 virtual titles. Tickets for in-person programming are $15 for General Public and $12 for students, seniors (62+), and persons with disabilities. A discounted six-film FLC All-Access Pass for in-person programming is also available for $60. FLC members can purchase discounted tickets at $9.60 for all virtual titles and $10 for in-person tickets.
Additionally, SVA will feature 25+ films for in-person screenings. With All-Access Pass pricing to be announced at nyaff.org.
For additional information, please visit Film at Lincoln Center at filmlinc.org, New York Asian Film Festival at nyaff.org, and follow us on social media @filmlinc and @nyaff.
ABOUT NEW YORK ASIAN FILM FESTIVAL (NYAFF)
Now in its 20th year, the New York Asian Film Festival (NYAFF) is North America’s leading festival of popular Asian cinema, which The Village Voice has called “the best film festival in New York,” and The New York Times has called “one of the city’s most valuable events.” Launched in 2002, the festival selects only the best, strangest, and most entertaining movies to screen for New York audiences, ranging from mainstream blockbusters and art-house eccentricities to genre and cult classics. It was the first North American film festival to champion the works of Johnnie To, Bong Joon-ho, Park Chan-wook, Takashi Miike, and other auteurs of contemporary Asian cinema. Since 2010, it has been produced in collaboration with Film at Lincoln Center.
THE NEW YORK ASIAN FILM FOUNDATION
The New York Asian Film Foundation Inc. is America’s premier 501(c)(3) nonprofit organization dedicated to the exhibition and appreciation of Asian film culture in all its forms, with year-round festivals and programs, and a view to building bridges between Asia and America.
The New York Asian Film Foundation’s flagship event is the annual New York Asian Film Festival (NYAFF), which has been presented in collaboration with Film at Lincoln Center since 2010. Now entering its 20th year, NYAFF is North America’s leading festival of Asian cinema.
The Foundation’s other events and initiatives include special screening events and an annual Winter Showcase at the SVA Theatre.
The New York Asian Film Festival, a program of the New York Asian Film Foundation, is made possible in part by the New York State Council on the Arts with the support of Governor Andrew M. Cuomo and the New York State Legislature.
The following films are presented with the support of:
HONG KONG ECONOMIC AND TRADE OFFICE IN NEW YORK:
All U Need is Love, Breakout Brothers, Keep Rolling, Limbo, Dragon Inn AKA New Dragon Gate Inn, One Second Champion, Shadows, Time, The Way We Keep Dancing, Zero to Hero.
TAIPEI CULTURAL CENTER OF TECO IN NEW YORK:
As We Like It, A Leg, My Missing Valentine, The Silent Forest.
KOREAN CULTURAL CENTER NEW YORK:
The Book of Fish, Fighter, I Don't Fire Myself, Midnight, Samjin Company English Class, Three Sisters.
JAPAN FOUNDATION NEW YORK:
The Asian Angel, A Balance, Blue, The Fable: The Killer Who Doesn't Kill, From Today, It's My Turn!!, Hold Me Back, jigoku-no-hanazono: Office Royale, Junk Head, Last of The Wolves, Ninja Girl, Over the Town, Tonkatsu DJ Agetaro, Under the Open Sky, Zokki.
FILM AT LINCOLN CENTER
Film at Lincoln Center is dedicated to supporting the art and elevating the craft of cinema and enriching film culture.
Film at Lincoln Center fulfills its mission through the programming of festivals, series, retrospectives, and new releases; the publication of Film Comment; the presentation of podcasts, talks, and special events; and the creation and implementation of Artist Initiatives. Since its founding in 1969, this nonprofit organization has brought the celebration of American and international film to the world-renowned Lincoln Center arts complex, making the discussion and appreciation of cinema accessible to a broad audience and ensuring that it remains an essential art form for years to come.