Friday, September 16, 2022
Nate Hood on The Seer and The Unseen which plays Ovid September 9/20
Sara Dosa’s The Seer and the Unseen is the portrait of one woman’s battle to preserve her beliefs and homeland from the ravages of capitalism run wild. At least it should’ve been. Overlong and unfocused, the film attempts too many things at once, veering wildly from lectures about the Icelandic economy and the reckless “Viking investors” whose antics exacerbated the 2008 financial crisis to glorified home movies of Ragga puttering around her home with her family. These latter are at least tolerable due to their depiction of how folk beliefs are transmitted through the generations, but when the serious topics of climate change and economic corruption show up they feel thematically out of place. It grows into a film of visceral psychological violence, unflinchingly showing the abuse of protestors by police and the destruction of the environment by construction workers.
This film needed tighter focus, a clearer purpose, and about fifteen minutes shaved off.